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Upon completing his studies, he published his first two collections of poetry: Caminho Para a Distância (" Path into Distance ") ( 1933 ) and Forma e Exegese (" Form and Exegesis ").
Both collections were composed and published under Octavio de Faria's informal editorship, and that accounts for their style and subject-matter: a heavy, rhetorics-laden symbolist poetry, concerned above all with Catholic mysticism and the search for redemption against sexual seduction ( in Faria's words, the conflict between " impossible purity and unacceptable impurity ").
Faria, at the time ( 1935 ) was to write a essay (" Two Poets ") comparing Vinícius's poetry with that of his symbolist and Catholic comrade-in-arms, Augusto Frederico Schmidt.
However, the tension between Faria and Moraes ' joint Catholic activism and Faria's homosexual attraction toward Vinícius was eventually to generate a cooling in their mutual friendship-Faria having even attempted suicide because of his unrequited love for Vinicius.
Despite their mutual estrangement, Vinícius would afterwards write two sonnets-the first in 1939 (" Sonnet to Octavio de Faria "), the second during the 1960s (" Octavio ") in ( ambivalent ) praise of his old friend.
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