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After his Neorealist Trilogy, Rossellini produced two films now classified as the ' Transitional films ': L ' Amore ( 1948 ) ( with Anna Magnani ) and La macchina ammazzacattivi ( 1952 ), on the capability of cinema to portray reality and truth ( with recalls of commedia dell ' arte ).
In 1948, Rossellini received a letter from a famous foreign actress proposing a collaboration:

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