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Leigh's friends suggested she take a small role in the film Things Are Looking Up, which marked her film debut.
She engaged an agent, John Gliddon, who believed that " Vivian Holman " was not a suitable name for an actress.
After rejecting his suggestion, " April Morn ", she took " Vivian Leigh " as her professional name.
Gliddon recommended her to Alexander Korda as a possible film actress, but Korda rejected her as lacking potential.
She was cast in the play The Mask of Virtue in 1935, and received excellent reviews, followed by interviews and newspaper articles.
One such article was from the Daily Express, in which the interviewer noted " a lightening change came over her face ", which was the first public mention of the rapid changes in mood that became characteristic of her.
John Betjeman, the future Poet Laureate, also wrote about her, describing her as " the essence of English girlhood ".
Korda attended her opening-night performance, admitted his error, and signed her to a film contract, with the spelling of her name revised to " Vivien Leigh ".
She continued with the play ; but, when Korda moved it to a larger theatre, Leigh was found to be unable to project her voice adequately or to hold the attention of so large an audience, and the play closed soon after.

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