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In 1995, Taylor began a creative partnership with animator Doug TenNapel by scoring two of TenNapel's projects.
The first was a cartoon series for CBS called Project G. e. e. K. e. R.
and the second was a popular PC CD-ROM video game entitled The Neverhood.
That soundtrack earned many awards and critical acclaim and continues to sell well on CD.
Taylor went on to score two more video games for TenNapel, 1998's Skullmonkeys and 1999's Boombots.
Both games were created for Sony's PlayStation video game console.
The best known track from Skullmonkeys is the " Li ' l Bonus Room " track, regarded by many in the video game industry as the single funniest track ever written for a video game.

1.891 seconds.