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This trend towards court-based tragedy was contemporary with a change in dramatic tastes toward the satiric and cynical, beginning before the death of Elizabeth I but becoming ascendant in the few years following.
The episcopal ban on verse satire in 1599 appears to have impelled some poets to a career in dramaturgy ; writers such as John Marston and Thomas Middleton brought to the theaters a lively sense of human frailty and hypocrisy.
They found fertile ground in the newly revived children's companies, the Blackfriars Children and Paul's Children ; these indoor venues attracted a more sophisticated crowd than that which frequented the theaters in the suburbs.

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