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* Cinecolor, a bi-pack color process, the photographer would load a standard camera with two films, one orthochromatic, dyed red, and a panchromatic strip behind it.
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Cinecolor and color
Kinemacolor ( 1908 – 1914 ), Technicolor processes 1 through 4 ( 1917 – 1954 ), and Cinecolor used one, two or three strips of monochrome film stock sensitized to certain primary colors or exposed behind color filters in special cameras.
It was filmed in Cinecolor, is one of only three color pictures Lugosi made, and the only one he starred in.
Two years later, Paramount approved color production for Fleischer, but he was left with the clearly inferior two-color processes of Cinecolor ( red and blue ) and two-strip Technicolor ( red and green ).
In 1934, Schlesinger produced his first color Merrie Melodies shorts, Honeymoon Hotel and Beauty and the Beast, which were produced in Cinecolor ( Disney had exclusive rights to the richer Technicolor process ).
It is notable for being the first Warner Bros. cartoon produced in color ( though it used Cinecolor since Walt Disney had exclusive rights to the Technicolor process ).
Cinecolor was an early subtractive color-model two color film process, based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and 1930s.
Crespinel founded Cinecolor, Inc. ( later Cinecolor Corporation ) in 1932 as a response to the success of the Technicolor Corporation, which held a partial monopoly on motion picture color.
Although limited in tone by comparison, Cinecolor's chief advantages over Technicolor were that color rushes were available within 24 hours, that the process itself only cost 25 percent more than black-and-white photography ( the price grew cheaper as larger amounts of Cinecolor film stock were bought ), and could be used in modified black-and-white cameras.
The company otherwise continued to flourish within its own element until after WWII, with two series ; the " Michael Shayne " detective series with Hugh Beaumont ( six entries ) and Eddie Dean with a series of singing cowboy Westerns in Cinecolor, the first western series to be filmed in color.
Cinecolor and process
Scott renewed his acquaintance with producer Harry Joe Brown and together they began producing many of Scott's Westerns, including several that were shot in the two-color Cinecolor process.
Disney's exclusive contract with Technicolor, in effect until the end of 1935, forced other animators such as Ub Iwerks and Max Fleischer to use Technicolor's inferior two-color process or a competing two-color system such as Cinecolor.
During the late-1940s and 1950s Yates utilized a low-cost Cinecolor process called Trucolor in many of his films, notably Johnny Guitar ( 1954 ), The Last Command and Magic Fire ( 1956 ).
Her first leading role came in Adventure Island ( 1947 ), a low-budget action film made in the two-color Cinecolor process and co-starring Rory Calhoun.
The Cinecolor process was invented in 1932 by English-born cinematographer William T. Crespinel ( 1890 – 1987 ), who joined the Kinemacolor Corporation in 1906, and who went to New York in 1913 to work with Kinemacolor's American unit.
Cinecolor was also prominently employed in processing Paramount's Popular Science series of short films -- although later prints were made by Consolidated Film Industries under their Magnacolor process.
The first Color Classic was photographed in the two-color Cinecolor process.
Cinecolor and would
After his stay with MGM, Iwerks ' cartoons were distributed by Celebrity Pictures, and Iwerks would answer to Disney's use of Technicolor and create the Comicolor series, which aired cartoons in two-strip Cinecolor.
Cinecolor and with
Dough for the Do-Do was produced in Technicolor, but was originally released in Cinecolor due to a dispute with the Technicolor corporation.
Instead of creating entirely new opening / closing sequences, NTA replaced the Paramount logos with their own, and on other title cards, all references to Paramount, Technicolor, Cinecolor, and Polacolor were replaced with black bars, including the original copyright notice.
From 1932 to 1935, Cinecolor was used in at least 22 cartoons -- including Max Fleischer cartoons for Paramount and Ub Iwerks for MGM -- the period when Walt Disney held an exclusive contract with the Technicolor for the use of three-color Technicolor for animation.
( The 1940s cartoons were more than likely actually produced in Technicolor but had their original releases processed by Cinecolor, since when viewed side-by-side with 1930s Cinecolor entries, there is a very noticeable difference in how many different colors are used.
Her few leading roles during this time were in " B " pictures, notably as Maid Marian to Jon Hall's Robin Hood in the Cinecolor production The Prince of Thieves ( 1947 ) and with Richard Arlen in the sepiatoned western The Return of Wildfire ( 1948 ).
Cinecolor and two
This new Oswald model was adapted directly from a non-Oswald character in another Lantz cartoon: the Cinecolor " Fox and the Rabbit " ( 1935 ), released some two months earlier as the last of the early Cartune Classics series.
There were only two Merrie Melodies cartoons produced in Cinecolor before the series went briefly back to black-and-white.
Cinecolor and films
Before 1945, Cinecolor was used almost exclusively for short films.
Most features made in Cinecolor were westerns, because the primary colors in those films were blues, browns and reds.
Category: Cinecolor films
Cinecolor and one
The year 1948 was a major one for the Cinecolor Corp. Aside from growing stock prices, they introduced a new, hyper-sensitive stock and film magazines, which cut back on the on-set lighting costs by 50 percent, and kept the cost of shooting in Cinecolor only 10 percent more than black and white.
Cinecolor and behind
Initially called The Lawton Story and filmed in Cinecolor, the quality of the film was considered so poor that telephone poles could be seen behind the crucifix and upon release, it was described as " the only film that had to be dubbed from English to English.
Cinecolor and .
From 1933 to 1936 he produced a series of shorts ( independently distributed, not part of the MGM deal ) in Cinecolor, named ComiColor Cartoons.
This version had been printed ( poorly ) on two-color Cinecolor stock which did not accurately reproduce the colors of the original film.
Roach was the first Hollywood producer to go to an all-color production schedule, making four streamliners in Cinecolor, although the increased production costs did not result in increased revenue.
After appearing in all three of the Eddie Dean Cinecolor singing Westerns in 1945 / 46, he starred in quirky B-westerns from 1947 to 1951, at first for Poverty Row studio PRC, then to Eagle-Lion when they took over the studio and later for producer Ron Ormond.
Like most of Roach's latter-day output, Curley was shot in Cinecolor.
While Cinecolor could produce vibrant reds, oranges, blues, browns and flesh tones, its renderings of other colors such as bright greens ( rendered dark green ) and purples ( rendered a sort of dark magenta ) were muted.
bi-pack and color
A bi-pack color process, the photographer would load a standard camera with two films, one orthochromatic, dyed red, and a panchromatic strip behind it.
bi-pack and camera
During this time a new technique known as the bi-pack camera method was developed.
bi-pack and with
The original footage and a clean reel are loaded into the bi-pack with the original threaded so it passes the shutter in front of the clean tape.
bi-pack and .
The traveling matte was like an in-camera or bi-pack matte, except that the matte line changed every frame.
Filmmakers could use a technique similar to the bi-pack method to make the live action portion a matte itself, allowing them to move the actors around the background and scene – integrating them completely.
color and process
The copy itself, including any text or illustrations, is reproduced in full color directly on a thin Mylar polyester film by a photo screen process.
A typical formulation of process cyan is shown in the color box at right.
* Cyanotype, or blueprint, a monochrome photographic printing process that predates the use of the word cyan as a color, yields a deep cyan-blue colored print based on the Prussian blue pigment.
Clay identification is determined by a process of refiring the ceramic, and assigning a color to it using Munsell Soil Color notation.
Early color motion picture processes such as Kinemacolor and Prizmacolor used travelogues to promote the new color process.
: With a photochemical process, the color timer adjusts the color of the film via printer lights for greater consistency in the film's colors.
A higher quality version in 1952, Eastman Color Negative film 5248, was quickly adopted by Hollywood for color motion picture production, replacing both the expensive three-strip Technicolor process and Monopack.
* 1909 – Kinemacolor, the first successful color motion picture process, is first shown to the general public at the Palace Theatre in London.
The pink color of ham develops in the curing process which involves salt and usually either nitrites or nitrates.
Pei involved himself in the construction process at Kips Bay, even inspecting the bags of concrete to check for consistency of color.
To this end, he called for a rock-treatment process that could color the buildings to match the nearby mountains.
The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th-century modernist movements in both painting and sculpture continue through the first decade of the 21st century and constitute radical new directions in those mediums.
Because changing ink color in a mimeograph could be a laborious process, involving extensively cleaning the machine or, on newer models, replacing the drum or rollers, and then running the paper through the machine a second time, some fanzine publishers experimented with techniques for painting several colors on the pad, notably Shelby Vick, who created a kind of plaid " Vicolor.
Autochrome, the first commercially successful color process, was introduced by the Lumière brothers in 1907.
The camera interpolates the color information of neighboring sensor elements, through a process called demosaicing, to create the final image.
The color effect of pastels is closer to the natural dry pigments than that of any other process.
For many years these processes were used almost exclusively for transparencies ( in slide projectors and similar devices ), but color prints became popular with the introduction of the Chromogenic negative, which is the most-used system in the C-41 process.
Because, through the dithering process, the printer builds a single image pixel out of several printer dots to increase color depth, the printer's DPI setting must be set far higher than the desired PPI to ensure sufficient color depth without sacrificing image resolution.
First experiments with RGB in early color photography were made in 1861 by Maxwell himself, and involved the process of three color-filtered separate takes.
The additive RGB model and variants such as orange – green – violet were also used in the Autochrome Lumière color plates and other screen-plate technologies such as the Joly color screen and the Paget process in the early twentieth century.
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