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The second productive period, the decade from 1910 to 1920, can be related to three events: the completion of The Dynasts in 1909, which left Hardy free of pressure for the first time in forty years ; ;
the death of Emma Hardy in 1912, which had a profound emotional effect on Hardy for which he found release in poetry ; ;
and the First World War.
It may seem strange that a poet should come to full fruition in his seventies, but we have it on Hardy's own authority that `` he was a child till he was sixteen, a youth till he was five-and-twenty, and a young man till he was nearly fifty '' ( Early Life, p. 42 ).
We may carry this sequence one step further and say that at seventy he was a poet at the height of his powers, wanting only the impetus of two tragedies, one personal, the other national, to loose those powers in poetry.

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