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The play has been adapted for radio many times, especially in the early 20th century.
In 1924, extracts were broadcast on the BBC Regional Programme, performed by the Cardiff Station Repertory Company as the eight episode of a series of programs showcasing Shakespeare's plays, entitled Shakespeare Night.
Extracts were also broadcast in 1925 as part of Shakespeare: Scene and Story, with William Charles Macready and Edna Godfrey-Turner, and in 1926 as part of Shakespeare's Heroines, with Edmund Willard and Madge Titheradge.
In 1927, a forty-three minute truncated version of the play written by Dulcima Glasby was broadcast on the Regional Programme, with Barbara Couper and Ian Fleming.
Another Glasby adaptation aired in 1932 on BBC National Programme, this time running eighty-five minutes, and again starring Couper.
Petruchio was played by Francis James.
In 1935, a Peter Creswell adaptation aired on National Programme, under the title The Witty and pleasant conceited Comedy called The Taming of the Shrew, starring Godfrey Tearle and Mary Hinton.
Another Creswell adaptation aired on BBC Home Service in 1941, again with Tearle, and with Katherina played by Fay Compton.
In 1947, BBC Light Programme aired an episode of their Theatre Programme which featured an analysis of the play by Ralph Richardson and scenes recorded from John Burrell's Edinburgh Festival production starring Trevor Howard and Patricia Burke.
In 1954, a full-length version of the play aired on BBC Home Service, directed and adapted for radio by Peter Watts, and starring Joseph O ' Connor and Mary Wimbush.
BBC Radio 4 aired another full length broadcast in 1973 as part of their Monday Night Theatre series, directed by Ian Cotterell and starring Paul Daneman and Fenella Fielding.
In 1989, BBC Radio 3 aired an adaptation of the play directed by Jeremy Mortimer and starring Bob Peck and Cheryl Campbell.
In 2000, Radio 4 aired another full-length production as part of their Shakespeare for the New Millennium series, directed by Melanie Harris and starring Gerard McSorley and Ruth Mitchell.

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