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Didone and abbandonata
* Didone abbandonata ( 18 January 1823, Teatro Regio, Turin )
* R 1. 88 Didone abbandonata ( 4. 11. 1794 Naples, Teatro di S Carlo )
* 1724: Didone abbandonata by Domenico Sarro
* 1740: Didone abbandonata by Baldassare Galuppi
* 1747: Didone abbandonata by Niccolò Jommelli
* 1762: Didone abbandonata by Giuseppe Sarti
* 1770: Didone abbandonata by Niccolò Piccinni
* 1823: Didone abbandonata by Saverio Mercadante
Under her influence he wrote in rapid succession Didone abbandonata, Catone in Utica, Ezio, Alessandro nell ' Indie, Semiramide riconosciuta, Siroe and Artaserse.
* Didone abbandonata ( 1724 )
* Didone abbandonata ( 1726 )
The marriage of princess Maria Josepha of Saxony to the French Dauphin gave Hasse the opportunity to journey to Paris in the summer of 1750, where his Didone abbandonata was performed.
He must have left Venice at the very end of 1746 or at the beginning of the following year, because on 28 January 1747 Jommelli was staging at the Argentina theatre in Rome his first version of the " Didone abbandonata ", and in May at San Carlo theatre in Naples a second version of " Eumene ".
* Didone abbandonata ( Stuttgart, 1763 )
Among the opera recordings on CD or DVD are Il caffè di campagna ( 2011 ), La clemenza di Tito ( 2010 ), La diavolessa ( 2004 ), Didone abbandonata ( 2007 ), Il filosofo di campagna ( 1959 and 2001 ), Gusto primo, re di Svezia ( 2005 ), Il mondo alla roversa ( 2007 ), and L ' Olimpiade ( 2009 ).
Under her wing, Metastasio produced libretto after libretto, and they were rapidly set by the greatest composers in Italy and Austria, establishing the transnational tone of opera seria: Didone abbandonata, Catone in Utica, Ezio, Alessandro nell ' Indie, Semiramide riconosciuta, Siroe and Artaserse.
Vinci's settings of Didone abbandonata and Artaserse were much praised for their stromento recitative, and he played a crucial part in establishing the new style of melody.
1792 saw Storace produce the boldest of his operatic projects, Dido, Queen of Carthage, with a libretto by Prince Hoare after Metastasio's Didone abbandonata.
Indeed, it ranks with Demofoonte and Didone abbandonata, dramas excelled in popularity only by Artaserse and Alessandro nell ' Indie.

Didone and Rome
Vinci's opere buffe, of which Li zite ' ngalera ( 1722 ) is generally regarded as the best, are full of life and spirit ; his opere serie, of which Didone Abbandonata ( Rome, 1728 ) and Artaserse ( Rome, 1730 ) are the most notable, have an incisive vigour and directness of dramatic expression praised by Charles Burney.

Didone and
* T. Kailuweit, Dido Didon Didone.
** Queen Dido: Didone Liberata ( Mostly about a new four-act play by Salvatore Conte ; it contains also a confutation of the well-known suicide into a subjective vision of Aeneas and his " comites " 4. 664, followed by Dido's catabasis )
* Francesco Cavalli Didone
* Vincenzo Ciampi Didone
* Leonardo Vinci Didone Abandonnata

Didone and libretto
* La morte di Didone ( revised as Tod der Dido ) ( singspiel, based on a libretto by Metastasio, 1779, Mannheim )
Busenello had worked with Monteverdi's younger contemporary Francesco Cavalli, providing the libretto for Didone ( 1641 ), and according to theatre historian Mark Ringer was " among the greatest librettists in the history of opera ".

Didone and by
* 1641: La Didone by Francesco Cavalli
* 1656: La Didone by Andrea Mattioli
At the end of that year, she travelled to Venice and performed at the Teatro di San Samuele in the opera La Didone Abbandonata, wearing a tiara, necklace, and diamond earrings that had been given to her by the Russian Empress.

abbandonata and
* Armida abbandonata ( Naples, 1770 ) libretto by Francesco Saverio de ' Rogati
* Giuseppe Maria Buini Armida abbandonata

abbandonata and libretto
For instance, Goehr's Arianna uses the libretto of a lost opera by Monteverdi, Arianna abbandonata, and conjures up sonorities reminiscent of the Italian Renaissance.

abbandonata and by
* Rinaldo in Armida abbandonata by Niccolò Jommelli ( Naples, 1780 )
* Armida abbandonata by Giovanni Maria Ruggieri ( Venice, 1707 )
* Armida abbandonata by Giuseppe Maria Buini ( Bologna, 1716 )
* Armida abbandonata by Antonio Bioni ( Prague, 1725 )
* Armida abbandonata by Niccolò Jommelli ( Naples, 1770 )
* Armida abbandonata ( 1770 ) by Jommelli
However, before the national debate caused by the Viola case, a 1964 satire directed by Pietro Germi, Seduced and Abandoned ( Sedotta e abbandonata ), treated the Sicilian custom as a dark comedy.

Rome and 1847
* Ennius: translation of selected fragments at elfinspell. com ; from Specimens of the Poets and Poetry of Greece and Rome by Various Translators ( 1847 )
In Rome in 1847, she met Sidney Herbert, a politician who had been Secretary at War ( 1845 1846 ).
* He was recognized by the main artistic bodies of many European countries, and was enrolled as a member of the academies of art in Rome ( Accademia di San Luca ) in 1842, Saint Petersburg ( 1845 ), Brussels ( 1847 ), Prussia ( 1849 ) and Stockholm ( 1850 ).
Acre lost in 1291 ; moved to Cyprus then Rome after 1374 ; only honorary patriarchs until 1847.
There were food riots all through 1840 to 1847 ; radical groups proliferated in Rome.
Among such of his designs are four charming plates to Charles Dickens's A Christmas Carol ( 1843 ), the broadly humorous etchings in the Comic History of England ( 1847 1848 ), and the still finer illustrations to the Comic History of Rome ( 1852 ) — which last, particularly in its minor woodcuts, shows some exquisitely graceful touches, as witness the fair faces that rise from the surging water in Cloelia and her Companions Escaping from the Etruscan Camp.
In 1847 he became the editor of the first Italian chess column, L ' Album in Rome and by 1859 he was co-editor with Augusto Ferrante of the chess journal La Rivista degli Scacchi which was also based in his home city.
In 1844, he began theological studies in Rome, and was ordained a priest on 12 September 1847.
* Carlo Luci ( Rome, 1808-Florence, 1887 ), later Poniatowski, legitimized in 1847, made Conte di Monterotondo by the Grand Duke of Tuscany on November 20, 1847, Principe di Monterotondo by the Grand Duke of Tuscany and Fürst Poniatowski by the Emperor of Austria both on November 19, 1850 ( Rome, August 4, 1808-San Pancrazio, July 23, 1887 ), married in Florence, September 21, 1831 to Elisa Napoleone Montecatini ( Lucca, November 4, 1808-Lucca, April 18, 1893 ), without children.
* Giuseppe Michele Saverio Francesco Giovanni Luci ( Rome, February 21, 1816-London, July 4, 1873 ), later Poniatowski, legitimized in 1847, made Conte di Monterotondo by the Grand Duke of Tuscany on November 20, 1847, Principe di Monterotondo by the Grand Duke of Tuscany and Fürst Poniatowski by the Emperor of Austria both on November 19, 1850.
They include Ellen Middleton ( 1844 ), Grantley Manor ( 1847 ), Lady Bird ( 1852 ), Life of St. Francis of Rome ( 1855 ), The countess of Bonneval ( 1858 ) Rose Leblanc ( 1861 ), Laurentia, a tale of Japan ( 1861 ), Too Strange not to be True ( 1864 ), Constance Sherwood ( 1865 ), A stormy life ( 1867 ), Helpers of the holy soul ( 1868 ), Mrs. Geralds niece ( 1869 ), Life of Louisa de Carvajal ( 1873 ), A will and a way ( 1881 ) and Life of Elizabeth Lady Falkland ( 1883 ).
Facts and Figures from Italy ( 1847 ) was made from his Rome letters to the London Daily News.
He also illustrated books relating to art and antiquity, of which the best known are Macaulay's Lays of Ancient Rome ( 1847 ); Milman's Horace, ( 1849 ); Kugler's Handbook of Italian Painting ( 1851 ); and Dr Smith's classical dictionaries.
His subsequent works at the Society of British Artists included " The Sons of Jacob bringing the blood-stained garment of Joseph to their Father ", 1844 ; " Salute, Signore ", 1845 ; " A Girl of Sorrento at a Well ", 1847 ; " Inhabitants of the Palace of the Cæsars — Rome in the Nineteenth Century " 1850 ; " Columbus asking Alms at the Convent of La Rabida " 1853 ; " The Last Sigh of the Moor " ( or " Boabdil el Chico, mourning over the Fall of Granada, reproached by his Mother "), 1854 ; and " Margaret of Anjou and Edward, Prince of Wales, in the wood on their flight after the Battle of Hexham ", 1860.
On October 5, 1847, in a meeting of the Circle of God's Work, Mickiewicz announced, " The manifestation of the Christian spirit, the construction of the state for Christ, must originate in Rome, which is both church and state.
After long service in Ireland — at Ennis, Cork, and Dublin — he was appointed, in 1847, coadjutor with right of succession to Bishop Michael Anthony Fleming of St. John's, Newfoundland, and was consecrated by Cardinal Fransoni on 27 December 1847, at St. Isidore's, Rome.
His chief works are: an edition of the Enchiridion of St. Augustine, with copious notes ( Naples, 1847 ); De prærogativis b. Petri ( Rome, 1850 ); Conferences given at the Gésu and published in Civiltà Cattolica ( 1851 ); Commentariorum theologicorum partes 3 ( 1 vol.
The Academy has its origins in the Accademia Pontificia dei Nuovi Lincei (" Pontifical Academy of the New Lynxes "), founded in 1847 intended as a more closely supervised successor to the Accademia dei Lincei (" Academy of Lynxes ") established in Rome in 1603, by the learned Roman Prince, Federico Cesi ( 1585 1630 ) who was a young botanist and naturalist, and which claimed Galileo Galilei as its president. The Accademia dei Lincei survives as a wholly separate institution.
Her two paintings " Der 12 jährige Jesus im Tempel / The 12 year old Jesus in the Temple ", 1849 ( oil on canvas, 203, 2 x 139, 7 cm ) and " Hl Felicitas und ihre sieben Söhne / Holy Felicitas and her Seven Sons ", 1847 ( oil on canvas, 127 x 177, 8 cm ) were acquired by Queen Victoria who had been introduced to her work by the Prince Consort, who in turn had encountered the artist on his travels to Rome.

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