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* 1976 – Milano Collection A. T., Japanese wrestler
from
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Some Related Sentences
1976 and –
Rethinking the Angolan Crisis and the Portuguese Revolution, 1974 – 1976, Itinerario: European Journal of Overseas History, 26 / 2, 2000, pp. 22 – 44
* 1976 – Amanda Palmer, American singer-songwriter, and musician ( The Dresden Dolls and Evelyn Evelyn )
* 1976 – Nawaf al-Hazmi, Saudi Arabian terrorist, hijacker of American Airlines Flight 77 ( d. 2001 )
1976 and Milano
* 1946-1976: Incontri / Scontri nella Giungla dell ' Arte (" 1946-1976: Encounters / clashes in the jungle of art ", Brescia, 1976 / Shakespeare & Company, Milano, 1977 )
1976 and Collection
McDowell regularly turned up on British television productions in the 1970s in adaptations of theatre classics, one example being with Laurence Olivier in The Collection ( 1976 ), as part of the series Laurence Olivier Presents.
( 1946 ); “ Essentials for Nigeria ’ s Survival .” ( 1965 ); “ Before Us Lies The Open Grave ” ( 1947 ); “ The Future of Pan-Africanism ” ( 1961 ); “ The Realities of African Unity ” ( 1965 ); “ Origins of the Nigerian Civil War ” ( 1969 ); I Believe in a One Nigeria ( 1969 ); Peace Proposals for Ending the Nigerian Civil War ( 1969 ); Dialogue on a New Capital for Nigeria ( 1974 ); “ Creation of More States in Nigeria, A Political Analysis ” ( 1974 ); Democracy with Military Vigilance ( 1974 ); “ Reorientation of Nigerian Ideologies: lecture on 9 December 1976, on eve of the launching of the UNN Endowment Fund ” ( 1976 ); Our Struggle for Freedom ; Onitsha Market Crisis ( 1976 ); Let Us Forgive Our Children, An appeal to the leaders and people of Onitsha during the market crisis ( 1976 ); A Collection of Poems ( 1977 ); Civil War Soliloquies: More Collection of Poems ( 1977 ); “ Themes in African Social and Political Thought ” ( 1978 ); Restoration of Nigerian Democracy ( 1978 ); Matchless Past Performance: My Reply to Chief Awolowo ’ s Challenge ( 1979 ); A Matter of Conscience ( 1979 ); Ideology for Nigeria: Capitalism, Socialism or Welfarism?
In 1973 the collection was increased further by the acquisition of part of the Sir Henry Wellcome Collection, and by the bequest of Colonel J. R. Danson in 1976, which included more material from Amarna and from Garstang ’ s excavations at Abydos.
It was issued by RCA Records in 1976, and had been issued and charted as The Sun Collection in the UK the previous year.
Art Gallery of Ontario, Canada ( 2011 ); Museum Morsbroich, Leverkusen, Germany ( 2004 – 05 ); Fundació Antoni Tàpies, Barcelona, Spain ( 1996 – 97, traveled ); Museo Rufino Tamayo, Mexico City, Mexico ( 1991 – 92, traveled ); Walker Art Center, Minneapolis, Minnesota ( 1985 ); Albright-Knox At Gallery, Buffalo, New York ( 1983, traveled ); Fundación Juan March, Madrid, Spain ( 1980 ); The William Benton Museum of Art, University of Connecticut, Storrs ( 1979 ); Royal Academy of Art, London, England ( 1978 ); Musée d ’ art moderne de la ville de Paris, France ( 1977 ); Stadtisches Kunsthalle, Düsseldorf, Germany ( 1976 ); Museo de Arte Moderna, Mexico City, Mexico ( 1975 ); Princeton University Art Museum, New Jersey ( 1973 ); David Mirvish Gallery, Toronto, Ontario, Canada ( 1973 ); The Museum of Fine Arts, Houston, Texas ( 1972 – 73, traveled ); The Museum of Modern Art, New York ( 1965 ); The Phillips Collection, Washington, D. C. ( 1965 ); Smith College Museum of Art ( 1963 ); Pasadena Art Museum, California ( 1962 ); Galerie Heinz Berggruen, Paris, France ( 1961 ); Bennington College, Bennington, Vermont ( 1957 ); Peggy Guggenheim ’ s Art of this Century Gallery, New York ( 1944 ).
* Boyles, Margaret ( 1976 ) The Margaret Boyles Bargello Workbook: A Collection of Original Designs MacMillan Publishing Co., Inc.
The Winchester Collection, the heart of this museum, was transported from New Haven, Connecticut to Cody in 1976.
Parts of his collection have been exhibited in the Science Museum ( London ) since 1976, and in the Wellcome Collection as the exhibit " Medicine Man " since 2007.
* Kindstrand, J., ( 1976 ) Bion of Borysthenes: A Collection of the Fragments with Introduction and Commentary.
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