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Delirious New York set the pace for Koolhaas's career.
Koolhaas celebrates the " chance-like " nature of city life: " The City is an addictive machine from which there is no escape " " Rem Koolhaas ... defined the city as a collection of “ red hot spots .” ( Anna Klingmann ).
As Koolhaas himself has acknowledged, this approach had already been evident in the Japanese Metabolist Movement in the 1960s and early 1970s.

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