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Life is further characterized, in antithesis to Piepsam, as animal: the image of a dog, which appears at several places, is first given as the criterion of amiable, irrelevant interest aroused by life considered simply as a spectacle: a dog in a wagon is `` admirable '', `` a pleasure to contemplate '' ; ;
another wagon has no dog, and therefore is `` devoid of interest ''.
Piepsam calls the cyclist `` cur '' and `` puppy '' among other things, and at the crisis of his fit a little fox-terrier stands before him and howls into his face.
The ambulance is drawn by two `` charming '' little horses.

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