' Jacob Jordaens, 1593-1678 Antwerp, Koninklijk Museum Voor Schone Kunsten, 27 March-27 June 1993: Catalogue.

* " Christ Surrounded by Musician Angels " ( 1480s ), Oil on wood, 164 × 212 cm, Koninklijk Museum voor Schone Kunsten, Antwerp

The triptych " The Last Judgment " ( Koninklijk Museum voor Schone Kunsten Antwerpen ), painted on commission by the almoners of the Cathedral of Our Lady, Antwerp in 1525, is one of his best works through its originality and his mastership.

These are: the Portrait of Edward Grymeston ( on loan to the National Gallery, London, 1446 ), the Portrait of a Carthusian ( Metropolitan Museum of Art, New York, 1446 ), the so-called St. Eligius in His Shop ( Metropolitan Museum of Art Lehman Collection, New York, 1449 ), the Virgin Nursing the Child ( now in the Koninklijk Museum voor Schone Kunsten, Antwerp, 1449 ), the so-called " Berlin Altar Wings " with the Annunciation, Nativity, and Last Judgment ( Gemaldegalerie, Staatliche Museen zu Berlin, 1452 ), and the Virgin and Child Enthroned with Saints Jerome and Francis ( Stadelsches Kunstinstitut, Frankfurt-am-Main, 1457 ?-- the digits are not clear ).

* James Ensor – Man of Sorrows ( Koninklijk Museum voor Schone Kunsten, Antwerp )

Royal Museum of Fine Arts, Antwerp, 2006.

File: Frans Hals 038. jpg | Portrait of Stephan Geraedts, husband of Isabella Coymans, 1652, Royal Museum of Fine Arts, Antwerp.

Some of the most impressive museums in Belgium are The Royal Museum for Fine Arts, in Antwerp, which has an admirable collection of works by Peter Paul Rubens, the Groeningemuseum, in Bruges, with the Flemish Primitives, the MAS ( Museum Aan De Stoom ) wich is located on't eilandje is the biggest museum in Belgium, and the Royal Museums of Fine Arts of Belgium in Brussels, which has a cinema, a concert hall, and artworks of many periods, including a large René Magritte collection.

Furthermore, the Plantin-Moretus Museum in Antwerp, a world heritage site, is the complete factory of the largest publishing house of the seventeenth century.

His work is also exhibited in public collections worldwide, including the Aichi Prefectural Museum of Art ( Japan ), the Cleveland Museum of Art, National Museum of Art of Romania, the Courtauld Institute of Art ( London ), the Fine Arts Museums of San Francisco, Galleria Nazionale d ' Arte Moderna ( Rome ), Harvard University Art Museums, the Hermitage Museum, the Hirshhorn Museum and Sculpture Garden ( Washington D. C .), the Honolulu Museum of Art, the Kimbell Art Museum ( Fort Worth, Texas ), Kröller-Müller Museum ( Otterlo, Netherlands ), the Minneapolis Institute of Arts, Museo Nacional de Bellas Artes ( Buenos Aires ), the National Galleries of Scotland, the National Gallery of Australia, the Ingres museum in Montauban, the Royal Museums of Fine Arts of Belgium, and the Middelheim Museum ( Antwerp, Belgium )

The only complete set of the original Garamond dies and matrices is at the Plantin-Moretus Museum, in Antwerp, Belgium.

In 1993 a Van Mieghem Museum opened its doors in Antwerp with a collection of 150 of his works.

* The exhibition ' Antwerp = America, Eugeen Van Mieghem and the Emigrants of the Red Star Line ' at the South Street Seaport Museum in New York ran in 2006.

Of the same years is the Crucifixion in the Royal Museum of Antwerp: his early works shows a marked Flemish influence, which it is now understood he derived from his master Colantonio and from works by Rogier van der Weyden and Jan van Eyck that belonged to Colantonio's patron, Alfonso V of Aragon ; his biographer Vasari remarked that Antonello saw at Naples an oil painting by Jan Van Eyck ( the " Lomellini Tryptych ") belonging to King Alfonso V of Aragon ; Vasari's further narrative, that being struck by the new method, set out for the Netherlands to acquire a knowledge of the process from Van Eyck's disciples is discredited today.

* Rubens: Royal Museum of Fine Arts, Antwerp

* Official History: 1914: Edmonds, Brigadier-General Sir James E., Military Operations France and Belgium, 1914 Volume II: Antwerp, La Bassee, Armentieres, Messines, and Ypres October – November 1914, London: HMSO, 1925 ( reprint Imperial War Museum, nd ) ( ISBN-1-870423-55-0 ).

* Rest during the Flight to Egypt ( Koninklijke Museum voor Schone Kunsten, Antwerp ) ( 1520 – 1530 / 40 )

* Birth of Christ ( Museum Mayer van den Bergh, Antwerp ) ( 1530 – 1550 )

* Hoge Raad voor Diamant ( HRD Antwerp ), The Diamond High Council, Belgium is one of Europe's oldest laboratories.

Subsequently he studied fine arts at the Ecole Nationale Supérieure des Arts Visuels de la Cambre in Brussels, Belgium ( 1979 – 1980 ) and at the Koninklijke Academie voor Schone Kunsten in Antwerp, Belgium ( 1980 – 1982 ).

Work by the artist is held in the public collections of various museums, including the Solomon R. Guggenheim Museum, New York, New York ; Art Institute of Chicago, Chicago, Illinois ; The Museum of Modern Art, New York, New York ; San Francisco Museum of Modern Art, San Francisco, California ; Los Angeles County Museum of Art, Los Angeles, California ; Museum van Hedendaagse Kunst, Antwerp, Belgium ; Stedelijk Museum voor Actuele Kunst, Ghent, Belgium ; Bonnefanten Museum, Maastricht ; Centre Pompidou, Paris ; Kunstmuseum Wolfsburg, Wolfsburg ; Museum fuer Moderne Kunst, Frankfurt ; Pinakothek der Moderne, Munich ; and the Tate Gallery, London.

During the chaotic days of October 1914, Desguin organised the Antwerpsch Komiteit voor Hulp ( Antwerp Relief Committee ), a relief organisation for war victims.

Buren's works are part of several major public collections such as Museum voor Hedendaagse Kunst, Antwerp ; Musée d ' Art Moderne de la Ville de Paris ; Tate Modern, London ; the National Museum of Modern Art, Tokyo ; Museo Guggenheim de Arte Moderno y Contemporaneo, Bilbao, and Moderna Museet, Stockholm.

* Royal Academy of Fine Arts Antwerp ( Koninklijke Academie voor Schone Kunsten Antwerpen ), an art and design academy based in Antwerp, Belgium

He studied with Mathieu Ignace Van Brée ( 1773-1839 ) at the Koninklijke Academie voor Schone Kunsten in Antwerp and then with his brother-in-law Ferdinand De Braekeleer ( 1792-1883 ).

* The Hoge Raad voor de Diamant ( HRD Antwerp ), which means Diamond High Council, is Europe's counterpart to the GIA.

At 13, he enrolled at the Academie voor Schone Kunsten in Antwerp to study sculpture, and two years later he started working as sculptor and decorator, just like his father.

Since its foundation, the park has been controlled by De Koninklijke Maatschappij voor Dierkunde van Antwerpen, a society originally called Société Royale de Zoologie d ' Anvers ( The Antwerp Royal Society for Zoology ).

Work by the artist is held in the public collections of various museums, including the ARKEN Museum for Moderne Kunst, Copenhagen ; Art Institute of Chicago, Chicago ; Bawag Foundation, Vienna ; Bonnefantenmuseum, Maastricht, The Netherlands ; Carnegie Museum of Art, Pittsburgh ; Centraal Museum, Utrecht ; Centre Pompidou, Paris ; Centro de Artes Visuales Helga de Alvear, Caceres, Spain ; Dallas Museum of Art, Dallas ; De Ateliers, Amsterdam, The Netherlands ; The Flemish Ministry of Culture, Brussels, Belgium ; Fonds Regional d ’ Art Contemporain Picardie, Amiens, France ; Gemeentemuseum, Arnhem, The Netherlands ; Gemeentemuseum Den Haag, The Hague ; Institute of Contemporary Art, Boston ; South African National Gallery, Cape Town ; Johannesburg Art Gallery, Johannesburg ; Joods Historisch Museum, Amsterdam ; Kasteel Wijlre / Hedge House, Wijlre, The Netherlands ; Krannert Art Museum and Kinhead Pavilion, Champaign, Illinois ; Kunsthalle zu Kiel der Christian-Albrecths-Universität, Kiel, Denmark ; Lieve Van Gorp Foundation for Women Artists, Antwerp, Belgium ; Los Angeles County Museum of Art, Los Angeles ; Museum De Pont, Tilburg, The Netherlands ; Museum für Moderne Kunst, Frankfurt ; Museum het Domein, Sittard, The Netherlands ; Museum of Contemporary Art, Los Angeles ; Museum of Contemporary Art, Tokyo ; The Museum of Modern Art, New York ; Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium ; Museum voor Moderne Kunst, Arnhem, The Netherlands ; Strasbourg Museum of Modern and Contemporary Art ; Nasher Museum of Art, Durham ; Paleis Vught, Vught, The Netherlands ; Saatchi Gallery, London ; Scheringa Museum voor Realisme, Spanbroek, The Netherlands ; Staatsgalerie Moderner Kunst, Munich, Germany ; Stadsgalerij Heerlen, Heerlen, The Netherlands ; Stedelijk Van Abbemuseum, Eindhoven, The Netherlands ; Stedelijk Museum, Amsterdam, The Netherlands ; Stedelijk Museum, Gouda, The Netherlands ; Stedelijk Museum De Lakenhal, Leiden, The Netherlands ; Stedelijk Museum Schiedam, Schiedam, The Netherlands ; Stedelijk Museum voor Actuele Kunst, Ghent, Belgium ; Tropenmuseum, Amsterdam, The Netherlands ; Tate Modern, London, England ; and ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe.

Delvoye is perhaps best known for his digestive machine, “ Cloaca ”, which he unveiled at the Museum voor Hedendaagse Kunst, Antwerp, after eight years of consultation with experts in fields ranging from plumbing to gastroenterology.

The Dendermonde – Puurs Steam Railway ( Stoomspoorlijn Dendermonde-Puurs ) is a heritage railway situated in the Belgian provinces of East Flanders ( Oost-Vlaanderen ) and Antwerp ( Antwerpen ).

Antwerp was designated to be a national reduit ( Réduit national ( French ) or De versterkte stelling Antwerpen ( Dutch )) in case Belgium was attacked.

* Antwerp Management School, Antwerpen, Belgium

Koninklijke Beerschot Antwerpen Club (), simply known as Beerschot AC, is a Belgian football club based in southern Antwerp.

* Ongoing tie-up with The University of Antwerp ( Universiteit Antwerpen ) for facilitating student interaction and joint study.

The nearest large Belgian city is Antwerp ( Antwerpen / Anvers ) to the east.

Schoonselhof Cemetery ( Antwerpen Schoonselhof ) is located in Hoboken, Antwerp, a suburb of Antwerp, Belgium.

Anvers Island or Antwerp Island or Antwerpen Island or Isla Amberes is a high, mountainous island long, which is the largest feature in the Palmer Archipelago, lying southwest of Brabant Island at the southwestern end of the group.

de: Koninklijk Museum voor Midden-Afrika

nl: Koninklijk Museum voor Midden-Afrika

* Koninklijk Instituut voor Taal -, Land-en Volkenkunde

Koninklijk Instituut voor de Tropen.

nl: Koninklijk Belgisch Instituut voor Natuurwetenschappen

The mast of Van Speijk's ship is still kept at the Koninklijk Instituut voor de Marine ( Royal Netherlands Naval College ).

Bibliographical series ( Koninklijk Instituut voor Taal -, Land-en Volkenkunde ( Netherlands )) ; 9.

In 1961 he was lecturer at the University of Malaya, and in 1969 first representative in Jakarta of the KITLV ( the Leiden-based Koninklijk Instituut voor Taal -, Land-en Volkenkunde

id: Koninklijk Instituut voor Taal -, Land-en Volkenkunde

jv: Koninklijk Instituut voor Taal -, Land-en Volkenkunde

nl: Koninklijk Instituut voor Taal -, Land-en Volkenkunde

He also taught piano at the Koninklijk Nederlandsch Instituut voor Wetenschappen, interviewed applicants for church organist positions, judged composition competitions and wrote for the Allgemeine musikalische Zeitung, a publication he once used as a soapbox to complain about the lack of performance of music by contemporary Dutch composers like himself.

The Kartini-archive inventory at the Koninklijk Instituut voor Taal -, Land-en Volkenkunde ( KITLV ) / Royal Netherlands Institute of Southeast Asian and Caribbean Studies, Leiden, The Netherlands

Amsterdam: Koninklijk Instituut voor de Tropen, 1954.