* Amori di mezzo secolo ( segment: " Napoli 1943 ") ( 1954 )

European directors such as Roberto Rossellini directed anthology films such as L ' Amore ( segments: " Il Miracolo " and " Una voce umana ") ( 1948 ), Les Sept péchés capitaux ( segment: " Envie, L ' Envy ") ( 1952 ), Siamo donne ( segment: " Ingrid Bergman ") ( 1953 ), and Amori di mezzo secolo ( segment: " Napoli 1943 ") ( 1954 ).

* Amori di mezzo secolo ( 1953 ; segment " Dopoguerra 1920 ")

* The Loves of Hercules ( Gli Amori di Ercole / The Loves of Hercules, 1960 ) a. k. a. Hercules vs the Hydra, co-starring Mickey Hargitay & Jayne Mansfield

* Giacomo Meyerbeer – Gli Amori di Teolinda ( cantata )

De Medici lived entirely in the classical world ; and yet if we read his poems we only see the man of his time, the admirer of Dante and of the old Tuscan poets, who takes inspiration from the popular muse, and who succeeds in giving to his poetry the colors of the most pronounced realism as well as of the loftiest idealism, who passes from the Platonic sonnet to the impassioned triplets of the Amori di Venere, from the grandiosity of the Salve to Nencia and to Beoni, from the Canto carnascialesco to the lauda.

* Cervantes ( 1967 --- producer ; released in the U. S. as The Life of Cervantes, or Young Rebel, in France as Les Aventures Extraordinaires de Cervantes, and in Italy as Avventure e Gli Amori di Cervantes )

** Antonio Cagnoni, Amori e trappole, revision by Marco Marcelliano Marcello ( 1850 )

* Rinaldo di Montalbano ( 1736 )

Born as Rinaldo di Jenne in Jenne ( now in the Province of Rome ), he was, on his mother's side, a member of the family de ' Conti di Segni, the counts of Segni, like Pope Innocent III and Pope Gregory IX.

Renaud de Montauban, ( also spelled Renaut, Renault, Italian: Rinaldo di Montalbano, Dutch: Reinout van Montalba ( e ) n ) was a fictional hero and knight who was introduced to literature in a 12th century Old French chanson de geste known as Les Quatre Fils Aymon (" The Four Sons of Aymon ") ( frequently referred to simply as tale of Renaud de Montauban ).

Two others, Cencio Savelli, who was elected as Pope Honorius III in 1216, and Rinaldo Conti di Segni, elected as Pope Alexander IV in 1254, did not occupy that post at the time of their elections to the papacy ( Cencio was Camerlengo from 1188 until 1198, while Rinaldo from 1227 until 1231 ).

* Rinaldo Conti di Segni ( 1227 – 1231 ), later elected Pope Alexander IV

The Academy has also recorded Purcell's Dido and Aeneas, Handel's Orlando and Rinaldo, Mozart's La clemenza di Tito, Haydn's L ' anima del filosofo and over 200 other recordings for Decca, Harmonia Mundi ( France ), EMI and the new live recording label Wigmore Hall Live.

Favart reworked Rinaldo di Capua's La Zingara as La Bohemienne

Baroque Vocal – Antonio Vivaldi Vespri Solenni per la Festa dell ' Assunzione di Maria Vergine Soloists, Concerto Italiano / Rinaldo Alessandrini ( Naïve Opus 111 )

According to the same article in Ephemerides Liturgicae, Cardinal Giovanni Nasalli Rocca di Corneliano wrote in his Litteris Pastoralibus pro Quadragesima ( Pastoral Letters for Lent ) that " the sentence ' The evil spirits who wander through the world for the ruin of souls ' has a historical explanation that was many times repeated by his private secretary, Monsignor Rinaldo Angeli.

Arias from Handel's Rinaldo, Gluck's Orfeo ed Euridice, Mozart's Le nozze di Figaro and Don Giovanni, Rossini's Il barbiere di Siviglia and L ' italiana in Algeri, Donizetti's Anna Bolena and La favorita, and Bellini's I Capuleti e i Montecchi.

In 1945, one of the most original magazines of the period was born: L ' asso di Picche published in Venice as a result of the work of a group of young venetian artists including Alberto Ongaro, Damiano Damiani, Dino Battaglia, Rinaldo D ' Ami and above all Hugo Pratt.

* Luciano Bellosi " Per un contesto cimabuesco senese a ) Guido da Siena e il probabile Dietisalvi " Propsettiva 61, 1991 pp. 6 – 20 and " Per un contesto cimabuesco senese b ) Rinaldo da Siena e Guido di Graziano " Propsettiva 61, 1991, pp. 15 – 28

* Opern-Recital-arias from Tannhauser, Oberon, Ariadne auf Naxos, Alceste, Rinaldo, Iphigenie en Tauride, La Clemenza di Tito, Münchner Rundfunkorchester, conductor Peter Schneider

it: Rinaldo III di Borgogna

* Nicola Melis, “ Lo statuto giuridico degli ebrei dell ’ Impero Ottomano ”, in M. Contu – N. Melis – G. Pinna ( a cura di ), Ebraismo e rapporti con le culture del Mediterraneo nei secoli XVIII-XX, Giuntina, Firenze 2003.

* Breve corso di linguistica italiana: con facsimili, edizione e commento d ' un testo quattrocentesco ad uso di seminari ed esercitazioni.

* Arthur Pougin, Marietta Alboni ( Cesena, 2001 ) ( traduzione di Michele Massarelli con aggiunte di Lelio Burgini al testo originale ).

The Pope sent as nuncio extraordinary to Ireland, Giovanni Battista Rinuccini, archbishop of Fermo, who arrived at Kilkenny with a large quantity of arms, military supplies including twenty thousand pounds of gunpowder, and a very large sum of money .< ref >" con somme cospicue di pecunia ed altre munizioni ", G. Alazzi, Nunciatura in Irlanda di Monsignor Gio.

* Lucio Fulci's Una lucertola con la pelle di donna ( 1971 )

* Daniele Santarelli, Il papato di Paolo IV nella crisi politico-religiosa del Cinquecento: le relazioni con la Repubblica di Venezia e l ’ atteggiamento nei confronti di Carlo V e Filippo II, Rome, Aracne, 2008

*" Incontro con il Re di Tavolara "-2009 interview with Antonio Bertoleoni on YouTube

* A verse of the song " Prospettiva Nevskj " from the album Patriots ( 1980 ) by Franco Battiato quotes Nijinsky, his peculiar dancing style, and hints to his relation with Diaghilev " poi guardavamo con le facce assenti la grazia innaturale di Nijinsky.

Victor Emmanuel II, by the Grace of God and the Will of the Nation, King of Italy, King of Sardinia, Cyprus, Jerusalem, Armenia, Duke of Savoy, Count of Maurienne, Marquis ( of the Holy Roman Empire ) in Italy ; Prince of Piedmont, Carignano, Oneglia, Poirino, Trino ; Prince and Perpetual vicar of the Holy Roman Empire ; Prince of Carmagnola, Montmellian with Arbin and Francin, Prince bailliff of the Duchy of Aosta, Prince of Chieri, Dronero, Crescentino, Riva di Chieri e Banna, Busca, Bene, Brà, Duke of Genoa, Monferrat, Aosta, Duke of Chablais, Genevois, Duke of Piacenza, Marquis of Saluzzo ( Saluces ), Ivrea, Susa, del Maro, Oristano, Cesana, Savona, Tarantasia, Borgomanero e Cureggio, Caselle, Rivoli, Pianezza, Govone, Salussola, Racconigi con Tegerone, Migliabruna e Motturone, Cavallermaggiore, Marene, Modane e Lanslebourg, Livorno Ferraris, Santhià Agliè, Centallo e Demonte, Desana, Ghemme, Vigone, Count of Barge, Villafranca, Ginevra, Nizza, Tenda, Romont, Asti, Alessandria, del Goceano, Novara, Tortona, Bobbio, Soissons, Sant ' Antioco, Pollenzo, Roccabruna, Tricerro, Bairo, Ozegna, delle Apertole, Baron of Vaud e del Faucigni, Lord of Vercelli, Pinerolo, della Lomellina, della Valle Sesia, del marchesato di Ceva, Overlord of Monaco, Roccabruna and 11 / 12th of Menton, Noble patrician of Venice, patrician of Ferrara.

* Bellaso, Giovan Battista, Il vero modo di scrivere in cifra con facilità, prestezza, et securezza di Misser Giovan Battista Bellaso, gentil ’ huomo bresciano, Iacobo Britannico, Bressa 1564.

Il trattato Il cielo e il mondo di Giovanni Buridano e un confronto con alcune posizioni di Tommaso d ' Aquino, in Divus Thomas 110 / 2 ( 2007 ) 151-185

# Grave ( Slowly, with solemnity ) – Allegro di molto e con brio ( Quickly, with much vigour )

The exposition, marked Allegro di molto con brio, is in time ( alla breve ) in the home key of C minor and features three themes.

: Un Arpicembalo di Bartolomeo Cristofori di nuova inventione, ch fa ' il piano, e il forte, a ' due registri principali unisoni, con fond di cipresso senza rosa ..." ( boldface added )

* “ L ’ idealismo di Hegel come radicalizazzione di Kant ”, in Luigi Ruggiu and Italo Testa, eds., Hegel Contemporaneo: la ricezione americana di Hegel a confronto con la traduzione europea ( Milan: Guerini, 2003 ).

Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).

Among the most successful of his 37 operas staged during his lifetime were Armida ( 1771 ), La fiera di Venezia ( 1772 ), La scuola de ' gelosi ( 1778 ), Der Rauchfangkehrer ( 1781 ), Les Danaïdes ( 1784 ), which was first presented as a work of Gluck's, La grotta di Trofonio ( 1785 ), Tarare ( 1787 ) ( Tarare was reworked and revised several times as was Les Danaïdes ), Axur, re d ' Ormus ( 1788 ), La cifra ( 1789 ), Palmira, regina di Persia ( 1795 ), Il mondo alla rovescia ( 1795 ), Falstaff ( 1799 ), and Cesare in Farmacusa ( 1800 ).

These were Elisabetta, regina d ' Inghilterra ( 1815 ), La gazzetta, Otello, ossia il Moro di Venezia ( 1816 ), Armida ( 1817 ), Mosè in Egitto, Ricciardo e Zoraide ( 1818 ), Ermione, Bianca e Falliero, Eduardo e Cristina, La donna del lago ( 1819 ), Maometto II ( 1820 ), and Zelmira ( 1822 ).

* Armida regina di Damasco by Teofilo Orgiani ( Verona, 1711 ) music lost

* Il trionfo di Armida by Tomaso Albinoni ( Venice, 1726 )

* L ' abbandono di Armida by Antonio Pollarolo ( Venice, 1729 )

She also scored triumphant successes in Italy in the great bel canto roles of that era's composers, including Rossini, specifically Armida ; in Bellini's Norma and I puritani ; and in Donizetti's Lucia di Lammermoor.