Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.

Just before coming to the mosque entrance I crossed the street, entered the Hippodrome, and walked ahead to the Obelisk of Theodosius, originally erected in Heliopolis in Egypt about 1,600 B.C. by Thutmose, who also built those now in New York, London and Rome at the Lateran.

New York and London, UK, Human Rights Watch.

London: New Holland.

A 1945 radio series of at least 13 original half-hour episodes ( none of which apparently adapt any Christie stories ) transferred Poirot from London to New York and starred character actor Harold Huber, perhaps better known for his appearances as a police officer in various Charlie Chan films.

* Conceptions of the Afterlife in Early Civilizations: Universalism, Constructivism and Near-Death Experience by Gregory Shushan, New York & London, Continuum, 2009.

* Aviva, British insurance company, listed on the London and New York Stock Exchange's as " AV "

Readings in Indigenous Religions ( London and New York: Continuum ) pp. 72 – 105.

Readings in Indigenous Religions ( London and New York: Continuum ) pp. 17 – 49.

Animism: Respecting the Living World ( London: Hurst and co .; New York: Columbia University Press ; Adelaide: Wakefield Press ).

* Michael Angold, The Byzantine Empire, 1025 – 1204: A Political History, second edition ( London and New York, 1997 )

* Jonathan Harris, Byzantium and the Crusades ( London and New York, 2003 )

* Jonathan Harris, Constantinople: Capital of Byzantium ( London and New York, 2007 )

* Jonathan Phillips, The Fourth Crusade and the Sack of Constantinople ( London and New York, 2004 )

* Robert Nisbet Bain, The First Romanovs 1613 – 1725 ( London, 1905 ; reprint, New York, 1967 ).

* Lindsey Hughes, Russia in the Age of Peter the Great ( New Haven and London: Yale University Press, 1998 ).

Records from the early 19th century survive to this day describing the distinct dialect that had surfaced in the colonies since first settlement in 1788, with Peter Miller Cunningham's 1827 book Two Years in New South Wales, describing the distinctive accent and vocabulary of the native born colonists, different from that of their parents and with a strong London influence.

* Alexander, FM Man's Supreme Inheritance, Methuen ( London, 1910 ), revised and enlarged ( New York, 1918 ), later editions 1941, 1946, 1957, Mouritz ( UK, 1996 ), reprinted 2002.

* Alexander, FM The Universal Constant In Living, Dutton ( New York, 1941 ), Chaterson ( London, 1942 ), later editions 1943, 1946, Centerline Press ( USA, 1941, 1986 ), Mouritz ( UK, 2000 ) ISBN 0-913111-18-X, ISBN 978-0-913111-18-5, ISBN 0-9525574-4-4

London and New York: Routledge.

London and New York: Routledge.

59 ) Springer, Dordrecht / Heidelberg / London / New York 2010.

While touring Scandinavia he first joined forces with guitarist and singer Peter Thorup, together forming the band New Church, who were one of the support bands at the Rolling Stones Free Concert in Hyde Park, London, on 5 July 1969.

The New Grove dictionary of music and musicians ( London: Macmillan, 1980 ) ISBN 0-333-23111-2

It set box-office records in New York and London.