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band's and music
The band's music is described as a blend of genres, including hard rock, funk, soul, hip hop, reggae, jazz and ska and is often compared to that of Rage Against the Machine, the Red Hot Chili Peppers and Fishbone.
Although Holly had already begun to become disillusioned with Norman Petty before meeting Maria Elena, it was through her and her aunt Provi, the head of Latin American music at Peer-Southern, that he began to fully realize what was going on with his manager, who was paying the band's royalties into his own company's account.
Although Hole's sound changed over the course of the band's career, the pretty / ugly dynamic has often been noted as a consistent theme in Love's music, most prominently in Hole's first two studio albums.
It includes 19 of the band's greatest hits and is also available in a box set with a 25 track DVD of their music videos.
The album was played as two continuous pieces of music on the two sides of the vinyl and produced the band's two biggest hit singles, " Kayleigh " and " Lavender ".
The band's music had evolved much in a short time, moving away from hardcore formulas toward a more innovative jazz-informed style, featuring musicianship and dynamics far beyond other bands in the genre ( thus effectively removing the music from that genre ).
The front and back covers of Devo's first release, the 45rpm single ( music ) | single " Mongoloid ( song ) | Mongoloid " b / w " Jocko Homo " ( 1977 ), released on the band's Booji Boy Records
The fictional band's music was done by a real band named " Swamp Baby " with vocals by Dillon.
Recognition of the band's importance built over the years, and they are now regularly represented in many assessments of all-time great rock music, such as the Rolling Stone lists of the 50 Greatest Artists of All Time and 25 Greatest Live Albums of All Time, VH1's 100 Greatest Artists of Hard Rock, and Mojo's 100 Greatest Albums.
The acid jazz flavours and ethnic influences of the first three albums continued with the release of Synkronized, and Jay Kay's interest in funk and disco music were shifting the band's directions towards such.
In a 2002 story for the Chicago Daily Record, Mark Guarino, the newspaper's music critic, wrote that "' Forever Changes ' is a touchstone for serious pop fanatics ..." He added that, "... the band's first three albums were since rediscovered as visionary classics, all three culminating in ' Forever Changes ' ( Elektra ), the band's 1967 masterpiece of ornate pop.
However, the band's individualistic style drew from a wide variety of influences, including folk music, which they incorporated into their next two albums.
The result was a more acoustic sound that was strongly influenced by folk and Celtic music, and showcased the band's versatility.
From the visit to Bron-Yur-Aur in 1970, the songwriting partnership between Page and Plant became predominant, with Page supplying the music, largely via his acoustic guitar, and Plant emerging as the band's chief lyricist.
In the later stages of the band's career, Page took a back seat in composition and Jones became increasingly important in producing music, often composed on the keyboard.
Many of the band's songs dealt with themes of romance, unrequited love and sexual conquest, which were common in rock, pop and blues music.
That was quite a contrast with the earlier recordings, as he had written and co-written the music for much of the band's early material.
The band's first experience in the recording studio was recording the music to Riff Raff, a low-budget stage musical on which Sneddon had worked.
Though the band's early years were shadowed by the legacy and basic sound of Joy Division, their experience of the early 1980s New York City club scene increased their knowledge of dance music and saw them incorporate elements of that style into their work.
The band's style of music contains a range of elements, including indie rock, psychedelia, noise rock, and surf rock.
" The band's music incorporates extreme dynamic shifts ; Francis explained in 1991, " Those are the two basic components of rock music.
Allmusic critic Greg Prato notes that the album demarcates the boundary between the band's early years and the next era of their music.

band's and was
He was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section.
The band's debut single, " Smalltown Boy ", the tale of a boy who was cast away by his family for being homosexual, was a hit, peaking at No. 3 in the UK Singles Chart.
( Their bug-themed band's name, The Beatles, was chosen partly in homage to Holly's Crickets.
According to the band's website, although the group admired Holly ( and years later produced an album covering some of his songs ), their name was inspired primarily by the sprigs of holly in evidence around Christmas of 1962.
Soon after, the band's name was revised to Bill Haley & His Comets.
They show off the band's strengths significantly, in part because the group was not confined to the three-minute limits of 78 RPM discs.
It was rekindled once, in 1978, for the Hawklords spin-off, but otherwise continued only with design commissions for projects involving the band's saxophonist Nik Turner.
Courtney Michelle Harrison was born in 1964 in San Francisco, California, to Linda Carroll, now a psychotherapist, and Hank Harrison, a publisher who had some association with the Grateful Dead ; consequently, Love was included in a group picture on the back of the band's album Aoxomoxoa ( 1969 ).
At Capitol's behest, the band's name was changed to Crowded House, which alluded to the lack of space at the West Hollywood apartment they shared during the recording of the album Crowded House.
As the band's primary songwriter, Neil Finn was under pressure to create a second album to match their debut and the band joked that one potential title for the new release was Mediocre Follow-Up.
The album was released in June 2010, in time for the band's appearance at the West Coast Blues & Roots Festival near Perth, Western Australia.
A new compilation album, The Very Very Best of Crowded House, was released in October 2010 to celebrate the band's 25th anniversary.
1: The Miracle and the Sleeper ", which was released on the band's 1992 breakthrough album, Images and Words, and is followed by the 2005 album " Octavarium ".
" Pull My Strings " was never recorded for a studio release, though the performance at the Bay Area Music Awards, which was the first and only time the song was ever performed, was released on the band's compilation album Give Me Convenience or Give Me Death.
The band's album debut, Tin Machine ( 1989 ), was initially popular, though its politicised lyrics did not find universal approval: Bowie described one song as " a simplistic, naive, radical, laying-it-down about the emergence of neo-Nazis "; in the view of biographer Christopher Sandford, " It took nerve to denounce drugs, fascism and TV [...] in terms that reached the literary level of a comic book.

band's and characterized
The band released their debut and best known single " 100, 000 Fireflies " in 1991, which was typical of the band's earlier career characterized by synthesized instrumentation by Merritt with lead vocals provided by Susan Anway ( and then by Stephin Merritt himself from The House of Tomorrow EP onwards ).
The band's eclectic blending of folk, blues, country, and rock has been characterized as " a sort of CCM equivalent to the Traveling Wilburys ".
The band's music was characterized by a psychedelic post-punk sound sometimes reminiscent of The B-52's and Talking Heads, whimsical yet heartfelt lyrics, and the imploring, girlish voice of Björk, accompanied by Einar Orn's erratic vocal performances.
The band's music is characterized by complex jazz-influenced structures and harmonies played by Becker and Fagen along with a revolving cast of rock and pop studio musicians.
The album is notable for being a significant departure from the pop rock which characterized the band's three preceding albums, harking back to their progressive rock beginnings and relying on complex musicianship and instrumentals.
Reviewer Charles Spano characterized some of the band's work as the result of the group skewing " their pop brilliance with Ric Ocasek grooves, a
The album marks a distinct departure from the band's previous album ; instead of featuring hardcore punk, the album is characterized by slower tempos, use of electric organ and pianos, and a prog-influenced hard rock sound.
Into the Unknown proved to be the band's most controversial release ; despite favorable reviews from music critics, it was a commercial failure upon initial release, and was characterized as a " misstep " by guitarist Brett Gurewitz.
Deriving their name from 13th-century mathematician Leonardo Fibonacci and citing musical influence from Nino Rota and Ennio Morricone, the band's music was typically characterized by intricate piano and guitar lines, over-the-top and sometimes incomprehensible vocals and frequent use of unconventional instruments such as mandolins, clarinets and Mellotrons.
The 1990s were characterized by frequent changes to the band's line-up.
The band's music is characterized by a metal sound, and the screaming vocal style of band leader Josh Scogin.
The band's varied style was based not only upon British pop music but also on American soul music and was characterized by the compound-rich processings of wind instruments similar to Blood, Sweat & Tears, Chicago, etc.
Much of the band's music is characterized by Lytle's analog synthesizer and the fuzzy guitar, bass, and drums of the rest of the band.
Unwound's early work was characterized by intense vocals, jagged guitar lines, and more complex drumming than the band's peers.
Scott McMicken has characterized the album as more modern, and a little more punk rock, more prominently featuring electric guitars, so as to accurately reflect the band's live show.
The band's music is characterized by expansive, cinematic pieces that have seen them compared to post rock and modern classical genres.
This is in contrast with the band's later work, which is characterized by a cleaner, more traditional, " American rock " sound.
The band's songs are characterized by lush arrangements, eclectic instrumentation, and Carpenter's lyrical themes of love, death, religion, and American mythologies.
The band's sound is characterized by hardcore, punk, and metal influences, usually with shouted verses, interspersed with melodic flourishes.

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