Help


[permalink] [id link]
+
Page "Formalist film theory" ¶ 22
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Bordwell and David
American scholar David Bordwell has spoken against many prominent developments film theory since the 1970s, i. e., he uses the humorously derogatory term " SLAB theory " to refer to film studies based on the ideas of Saussure, Lacan, Althusser, and / or Barthes.
Joseph Anderson and Barbara Fisher argue that the phi phenomena privileges a more constructionist approach to the cinema ( David Bordwell, Noël Carroll, Kirsten Thompson ), whereas the persistence of vision privileges a realist approach ( André Bazin, Christian Metz, Jean-Louis Baudry ).
* Thompson, Kristin, and David Bordwell.
* Thompson, Kristin, and David Bordwell.
Film historian David Bordwell writes that in his films, " Vacations, parties and artistic pursuits are vain efforts to conceal the characters ' lack of purpose and emotion.
Post-show panels are led by his " Far-Flung Correspondents " or other respected film professionals, such as film historian David Bordwell and film critic Christy Lemire.
As David Bordwell describes, technological improvements continued at a swift pace: " Between 1932 and 1935, Electric and RCA created directional microphones, increased the frequency range of film recording, reduced ground noise ... and extended the volume range.
Influential monographs by Donald Richie, Paul Schrader, and David Bordwell have ensured a wide appreciation of Ozu's style, aesthetics and themes.
However, David Bordwell argues that Ozu is one of the few directors to " create a systematic alternative to Hollywood continuity cinema, but he does so by changing only a few premises.
* Thompson, Kristin, and David Bordwell.
Because it rests on psychological principles, a reader-response approach readily generalizes to other arts: cinema ( David Bordwell ), music, or visual art ( E. H. Gombrich ), and even to history ( Hayden White ).
Film scholar David Bordwell, writing in Film Viewer's Guide, mentioned the ( un ) reality of the ending as a topic for debate.
Film scholar David Bordwell claims that " art cinema itself is a film genre, with its own distinct conventions.
Film scholar David Bordwell outlined the academic definition of " art film " in a 1979 article entitled The Art Cinema as a Mode of Film Practice, which contrasts art films against the mainstream films of classical Hollywood cinema.
According to David Bordwell, " As a youth he belonged to the Social Liberal party, a conservative group radical only in their opposition to military expenditures ...' Even when I was with Ekstrabladet ,' Dreyer recalled, ' I was conservative ... I don't believe in revolutions.
He is the son of German immigrants and studied film at the University of Wisconsin – Madison ( 1975 ) under the tutelage of David Bordwell.
" Academic David Bordwell has expressed a liking for the film, placing it in the tradition of 1950s Disney children's adventure movies, and using it as the basis for an essay on scene transitions in classical Hollywood cinema.
* Bordwell, David.
Noted practitioners of ASL studies include David Bordwell and Yuri Tsivian.
Also included were the original theatrical trailer, an audio commentary by Donald Richie, Ozu ’ s Films from Behind-the-Scenes, a conversation about Ozu and his working methods between child-actor and sound technician Kojiro Suematsu, assistant cameraman Takashi Kawamata, and Ozu producer Shizuo Yamanouchi, and essays by David Bordwell and Jim Jarmusch.
* Criterion Collection essay by David Bordwell
Film scholar David Bordwell has dubbed these French Impressionists, and included Abel Gance, Jean Epstein, Marcel L ' Herbier, and Dimitri Kirsanoff.
* Bordwell, David.
* Bordwell, David: Making Meaning: Inference and Rhetoric in the Interpretation of Cinema.

Bordwell and Film
* David Bordwell: Essay on Danish Cinema, in Film # 55, Denmark 2007

Bordwell and ;
Many, if not most, movie stars have recording sidelines, and vice versa ; this has been a key marketing strategy in an entertainment industry where American-style, multimedia advertising campaigns have until recently been little used ( Bordwell, 2000 ).

Bordwell and ).
The colony also did big business exporting films to Southeast Asian countries ( especially but not exclusively due to their large Chinese expatriate communities ) and to Chinatowns in Western countries ( Bordwell, 2000 ).
The New Wave helped carve out a small niche for art films in Hong Kong's populist cinema, although most were absorbed into the mainstream to one extent or another ( Bordwell, 2000 ).
He works under the umbrellas of two production companies he launched, Wong Jing's Workshop Ltd. and BoB and Partners Co. Ltd. ( Best of the Best ), the latter in partnership with director Andrew Lau and writer-producer Manfred Wong ( Bordwell, 2000 ).
He was using Hollywood-style cross-media promotional tactics-such as tie-in novels, comic books and other products, and magazine interviews-long before they became common in Hong Kong ( Bordwell, 2000 ).
It stopped publishing in 1979 ( Bordwell, 2000 ).

David and Film
Today, the film is seen by the British Film Institute as one of Chaplin's " great features ", while David Robinson says it shows the star at " his unrivalled peak as a creator of visual comedy.
Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.
Editorial Supervision by David Elliot, Production Supervision by Jim Marsh, Film Editor was Bert Rule.
Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.
In his book Dark Romance: Sexuality in the Horror Film, David Hogan called it " the most affecting gore thriller of all and, in a broader view, among the most effective horror films ever made ... the driving force of The Texas Chainsaw Massacre is something far more horrible than aberrant sexuality: total insanity.
In 1969, a plaque to Leigh was placed in the Actors Church, St Paul's, Covent Garden ; in 1985, a portrait of her was included in a series of postage stamps, along with Alfred Hitchcock, Charles Chaplin, Peter Sellers and David Niven to commemorate " British Film Year ".
" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.
* Robinson, David, Buster Keaton ( 1969 ) Indiana University Press, in association with British Film Institute
* Robinson, David, The Great Funnies: A History of Film Comedy ( 1969 ) E. P.
Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.
He has also won Golden Globe, Cannes, Berlinale, BAFTA, Cesar, David di Donatello, European Film Academy, and Czech Lion awards.
Film critic David Thomson calls the film " a superb, languid fantasia on the theme of the gangster film that repays endless viewing.
* David di Donatello for Best Foreign Film ( winner )
* 1994 ( 67th ) Bob's Birthday-Snowden Fine Animation, National Film Board of Canada, Channel 4-Alison Snowden and David Fine
Candy was in the audience for the American Film Institute's tribute to David Lean, director of Bridge on the River Kwai.
Rossellini with David Lynch at the Cannes Film Festival
" David Lean was given honorary membership of the Guild of British Film Editors in 1968.
was also honored abroad: the film won the Best Foreign Language Film award at the Blue Ribbon Awards in Japan, Cinema Writers Circle Awards in Spain, César Awards in France, and David di Donatello in Italy.
* Beckett's Catastrophe – dedicated to then-imprisoned Czech dissident playwright Václav Havel, who became president of Czechoslovakia after the 1989 Velvet Revolution – was first performed at the Avignon Festival on July 21, 1982 ; the film version ( in Beckett on Film ) was directed by David Mamet and performed by Harold Pinter, Sir John Gielgud, and Rebecca Pidgeon.
In 1995, the film was nominated for three Academy Awards for Best Film Editing, Best Sound ( Gregg Landaker, Steve Maslow, Bob Beemer, David MacMillan ) and Best Sound Effects Editing, winning the latter two.
In 1943, Zack Schwartz, David Hilberman, and Stephen Bosustow formed a studio called first Industrial Film & Poster Service and later United Productions of America, where they were free to apply their concepts.
The latter cast also won a Silver Bear for Outstanding Artistic Contribution, at the 2002 Berlin Film Festival ( Halle Berry won Best Actress at Berlin in 2002 ).. She won the Best Actress award at the Montréal World Film Festival ( in 2002 for Merci pour le chocolat ), at the Moscow International Film Festival ( in 1991 for Madame Bovary ), at the Deutscher Filmpreis ( in 1991 for Malina ) and twice at the David di Donatello ( in 1978 for La Dentellière and in 2001 for The Piano Teacher ).

0.259 seconds.