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Edward-Rhys Harry, erstwhile director of Bristol Chamber Choir ( formerly the Bristol Madrigal Society mentioned earlier ), was responsible for a landmark recording of Pearsall's setting of the Requiem Mass in 2009.
Using Christopher Brown's edition ( typeset by OUP in 2006 ), which was published by the Church Music Society, he created a new revised version which sought to address many of the issues raised by the original manuscript-specifically Pearsall's lack of definition regarding verbal underlay.
The recording remains available from Bristol Chamber Choir.

1.880 seconds.