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Donatello's and equestrian
Donatello's equestrian statue of Erasmo of Narni | Gattamelata at Padua.
Donatello's Gattamelata is the first lifesize equestrian statue in bronze since antiquity ; other medieval examples are in stone or wood.
For Donatello's equestrian statue, see Gattamelata ( Donatello )
Detail of Donatello's equestrian statue of Gattamelata.
Donatello's equestrian statue of Gattamelata.
He was the subject of Donatello's equestrian bronze sculpture in the main square of Padua, the same city over which he became dictator in 1437.

Donatello's and statue
This is in contrast to Donatello's statue at Padua of the condottiere known as Gattamelata with its " air of calm command " and all Verrocchio's effort " has been devoted to the rendering of movement and of a sense of strain and energy ".
While the Bible describes David as a beautiful youth, and we can accept a classical basis for the pose and the nudity of the statue ( Greco-Roman heroes were typically portrayed as nude males standing in contrapposto ), there are nevertheless several disconcerting elements to Donatello's David.
Donatello's Saint Mark ( 1411 – 1413 ) is a marble statue that stands approximately seven feet and nine inches high in an exterior niche of the Orsanmichele church, Florence.
Image: Firenze. PalVecchio. Donatello. JPG | Donatello's statue Judith and Holofernes

Donatello's and be
His work displays true understanding for the crystalline luminosity of marble and how a gently polished and modulated surface could produce an inner glow and how Donatello's famed rilievo schiacciato could be further refined to convey a sense of light softly diffused by its passage through atmosphere.

Donatello's and on
It has been suggested that Masaccio's first ventures in plasticity and perspective were based on Donatello's sculpture, before he could study Brunelleschi's more scientific approach to perspective.
Bandinelli was a leader in the group of Florentine Mannerists who were inspired by the revived interest in Donatello attendant on the installation of Donatello's bas-relief panels for the pulpit in San Lorenzo, 1515.
Donatello's appearance in the Archie publications were largely based on the 1987 Fred Wolf incarnation, but with Mirage writers on board at Teenage Mutant Ninja Turtles Adventures such as Steve Murphy and Ryan Brown, a lot of references to his Mirage counterpart were made.
Donatello's pulpit on the facade of the Catthedral

Donatello's and piazza
He was familiar with early Humanist-inspired sculptural works such as Donatello's bronze David, and had himself responded by carving the enormous nude marble David which was placed in the piazza near the Palazzo Vecchio, the home of Florence's council.

Donatello's and di
One of those statues had been made by Donatello in 1410, a figure of Joshua made of terracotta, and a second, also a terracotta, but this time of Hercules, was commissioned from the Florentine sculptor Agostino di Duccio in 1463 ; scholars suggest that Agostino was working under Donatello's direction.
The niche itself was not of Donatello's hand, but created most probably by two stone carvers named Perfetto di Giovanni and Albizzo di Pietro.

Donatello's and Antonio
The artist presented his relief of the Deposition to Charles V at Genoa in 1529 ; though the relief has been lost, a bronze from it by Antonio Susini in 1600 ( Musée du Louvre ) shows the decisive inspiration of Donatello's emotional pitch and intensity ; Bandinelli made several drawings of the Donatello reliefs, though later in life he disparaged them in a letter to Cosimo I de ' Medici.

Donatello's and .
He is, in part, known for his work in bas-relief, a form of shallow relief sculpture that, in Donatello's case, incorporated significant 15th-century developments in perspectival illusionism.
Brunelleschi's buildings and Donatello's sculptures are both considered supreme expressions of the spirit of this era in architecture and sculpture, and they exercised a potent influence upon the artists of the age.
This is now Donatello's most famous work.
Yet, details of Donatello's relationships remain speculative.
Donatello's return to Florence almost coincided with Cosimo's.
Replicas of two earlier Davids by Donatello's David and Verrocchio's David, are also included, although for conservation reasons the Verrocchio replica is displayed in a glass case.
File: Donatello-The Ascension with Christ giving the Keys to St Peter. jpg | Donatello — One of the finest surviving examples of Donatello's work in rilievo schiacciato
The most distinguished of these is the bronze group of Perseus with the Head of Medusa, a work ( first suggested by Duke Cosimo I de Medici ) now in the Loggia dei Lanzi at Florence, his attempt to surpass Michelangelo's David and Donatello's Judith and Holofernes.
Among other works of art and literature to which Paglia applies her analysis of the Western canon are: the Venus of Willendorf, the Bust of Nefertiti, Ancient Greek sculpture, Donatello's David, Sandro Botticelli's Birth of Venus and Primavera, Leonardo Da Vinci's Mona Lisa and The Virgin and Child with St. Anne, Michelangelo, Edmund Spenser's The Faerie Queene, William Shakespeare's As You Like It and Antony and Cleopatra, Jean-Jacques Rousseau, Marquis de Sade, Johann Wolfgang von Goethe's Wilhelm Meister's Apprenticeship, William Blake, William Wordsworth, Samuel Taylor Coleridge's Rime of the Ancient Mariner, Lord Byron's Don Juan, Percy Bysshe Shelley, John Keats, Honoré de Balzac, Théophile Gautier, Charles Baudelaire, Joris-Karl Huysmans, Emily Brontë's Wuthering Heights, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Ralph Waldo Emerson, Walt Whitman, Henry James, The Pre-Raphaelites, Jean Auguste Dominique Ingres, Algernon Charles Swinburne, Walter Pater, Oscar Wilde's The Importance of Being Earnest and The Picture of Dorian Gray, and Emily Dickinson.
Verrocchio's David is a young lad, modestly clad, contrasting with Donatello's provocative David.
The marble David is Donatello's earliest known important commission, and it is a work closely tied to tradition, giving few signs of the innovative approach to representation that the artist would develop as he matured.
It was moved to the Pitti Palace in the 17th century, to the Uffizi in 1777, and then finally, in 1865, to the Bargello museum, where it remains today. Left side of Donatello's David
A second is to suggest that the work refers to homosocial values in Florentine society without expressing Donatello's personal tendencies.
A third interpretation is that David represents Donatello's effort to create a unique version of the male nude, to exercise artistic license rather than copy the classical models that had thus far been the sources for the depiction of the male nude in Renaissance art.
The Biblical hero is depicted naked with the head of Goliath at his feet like Donatello's David, but with a turbanned head and sheathing his long sword.

magnificent and equestrian
Red Rock Canyon provides magnificent views of the pristine desert landscape, includes two natural preserves, and offers, among other recreation activities, camping, sightseeing, equestrian activities, hiking, and opportunities for reflection and solitude.

magnificent and statue
His burial spot was originally marked by a magnificent marble monument, topped by an " Angel of Music " statue, which disappeared some time during the mid-20th century.
Auch is known for its Renaissance Cathédrale Sainte-Marie with its magnificent organ, carved stalls and rose stained-glass windows, La Tour d ' Armagnac – a 14th century prison, as well as a statue of d ' Artagnan who was based on the real life person, Charles de Batz, Comte d ' Artagnan born nearby in the château de Castelmore, and written about by Alexandre Dumas.

magnificent and Venetian
* The ante-library, with a magnificent Venetian painting on the ceiling
The magnificent baroque interior is enriched with frescoes and altar pieces by Venetian artists such as Antonio Balestra and Giambettino Cignaroli.
The Venetian episode came to an end in 1537, when Antiparos and the rest of the Cyclades fell to the Ottomans, and it remained under Ottoman rule until the War of Independence in 1821, apart from a period of four years from 1770 – 1774 when it was ruled by the Russians, who removed many of the magnificent stalactites from the cave to the Hermitage Museum in Russia.
Many ornate baroque palaces and magnificent dwelling-houses decorated the town of Perast, full of typical Venetian architecture.

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