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* Cadence Records, an American record label during the 1940s and 50s
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Cadence and Records
In Britain, London Records became a mighty catch-all licensing label for foreign recordings from the nascent post-WW II American independent and semi-major labels such as Cadence, ABC-Paramount, Atlantic, Imperial and Liberty.
Eventually the song came to the attention of record producer Archie Bleyer of Cadence Records, who hated it, particularly after Wray poked holes in his amplifier's speakers to make the recording sound more like the live version ( see " Rocket 88 " for Ike Turner's similar story ).
They recorded an album for Cadence Records, then in 1958 they hired Willie Wynn to sing the tenor part, Fairchild moved back exclusively to the piano.
LaRosa was also signed to Cadence Records, owned by Godfrey's musical director Archie Bleyer, who produced " Eh, Cumpari!
Kay also got Andy his breakthrough recording contract with Cadence Records ( the label's owner Archie Bleyer had gotten early career breaks because of Kay and he owed her a favor ).
Solo trumpet recordings from this period were later released by Cadence Jazz Records, and later collected on the self-released multi-CD set Odyssey along with other material.
Cadence Records was an American record company based in New York City whose labels had a picture of a metronome.
Bleyer opted to shut down Cadence, and sold Williams ' masters to the singer, which he bought mainly because he wanted to keep any other buyer ( Kapp Records and Liberty Records were two companies mentioned interested in buying the Cadence catalog ) from reissuing his old material in competition with his new material.
Williams reissued his old albums on Columbia and formed Barnaby Records to manage the Cadence catalogue.
In 1964, Bleyer, who was unable to accept the changing pop music market at the dawn of the British Invasion era, sold the Cadence label and all its recordings ( except for certain material — like the Link Wray album — he kept to himself ) to Andy Williams who formed Barnaby Records to manage the Cadence catalog.
Cadence and American
The only trouble with this angle is the fact that Bleyer had McNeil record " Make American Proud Of You " ( Cadence # 1286 ) in 1956, not 1953 as is alleged here.
She is also known for her role as Cadence Flaherty, the love interest of both Steve Stifler and Paul Finch in the 2003 comedy American Wedding, the third installment of the American Pie film series.
what is clear, is that all these musical forms borrow beats from West African Highlife music and have fused North American Pop and R & B with the Latin beats of central and South America and Cuba to form distinct musical genres which have significant variations in islands that were influenced by the French where Zouk and Cadence are popular variations.
Cadence and record
She didn't record with The Chordettes on their label, Cadence Records ; however she did appear on some " Stars For Defense " programs.
Cadence and label
The label was more fortunate with its next signing, The Everly Brothers, whom Warner Bros. secured after the end of their previous contract with Cadence Records.
Candid Records was founded as a subsidiary of Archie Bleyer's Cadence label in New York City in 1960.
McCoy cut his first single for the Cadence label and " Cherri Berri Wine " reached No. 99 in the Billboard chart.
The Chordettes recording of the song was released on the Cadence Records label whose founder, Archie Bleyer, is credited on the disc's label as " knees played by " and orchestra conductor.
Days after firing La Rosa, Godfrey also fired bandleader Archie Bleyer, owner of La Rosa's label Cadence Records, for producing spoken word records for Cadence featuring Chicago-based talk host Don McNeill, whose Don McNeill's Breakfast Club on ABC Radio opposite Godfrey's morning show was considered a direct competitor.
She got her friend Archie Bleyer to add Andy to the roster of artists on his label Cadence Records where she wrote many of the songs Andy recorded, including the 1958 Top 20 hit " Promise Me, Love ".
Records and American
Love and Theft is the thirty-first studio album by American singer-songwriter Bob Dylan, released in September 2001 by Columbia Records.
CBI's Burroughs Corporation Records includes over 100, 000 photographs depicting the entire visual history of Burroughs from its origin as the American Arithmometer Corporation in 1886 to its merger with the Sperry Corporation to form the Unisys Corporation in 1986.
They released a concert DVD in 2004 on Hydra Records, played the Viper Room in West Hollywood in 2005, and performed at Dick Clark's American Bandstand Theater in Branson, Missouri in 2006-07.
On 17 September 2010 Coronation Street entered the Guinness World Records book as the world's longest-running television soap opera after the American soap opera As the World Turns had its final episode.
The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records ( Ken, Joe and Stanley Cayre ), West End Records ( Mel Cheren ), Casablanca ( Neil Bogart ), and Prelude ( Marvin Schlachter ) to name a few.
In September 2011, a new album called " My Heart " was released by Sony in the UK ; the American release came out in December 2011 distributed through City Hall Records.
McLean's major break came when Mediarts was taken over by United Artists Records thus securing for his second album, American Pie, the promotion of a major label.
* American singer-songwriter, Brenda Lee, released the rockabilly song " Let's Jump The Broomstick " on Decca Records in 1959.
Forever Changes is the third album by American rock band Love, released by Elektra Records in November 1967.
* 1943 – Alan Walden, American manager publisher, agent, and promoter, co-founder of Capricorn Records
Records show that many Native American women bought African men but, unknown to the European sellers, the women freed and married the men into their tribe.
* Native American Historical Records, Archival Research Catalog, National Archives and Records Administration
* Phrenology ( album ) is the fifth studio album by American hip hop band The Roots, released November 26, 2002, on Geffen Records and MCA Records.
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