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Armida and abbandonata
* Rinaldo in Armida abbandonata by Niccolò Jommelli ( Naples, 1780 )
* Giuseppe Maria Buini Armida abbandonata
* Armida abbandonata by Giovanni Maria Ruggieri ( Venice, 1707 )
* Armida abbandonata by Giuseppe Maria Buini ( Bologna, 1716 )
* Armida abbandonata by Antonio Bioni ( Prague, 1725 )
* Armida abbandonata by Niccolò Jommelli ( Naples, 1770 )
* Armida abbandonata ( 1770 ) by Jommelli

Armida and Naples
* L ' Armida immaginaria ( summer 1777 Naples Teatro ( San Giovanni ) dei Fiorentini )
In addition, Farnese commissioned various oil paintings from Carracci, including his Rinaldo and Armida now in the Capodimonte Museum in Naples.
* Armida by Gioacchino Rossini ( Naples, 1817 )
Though her voice soon began to show signs of strain, Colbran continued to have a fertile career, creating the roles of Armida ( Armida ), Elcia ( Mosè in Egitto ), Zoraide ( Ricciardo e Zoraide ), Ermione ( Ermione ), Elena ( La donna del lago ), Anna ( Maometto II ), and Zelmira ( Zelmira ), all written by Rossini for Naples.

Armida and
* 1911 Armida, Mexican-American actress, singer, and dancer ( d. 1989 )
* Giuseppe Sarti Armida e Rinaldo
* Joseph Haydn Armida
* December 26 Teatro alla Scala in Milan opens its operatic carnival season with Josef Mysliveček's new opera Armida.
* Antonio Salieri Armida
* Pasquale Anfossi Armida

Armida and libretto
The libretto to Armida was by Marco Coltellini the house poet for the imperial theaters.
His most successful operas in Russia were Armida e Rinaldo and The Early Reign of Oleg ( Nachal ' noye upravleniye Olega ), for the latter of which the empress herself wrote the libretto.

Armida and by
Armida was translated into German and widely performed, especially in the northern German states, where it helped to establish Salieri's reputation as an important and innovative modern composer It would also be the first opera to receive a serious preparation in a piano and vocal reduction by Carl Friedrich Cramer in 1783.
Armida was soon followed by Salieri's first truly popular success ; a commedia per musica in the style of Carlo Goldoni La fiera di Venezia ( The Fair of Venice ).
His opera ' Rinaldo and Armida ' has recently been published in the Recent Researches of the Music of the Baroque Era series ( A-R Editions ), edited by Steven Plank.
At the beginning of the 20th century, the Casa de Cultura Jesús Reyes Heroles was inhabited by María Concepción Armida, who is being considered for beatification by the Catholic Church.
* Rinaldo in Armida by Josef Mysliveček ( Milan, 1780 )
Rinaldo and Armida, by Francois Boucher, 1734 ; this painting gained Boucher entrance to the Academie ( Louvre Museum )
He contributed to the society's exhibitions upwards of three hundred portraits and other works, among them being " The Enchantress Armida ", exhibited in 1831 ; " Haidee aroused from her Trance by the sound of Music ", 1834 ; " Eros ", 1836 ; " Italian Boys playing at the National Game of Mora " and the " Prisoner of Chillon ", 1837 ; " The Scene in St. Peter's, Rome, from Byron's Deformed Transformed ", 1839 ; " The Convent of St. Isidore: the Monks giving away provisions ", 1841 ; and a " Scene in a Spanish Posada in Andalusia ", 1843.
Rinaldo and Armida, by François Boucher.
The witch Armida ( modeled on Circe in Homer and the witch Alcina in Ariosto's epic ) enters the Christian camp asking for their aid ; her seductions divide the knights against each other and a group leaves with her, only to be transformed into animals by her magic.
Two Christian knights seek out the hidden fortress, brave the dangers that guard it and, by giving Rinaldo a mirror of diamond, force him to see himself in his effeminated and amorous state and to return to the war, leaving Armida heartbroken.
* Armida by Benedetto Ferrari ( Venice, 1639 ) music lost
* Armida by Marco Marazzoli ( Ferrara, 1641 )
* Amori di Rinaldo con Armida by Teofilo Orgiani ( Brescia, 1697 ) music lost
* Armida al campo by Giuseppe Boniventi ( Venice, 1708 )
* Armida regina di Damasco by Teofilo Orgiani ( Verona, 1711 ) music lost
* Armida in Damasco by Giacomo Rampini ( Venice, 1711 )
* Armida al campo d ' Egitto by Antonio Vivaldi ( Venice, 1718 )
* Armida delusa by Giuseppe Maria Buini ( Venice, 1720 )
* Das eroberte Jerusalem, oder Armida und Rinaldo by Georg Caspar Schurmann ( Brunswick, 1722 )

Armida and Francesco
* Francesco Hayez-Rinaldo and Armida

Armida and de
Among the most successful of his 37 operas staged during his lifetime were Armida ( 1771 ), La fiera di Venezia ( 1772 ), La scuola de ' gelosi ( 1778 ), Der Rauchfangkehrer ( 1781 ), Les Danaïdes ( 1784 ), which was first presented as a work of Gluck's, La grotta di Trofonio ( 1785 ), Tarare ( 1787 ) ( Tarare was reworked and revised several times as was Les Danaïdes ), Axur, re d ' Ormus ( 1788 ), La cifra ( 1789 ), Palmira, regina di Persia ( 1795 ), Il mondo alla rovescia ( 1795 ), Falstaff ( 1799 ), and Cesare in Farmacusa ( 1800 ).
* Cabrera de Armida, Concepcion.
Rinaldo and Armida, François Boucher's morceau de réception, gained his admission to the Académie royale de peinture et de sculpture | Académie royale in 1734.
Authors such as the Venerable Concepcion Cabrera de Armida and Blessed Maria Candida of the Eucharist have produced large volumes of text based on their Eucharistic meditations.
Significant portions of the writings of the Venerable Concepcion Cabrera de Armida were reported as having been based on her adorations of the Blessed Sacrament
Cabrera de Armida did not represent her writings as interior locutions or visions of Jesus and Mary but as her meditations and inspirations during Eucharistic adoration.
* I AM ( book ), a book by the Venerable Concepcion Cabrera de Armida
Significant portions of the writings of the Venerable Concepcion Cabrera de Armida were reported as having been based on her adorations of the Blessed Sacrament
Elsewhere in 1988, Anderson focused on Rossini roles: playing her first Armida in Aix-en-Provence, appearing in Otello at the Pesaro Festival, and debuting as Anna in Maometto II ( an early version of Rossini's Le siège de Corinthe ) at the San Francisco Opera ( she had previously recorded this work with Samuel Ramey in 1983 ).
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