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Originals are not necessarily good and adaptations are not necessarily bad.
Some memorable plays have been drawn from books, notably Life With Father and Diary Of Anne Frank.
And particularly in the musical field, adaptations have long been the rule, from Die Fledermaus and The Merry Widow to Oklahoma! and My Fair Lady.
As Critic Walter Kerr points out: `` Adaptations, so long as they are good, still qualify as creative ''.
And other defenders invariably argue that, after all, Shakespeare and Moliere were adapters too.
The difference is that the masters took the bare frame of a plot and filled it with their own world ; ;
most modern adapters totally accept the world of a book, squeeze it dry of life, and add only one contribution of their own: stage technique.

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