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Robin Wood characterizes Leatherface and his family as victims of industrial capitalism, their jobs as slaughterhouse workers having been rendered obsolete by technological advances.
He states that the picture " brings to focus a spirit of negativity ... that seems to lie not far below the surface of the modern collective consciousness ".
Naomi Merritt explores the film's representation of " cannibalistic capitalism " in relation to Georges Bataille's theory of taboo and transgression.
She elaborates on Wood's analysis, stating that the Sawyer family's values " reflect, or correspond to, established and interdependent American institutions ... but their embodiment of these social units is perverted and transgressive.

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