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On January 4, 1946, the New York State Censor Board banned Scarlet Street entirely, relying on the statute that gave it power to censor films that were " obscene, indecent, immoral, inhuman, sacrilegious " or whose exhibition " would tend to corrupt morals or incite to crime.
"' As if in a chain reaction, one week later the Motion Picture Commission for the city of Milwaukee also banned the film as part of a new policy encouraged by police for " ' stricter regulation of undesirable films.
' " On February 3 Christina Smith, the city censor of Atlanta, argued that because of " the sordid life it portrayed, the treatment of illicit love, the failure of the characters to receive orthodox punishment from the police, and because the picture would tend to weaken a respect for the law ," Scarlet Street was " licentious, profane, obscure and contrary to the good order of the community.
" ... Universal was discouraged from challenging the constitutionality of the censors by the protests of the national religious groups that arose as the Atlanta case went to court.

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