Page "Timpani" Paragraph 55

Composers will sometimes specify that the timpani should be struck with implements other than timpani sticks.

It is common in timpani etudes and solos for performers to play with their hands or fingers.

Philip Glass's " Concerto Fantasy " utilizes this technique during a timpani cadenza.

Also, Michael Daugherty's " Raise The Roof " calls for this technique to be used for a certain passage.

Leonard Bernstein calls for maracas on timpani in both the " Jeremiah " Symphony and Symphonic Dances from West Side Story.

Edward Elgar attempts to use the timpani to imitate the engine of an ocean liner in his " Enigma " Variations by requesting the timpanist play a soft roll with snare drum sticks.

However, snare drum sticks tend to produce too loud a sound, and since this work's premiere, the passage in question has been performed by striking the timpani with coins.

Benjamin Britten asks for the timpanist to use drum sticks in his War Requiem to evoke the sound of a field drum.