Page "Speak (novel)" Paragraph 18
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Barbara Tannert-Smith refers to Speak as a " postmodern revisionary fairy tale " for its use of fairy tale imagery.
She sees Merryweather High School as the " ideal fairy tale domain ", featuring easily categorized characters — a witchy mother, a shape-shifting best friend, a beastly rapist.
According to Don Latham, Melinda's aversion to her reflection illustrates acknowledgement of her fragmented identity.
In fact, the only mirror Melinda can " see herself " in, is the three-way mirror in the dressing room.
Rather than giving the illusion of a unified self, the three-way mirror reflects Melinda's shattered self.
The walls of Melinda's closet are covered in her tree sketches, creating a metaphorical forest in which she hides from reliving her trauma.
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