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from Brown Corpus
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Since the concept of high fidelity became important some dozen years ago, the claims of technical improvements have multiplied tenfold.
In many cases the revolutionary production has offered no more than sensational effects: the first hearing was fascinating and the second disillusioning as the gap between sound and substance became clearer.
Other innovations with better claims to musical interest survived rehearing to acquire in time the status of classics.
If we return to them today, we have no difficulty spotting their weaknesses but we find them still pleasing.

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