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from Brown Corpus
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Some painters have less interest in the experience of the moment, with its attendant urgencies and ambiguities, than in looking beyond the flux of particular impressions to a higher, more serene level of truth.
Rather than putting their trust in ephemeral sensations they seek form in the stable relationships of pure design, which symbolize an order more real than the disorder of the perceptual world.
The concept remains subjective.
But in this approach it is the artist's ultimate insight, rather than his immediate impressions, that gives form to the work.

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