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# Medieval Latin or Mediolatin ( Goliardic ) Hans Spanke analysed the intertextual connexion between vernacular and medieval Latin ( such as Goliardic ) songs.
This theory is supported by Reto Bezzola, Peter Dronke, and musicologist J. Chailley.
According to them, trobar means " inventing a trope ", the trope being a poem where the words are used with a meaning different from their common signification, i. e. metaphor and metonymy.
This poem was originally inserted in a serial of modulations ending a liturgic song.
Then the trope became an autonomous piece organized in stanza form.
The influence of late eleventh-century poets of the " Loire school ", such as Marbod of Rennes and Hildebert of Lavardin, is stressed in this connexion by Brinkmann.

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