Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

File: Poeh museum, night. jpg | Poeh Museum tower, the tallest adobe structure in New Mexico, USA

* Solomon R. Guggenheim Museum in New York, designed by Frank Lloyd Wright

Metropolitan Museum of Art, New York City.

* 1870 – The New York City Metropolitan Museum of Art is founded.

* Amati instruments at the ( New York, US ) Metropolitan Museum of Art

The River, lead, 1943 ( cast 1948 ), Museum of Modern Art, New York City

* Solomon R. Guggenheim Museum, “ Aristide Maillol, 1861-1944 ”, New York, Solomon R. Guggenheim Foundation, 1975.

* Canova's Perseus and Medusa in the Metropolitan Museum of Art, New York ( 2009 ).

The Apple II computer on display at the Museum of the Moving Image ( New York City ) | Museum of the Moving Image in New York City

* Works by Albrecht Dürer at the Museum of New Zealand Te Papa Tongarewa

Woman with Her Throat Cut, 1932 ( cast 1949 ), Museum of Modern Art | Museum of Modern Art, New York City

Riding a wave of international popularity, and despite his declining health, he travelled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York.

* Works by Albrecht Altdofer at the Museum of New Zealand Te Papa Tongarewa

The peninsular borough's maritime heritage is acknowledged in several ways. The City Island Historical Society and Nautical Museum occupies a former public school designed by the New York City school system's turn-of-the-last-century master architect C. B. J. Snyder.

Board game with inlays of ivory, rock crystal and glass paste, covered with gold and silver leaf, on a wooden base ( Knossos, Minoan chronology | New Palace period 1600 – 1500 B. C., Heraklion Archaeological Museum, Crete )

New York Metropolitan Museum of Art

* Barge Lehigh Valley 79 at the Waterfront Museum, Brooklyn, New York, United States

Retrospectives of his work were presented that year at The National Film Theatre in London, the Munich Stadtmuseum and the Museum of Modern Art in New York, which also dedicated a gallery exhibition, Chaplin: A Centennial Celebration, to him.

Image: Claude Monet-Jardin à Sainte-Adresse. jpg | Jardin à Sainte-Adresse, 1867, Metropolitan Museum of Art, New York City

Image: Claude Monet-Jean Monet on his Hobby Horse. jpg | Jean Monet on his hobby horse, 1872, Metropolitan Museum of Art, New York.

File: WLA metmuseum Camille Monet on a Garden Bench by Claude Monet. jpg | Camille Monet on a Garden Bench, 1873, Metropolitan Museum of Art, New York.