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Grzega and Joachim
* Grzega, Joachim: „ Deutschländisch und Österreichisches Deutsch: Mehr Unterschiede als nur in Wortschatz und Aussprache .“ In: Joachim Grzega: Sprachwissenschaft ohne Fachchinesisch.
* Grzega, Joachim: Nonchalance als Merkmal des Österreichischen Deutsch .” In: Muttersprache 113 ( 2003 ): 242-254.
Linguists who have been active in this field are Jennifer Jenkins, Barbara Seidlhofer, Christiane Meierkord and Joachim Grzega.
* Basic Global English, developed by Joachim Grzega
* Grzega, Joachim ( 2005 ), " Reflection on Concepts of English for Europe: British English, American English, Euro-English, Global English ", Journal for EuroLinguistiX 2: 44-64
* Grzega, Joachim ( 2005 ), Towards Global English via Basic Global English ( BGE ): Socioeconomic and Pedagogic Ideas for a European and Global Language ( with Didactic Examples for Native Speakers of German ), Journal for EuroLinguistiX 2: 65-164.
* English and General Historical Lexicology ( by Joachim Grzega and Marion Schöner
* wiki project in comparative pragmatics: European Communicative Strategies ( ECSTRA ) ( directed by Joachim Grzega )
Models that try to integrate borrowing in an overall classification of vocabulary change, or onomasiological change, have recently been proposed by Peter Koch ( 2002 ) and Joachim Grzega ( 2003, 2004 ).
* Grzega, Joachim ( 2004 ), Bezeichnungswandel: Wie, Warum, Wozu?
* wiki project in comparative politeness: European Communicative Strategies ( ECSTRA ) ( directed by Joachim Grzega )
* Basic Global English, developed by Joachim Grzega
But onomasiology has recently seen new light with the works of Dirk Geeraerts, Andreas Blank, Peter Koch and the periodical Onomasiology Online, which is published at the Katholische Universität Eichstätt-Ingolstadt by Joachim Grzega, Alfred Bammesberger and Marion Schöner.
* Grzega, Joachim ( 2004 ), Bezeichnungswandel: Wie, Warum, Wozu?
* Onomasiology Online ( academic journal, internet dictionary links, bibliography of onomasiological works and onomasiological sources, edited by Joachim Grzega, Alfred Bammesberger and Marion Schöner )
* free teaching materials: English and General Historical Lexicology ( by Joachim Grzega and Marion Schöner )
The internet platform EuroLinguistiX ( ELiX ) ( edited by Joachim Grzega ) offers a bibliography of Eurolinguistic publications as well as a wiki, a discussion forum, an academic internet journal in order to address also aspects of " linguistic and cultural history ", " sociology of languages ", " language politics " and " intercultural communication ".
In 2006, Joachim Grzega published a basic reader on common features of European languages.
* Joachim Grzega: EuroLinguistischer Parcours: Kernwissen zur europäischen Sprachkultur, Frankfurt: IKO 2006, ISBN 3-88939-796-4 ( most of the information presented here is a summary of this book — the book was positively reviewed by Norbert Reiter here and by Uwe Hinrichs here )
* Joachim Grzega: Europas Sprachen und Kulturen im Wandel der Zeit, Tübingen: Narr 2012.
* EuroLex-Wiki-project on European internationalisms, directed by Joachim Grzega

Joachim and
Art historian and the artist's great-grandson Joachim Pissarro notes that they professed a passionate disdain for the Salons and refused to exhibit at them .” Together they shared an almost militant resolution ” against the Salon, and through their later correspondences it is clear that their mutual admiration was based on a kinship of ethical as well as aesthetic concerns ”.
As Joachim Pissarro points out, Once such a die-hard Impressionist as Pissarro had turned his back on Impressionism, it was apparent that Impressionism had no chance of surviving.
Joachim Pissarro notes that virtually every reviewer who commented on Pissarro ’ s work noted his extraordinary capacity to change his art, revise his position and take on new challenges .” One critic writes:
His headstrong courage and a tenacity to undertake and sustain the career of an artist ”, writes Joachim Pissarro, was due to his lack of fear of the immediate repercussions ” of his stylistic decisions.
* Grab, Walter German Historians And The Trivialization Of Nazi Criminality: Critical Remarks On The Apologetics Of Joachim Fest, Ernst Nolte And Andreas Hillgruber ” pages 273 – 278 from Australian Journal of Politics and History, Volume 33, Issue # 3, 1987.
Only Joachim and the organist were credited in the script, which had the announcer give the credit with original music by Dick Ballou ”.
In his biography of Hitler, Kershaw presented him as the ultimate unperson ”; a boring, pedestrian man devoid of even the negative greatness ” attributed to him by Joachim Fest.
Kershaw finds the picture of Hitler as a mountebank ” ( opportunistic adventurer ) in Alan Bullock's biography unsatisfactory, and Joachim Fest's quest to determine how " great " Hitler was senseless.
In October 1986, Hans Mommsen wrote that Stürmer's assertion that he who controls the past also controls the future, his work as a co-editor with the Frankfurter Allgemeine Zeitung newspaper which had been publishing articles by Ernst Nolte and Joachim Fest denying the singularity ” of the Holocaust, and his work as an advisor to Chancellor Kohl should cause " concern " among historians.
In the same essay, Mommsen argued that Stürmer's assertion that he who controls the past also controls the future, his work as a co-editor with the Frankfurter Allgemeine Zeitung newspaper which had been publishing articles by Ernst Nolte and Joachim Fest denying the singularity ” of the Holcaust, and his work as an advisor to Chancellor Kohl should cause " concern " with historians.
The ones that are signed read: ( Opus ) Joachim D. Patinier, the D ” in his signature signifying Dionantensis (“ of Dinant ”), which may attest to his provenance from this town.
A further Egyptian tale beside the Famine Stela about a long-lasting drought appears in the so-called Book of the Temple ”, translated by German Demotist Joachim Friedrich Quack.
The Auld Boat Hoose, or bottom shop ” in River Road, opposite the spot where a boat would ferry people across the Clyde from the Cambuslang side, the Banks Bar, on the site of the first St. Joachim ’ s Church, and the Auld Hoose, or tap shop ”, round the corner, a few hundred yards up Carmyle Avenue.
Bruch was unhappy with Joachim ’ s performance, describing him as having ruined ’ the work.

Joachim and On
On 10 July 1721 Telemann was invited to work in Hamburg as Kantor of the Johanneum Lateinschule and musical director of the city's five largest churches, succeeding Joachim Gerstenbüttel.
On this tour he met Joseph Joachim at Hanover, and went on to the Court of Weimar where he met Franz Liszt, Peter Cornelius, and Joachim Raff.
On 3 October, Friedrich Werner von der Schulenburg, German ambassador in Moscow, informed Joachim Ribbentrop that the Soviet government was willing to cede the city of Vilnius and its environs.
On 11 March 1940, Pius XII had a personal meeting with German Foreign Affairs Minister Joachim Ribbentrop in Rome.
On the following day, 31 July 1944, in view of the likely invasion by German forces, the state sent three letters of protest: one to Joachim von Ribbentrop, German Foreign Minister, one to Adolf Hitler and one to Benito Mussolini, the latter delivered by a delegation to Serafino Mazzolini, a high-ranking diplomat in the Italian Ministry of Foreign Affairs.
On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Joachim Murat, but he had taxed his genius beyond its strength, and was unable to meet the demands now made upon it for new ideas.
On 30 March 1815, Joachim Murat launched his proclamation to the Italian people from Rimini, inciting them to unity and independence.
On 17 November, he was given a state funeral in Düsseldorf, which was attended by Hitler and Foreign Minister Joachim von Ribbentrop with considerable publicity.
On November 1, 2006 the current President, Joachim Treusch, announced a donation to university by the Jacobs Foundation of 15 million € per year during the following 5 years.
On 30 April 2008, shortly before the wedding of his younger son, Prince Joachim, to Miss Marie Cavallier, the title " Count of Monpezat " () was conferred by the Queen on both of her sons, and made hereditary for their male-line descendants, both male and female.
On 19 July 1569, when Albert Frederick rendered King Sigismund II homage and was in return enfeoffed as Duke of Prussia in Lublin, the King simultaneously enfeoffed Joachim II and his descendants as co-heir.
On August 14, 1939, Fish, president of the U. S. delegation to the Interparliamentary Union Congress conference in Oslo, Norway, met with Joachim Ribbentrop.
On 20 November, al-Husseini met the German Foreign Minister Joachim von Ribbentrop and was officially received by Adolf Hitler on 28 November.
On 18 November 1995 Joachim married in Hillerød, near Copenhagen, Alexandra Christina Manley, now Alexandra Christina, Countess of Frederiksborg, a Hong Kong-born former sales and marketing deputy chief executive of British, Chinese, Czech and Austrian ancestry.
On 3 October 2007 the Danish Royal Court announced that Prince Joachim had become engaged to Marie Cavallier, now Princess Marie of Denmark.
On 10 November 2008, the Danish Royal Court announced that Prince Joachim and Princess Marie expected the birth of their first child in May 2009.
On 24 August 2011, the Danish Royal Court announced that Prince Joachim and Princess Marie expected the birth of their second child in January 2012.
On 10 May 1863 Joachim married the contralto Amalie Schneeweiss ( stage name: Amalie Weiss ) ( 1839 – 99 ).
On Good Friday, 10 April 1868, Joachim and his wife joined their friend, Johannes Brahms, in the celebration of one of Brahms ' greatest triumphs, the first complete performance of his German Requiem at the Bremen Cathedral.
On 16 April 1889, in England, Joseph Joachim was presented a Stradivarius violin and Tourte bow once owned by Raphael Georg Kiesewetter.
On the break-up of the Napoleonic system in Germany ( October 1813 ), Fouché was ordered on missions to Rome and thence to Naples, in order to watch the movements of Joachim Murat.
On the death of Joseph Joachim, Marteau was called to the Hochschule of Berlin, where he became head of the violin department.

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