Page "The Return of Godzilla" Paragraph 66
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Roger Ebert, who gave the film a mere one star in the Chicago Sun-Times, wrote :" The filmmakers must have known that the original Godzilla ( 1956 ) had many loyal fans all over the world who treasured the absurd dialogue, the bad lip-synching, the unbelievable special effects, the phony profundity.
Examples: Dialogue: Is so consistently bad that the entire screenplay could be submitted as an example.
My favorite moment occurs when the hero and heroine are clutching each other on a top floor of a skyscraper being torn apart by Godzilla and the professor leaps into the shot, says " What has happened here?
Lip-synching: Especially in the opening shots, there seems to be a subtle effort to exaggerate the bad coordination between what we see and what we hear.
All lip-synch is a little off, of course, but this movie seems to be going for condescending laughs from knowledgable filmgoers.
Special effects: When Godzilla marches on Tokyo, the buildings are the usual fake miniature models, made out of paint and cardboard.
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