“ The Unrestful Cure: Charlotte Perkins Gilman and ` The Yellow Wallpaper.

“ Restraining Order: The Imperialist Anti-Violence of Charlotte Perkins Gilman .” Arizona Quarterly 56. 2 ( Summer 2000 ): 1-36.

“ The Intellectualism of Charlotte Perkins Gilman: Evolutionary Perspectives on Race, Ethnicity, and Gender .” Charlotte Perkins Gilman: Optimist Reformer.

“ She in Herland: Feminism as Fantasy .” Charlotte Perkins Gilman: The Woman and Her Work.

“ Charlotte Perkins Gilman and the Journey From Within .” In A Very Different Story: Studies on the Fiction of Charlotte Perkins Gilman.

* Karpinski, Joanne B., “ The Economic Conundrum in the Lifewriting of Charlotte Perkins Gilman.

“ Introduction .” Herland: A Lost Feminist Utopian Novel by Charlotte Perkins Gilman.

“ The Fictional World of Charlotte Perkins Gilman .” The Charlotte Perkins Gilman Reader.

“ The Yellow Wallpaper ”: Charlotte Perkins Gilman.

“ Charlotte Perkins Gilman v. Ambrose Bierce: The Literary Politics of Gender in Fin-de-Siècle California .” Journal of the West ( July 1993 ): 52-60.

“ Charlotte Perkins Gilman ’ s Library: A Reconstruction .” Resources for American Literary Studies 23: 2 ( 1997 ): 181-219.

* Tuttle, Jennifer S. “ Rewriting the West Cure: Charlotte Perkins Gilman, Owen Wister, and the Sexual Politics of Neurasthenia .” The Mixed Legacy of Charlotte Perkins Gilman.

“ What a Comfort a Woman Doctor Is !’ Medical Women in the Life and Writing of Charlotte Perkins Gilman.

“ Writing Feminist Genealogy: Charlotte Perkins Gilman, Racial Nationalism, and the Reproduction of Maternalist Feminism .” Feminist Studies 27 ( Summer 2001 ): 271-30.

“ Barney ” and Charlotte Barnhart in the 1940s-1950s ; the Williamsburg Focus ( 1960s-1990s ) edited by Dr. Marion Morelli ; the Williamsburg Gap ( 1996 ) and the Williamsburg Focus ( 1990s ).

After busing was enforced in 1971, throughout the 1970s and the 1980s, Charlotte was known across the nation as the “ city that made desegregation work .” It paved the way for many different school systems to use the busing plan to force integration in the school systems.

In 1796, three days after Caroline gave birth to their daughter, Princess Charlotte of Wales, on 10 January, the Prince of Wales wrote his last will and testament, bequeathing all his “ worldly property.

Thus, the creation of Rhoda ’ s own series stifled the representation of “ Jewish-ness ” – as Charlotte Brown, the executive producer of Rhoda, conveyed in an interview the display of “ Jewish-ness ”, “ was just ‘ set dressing ’ – Ida ’ s brisket, her plastic on the furniture ”.

Highlights of the strip's final decades include " Boomchik " ( 1961 ), in which America's international prestige is saved by Mammy Yokum, " Daisy Mae Steps Out " ( 1966 ), a female-empowering tale of Daisy's brazenly audacious “ homewrecker gland ," " The Lips of Marcia Perkins " ( 1967 ), a satirical, thinly-veiled commentary on venereal disease and public health warnings, " Ignoble Savages " ( 1968 ), in which the Mob takes over Harvard, and " Corporal Crock " ( 1973 ), in which Bullmoose reveals his reactionary cartoon role model, in a tale of obsession and the fanatical world of comic book collecting.

In 2010, Stan joined forces with Jerry Naylor to record a duet tribute to Carl, “ To Carl ; Let it Vibrate .” Stan Perkins has been inducted into the Rockabilly Hall of Fame.

That same year was the first year of Suicidal ’ s four year recording hiatus and Mike Muir and bassist Louiche Mayorga formed the Label “ Suicidal Records ” as well as the band Los Cycos Jon Nelson left the group and Suicidal Tendencies were banned from playing L. A. shows from an Incident at Perkins Palace ( their fans tore out ten rows of seats and promoters couldn ’ t get the proper insurance to hire them ) Muir was also about to try his hand at producing as well as starting the new label.

As well as citing the statements made earlier in the year by Sprigg and Perkins as justification ( see Statements on homosexuality ), SPLC described FRC as a “ font of anti-gay propaganda throughout its history ”.

FRC President Tony Perkins called the “ hate ” designation a political attack on the FRC by a " liberal organization ".

Sue Perkins, winner of Entertainer of the Year, said she supported the decision to picket the event and that she was “ incredibly upset that anyone has been offended ”.

After nine weeks, Gilman was sent home with Mitchell ’ s instructions, “ Live as domestic a life as possible.

“ The ideal woman ," Gilman wrote, " was not only assigned a social role that locked her into her home, but she was also expected to like it, to be cheerful and gay, smiling and good-humored .” When the sexual-economic relationship ceases to exist, life on the domestic front would certainly improve, as frustration in relationships often stems from the lack of social contact that the domestic wife has with the outside world.

The home should shift from being an “ economic entity ” where a married couple live together because of the economic benefit or necessity, to a place where groups of men and groups of women can share in a “ peaceful and permanent expression of personal life .” Gilman believed having a comfortable and healthy lifestyle should not be restricted to married couples ; all humans need a home that provides these amenities.

With regard to African Americans, Gilman wrote in the American Journal of Sociology: “ The problem, is this: Given: in the same country, Race A, progressed in social evolution, say, to Status 10 ; and Race B, progressed in social evolution, say, to Status 4..

Question: How can Race A best and most quickly promote the development of Race B ?” Gilman ’ s solution was that all blacks beneath “ a certain grade of citizenship ” — those who were not

Lane writes in Herland and Beyond that “ Gilman offered perspectives on major issues of gender with which we still grapple ; the origins of women ’ s subjugation, the struggle to achieve both autonomy and intimacy in human relationships ; the central role of work as a definition of self ; new strategies for rearing and educating future generations to create a humane and nurturing environment .”

“ Herland and the Gender of Science .” MLA Approaches to Teaching Gilman ’ s The Yellow Wall-Paper and Herland.

In the article “ Silent Pogroms ” ( 1911 ) Roerich wrote about the unskillful restoration of St. John the Forerunner Church at Yaroslavl: “ Who would defense a beautiful antique from mad pogroms?

He formed about him an artistic, cultural and spiritual group whose activities became known as the " Havelock Work ", and produced a publication called “ The Forerunner ”.

“ Robert de Nobili as Forerunner of Hindu-Christian Dialogue .” Hindu-Christian Studies Bulletin 4 ( 1991 ) 1-9.

Fenton judges the Parsons based on their attractiveness and is agitated when they do not “ fulfil stereotypical female roles ,” as author Anne Cranny-Francis describes it ( Feminist Science Fiction, 30 ).

* Wenger, Tisa J .. “ Female Christ and Feminist Foremother: The Many Lives of Ann Lee .” Journal of Feminist Studies in Religion.

* Lanser, Susan S. “ Feminist Criticism, ` The Yellow Wallpaper ,’ and the Politics of Color in America .” Rpt.

Feminist empiricism: Challenging gender bias and “ setting the record straight .” In Hesse-Biber, S. N.

* Sana Masood is runner up in the International Red Cross ’ “ Young Reporter ” competition for a digital story she created about an acid attack survivor at a Feminist Tech Exchange workshop in Pakistan.

“ Buchi Emecheta: If Not a Feminist, Then What ?”, Aduke Adebayo, ed., Feminism and African Women ’ s Creative Writings: Theory, Practice and Criticism.

Campaigns against the film continued throughout production, the Feminist Majority Foundation condemning the film as “ misogynist ,” and the Canadians Concerned About Violence in Entertainment ( C-CAVE ) convincing restaurant owners to deny Harron permission to film in their establishments.

Feminist theories first emerged as early as 1792 (– 1920s ) in publications such as “ The Changing Woman ”, “ Ain ’ t I a Woman ”, “ Speech after Arrest for Illegal Voting ”, and so on.

" And “ How does the knowledge women produce about themselves differ from that produced by patriarchy ?” ( Bartowski and Kolmar 2005, 45 ) Feminist theorists have also proposed the “ feminist standpoint knowledge ” which attempts to replace “ the view from nowhere ” with the model of knowing that expels the “ view from women ’ s lives ”.

Feminist sexology shares many principles with the wider field of sexology ; in particular, it does not try to prescribe a certain path or “ normality ” for women's sexuality, but only observe and note the different and varied ways in which women express their sexuality.

Feminist archaeology engages in challenging and changing interpretive frameworks employed by archaeologists: “ Feminism is a politics aimed at changing gender-based power relations .”.

Showalter acknowledges the difficulty of “ efining the unique difference of women ’ s writing ” which she says is “ a slippery and demanding task ” in “ Feminist Criticism in the Wilderness ” ( New, 249 ).