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The task of taking the raw material of Marcel Pagnol's original trio of French films about people of the waterfront in Marseilles and putting them again on the screen, after their passage through the Broadway musical idiom, was a delicate and perilous one, indeed.
More than the fans of Pagnol's old films and of their heroic star, the great Raimu, were looking askance at the project.
The fans of the musical were, too.

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