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Plays within this group are absurd in that they focus not on logical acts, realistic occurrences, or traditional character development ; they, instead, focus on human beings trapped in an incomprehensible world subject to any occurrence, no matter how illogical.
The theme of incomprehensibility is coupled with the inadequacy of language to form meaningful human connections.
According to Martin Esslin, Absurdism is " the inevitable devaluation of ideals, purity, and purpose " Absurdist drama asks its viewer to " draw his own conclusions, make his own errors ".
Though Theatre of the Absurd may be seen as nonsense, they have something to say and can be understood ".
Esslin makes a distinction between the dictionary definition of absurd (" out of harmony " in the musical sense ) and drama's understanding of the Absurd: " Absurd is that which is devoid of purpose .... Cut off from his religious, metaphysical, and transcendental roots, man is lost ; all his actions become senseless, absurd, useless ".

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