At the age of twenty-three, Cimarosa began his career as a composer with an opera buffa called Le stravaganze del conte, first performed at the Teatro del Fiorentini at Naples in 1772.

* Le stravaganze del conte ( carnival 1772 Naples Teatro San Giovanni dei Fiorentini ) magie di Merlina e Zoroastro ; Le pazzie di Stelladaura e Zoroastro

* 1755 – Louise Élisabeth Vigée Le Brun, French painter ( d. 1842 )

* 1952 – Thierry Le Luron, French humorist ( d. 1986 )

* 1814 – Sheridan Le Fanu, Irish authoer ( d. 1873 )

The spring of 1896 saw the publication, in Paul Fort's review Le Livre d ' art, of Jarry's 5-act play Ubu Roi — the rewritten and expanded Les Polonais of his school days.

* 1744 – Alexandrine Le Normant d ' Étiolles, French daughter of Madame de Pompadour ( d. 1754 )

:* Le passage du pont d ' Arcole ( The Battle of Arcole ), by J. J. Feuchère ( NORTH façade, right ),

* Jürgen Klötgen, Prieuré d ' Abergavenny – Tribulations mancelles en Pays de Galles au temps du Pape Jean XXII ( d ' après des documents français et anglais du XIV ° siècle collationnés avec une source d ' histoire retrouvée aux Archives Secrètes du Vatican ), in Revue Historique et Archéologique du Maine, Le Mans, 1989, p. 65 – 88 ( 1319: cf John of Hastings, Lord of Abergavenny ; Adam de Orleton, Bishop of Hereford, John of Monmouth, Bishop of Llandaff ).

* 1850 – Luise Adolpha Le Beau, German composer ( d. 1927 )

Major French-language weekly magazines in 2008 are Trends / Tendance ( Roularta Media Group ), Le Vif / L ' Express ( Roularta Media Group ), Télé Moustique ( Sanoma Belgium ), Femmes d ' Aujourd ' hui ( Sanoma Belgium ), ....

Since the 2002 civil war in Côte d ' Ivoire, relations between it and Burkina Faso have been filled with accusations of Burkinabé support for rebels on one side and claims of mistreatment of Burkinabé workers on the other .< ref > Blaise Campaoré :<< La crise ivoirienne inquiète le Burkina >>, Le Figaro, December 11, 2005 </ ref > Côte d ' Ivoire remains Burkina Faso's largest regional trading partner in spite of their disputes and tens of thousands of Burkinabés continue to work in the Ivory Coast.

A Study in the History of the New Testament Canon, n. d., Goes: Oosterbaan & Le Cointre.

Le déjeuner sur l ' herbe, ( right section ), with Gustave Courbet, 1865 – 1866, Musée d ' Orsay, Paris, France | Paris

* Le Tombeau d ' Alexandre aka The Last Bolshevik ( 1992 )

* Le souvenir d ' un avenir ( with Bellon 2003 )

The auction record for a single painting by the artist is $ 7, 026, 500, set at Sotheby's in New York on November 4, 2009, for Pissarro's " Le Pont Boieldieu et la gare d ' Orléans, Roeun, Soleil.

However, in the late 15th century, Thomas Malory created the image of Camelot most familiar to English speakers today in his Le Morte d ' Arthur, a work based mostly on the French romances.

Malory records both versions of the legend in his Le Morte d ' Arthur, and confusingly calls both swords Excalibur.

In 2001, after a brief stint in Hollywood, Jean-Pierre Jeunet returned to France with Amélie ( Le Fabuleux Destin d ' Amélie Poulain ) starring Audrey Tautou and Mathieu Kassovitz.

Central to his codification of the cuisine were Le Maître d ' hôtel français ( 1822 ), Le Cuisinier parisien ( 1828 ) and L ' Art de la cuisine française au dix-neuvième siècle ( 1833 – 5 ).

Le dîner ( dinner ) often consists of three courses, hors d ' œuvre or entrée ( appetizers or introductory course, sometimes soup ), plat principal ( main course ), and a cheese course or dessert, sometimes with a salad offered before the cheese or dessert.

Le Gratie d ' amore.

* R 1. 24 Le trame per amore ( 7. 10. 1770 Naples, Teatro Nuovo )

* R 1. 71 Le gare generose ( spring 1786 Naples, Teatro dei Fiorentini ) schiavi per amore ; Le bon maître, ou L ' esclave par amour

* Le sorprese dell ' amore ( 1959 )

* 1831: Le philtre, adapted by Felice Romani into the libretto for Donizetti ' sL ' elisir d ' amore.

By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d ' amore e dell ' interesse, an idea drammatica composed by the maestro di cappella, the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699 ( Schnoebelen and Vanscheeuwijk 2001 ).

* Le conseguenze dell ' amore by Paolo Sorrentino

Romani wrote the librettos for Bellini's Il pirata, La straniera, Zaira, I Capuleti e i Montecchi, La sonnambula, Norma and Beatrice di Tenda, for Rossini's Il turco in Italia and Bianca e Falliero, and Donizetti's Anna Bolena and L ' elisir d ' amore ( which he adapted from Eugène Scribe's Le philtre ).

Her international breakthrough came at Glyndebourne, where she sang as Adina in Franco Zeffirelli's staging of Donizetti's L ' elisir d ' amore ; in the Glyndebourne 1960-62 season she sang the Mozart comic roles of Susanna in Le nozze di Figaro and Zerlina in Don Giovanni.

Notable productions were Lulu ( 1962 ; conducted by Karl Böhm, staged by Otto Schenk, designed by Caspar Neher, starring Evelyn Lear ), Haydn's Orfeo ed Euridice ( 1967 ; conducted by Richard Bonynge, staged by Rudolf Hartmann, with Nicolai Gedda, Joan Sutherland ), Fidelio ( 1970 ; conducted by Leonard Bernstein, staged by Schenk, with Gwyneth Jones, James King ), Il ritorno d ' Ulisse in patria ( 1971 ; conducted by Nikolaus Harnoncourt, staged by Federik Mirdita ), L ' elisir d ' amore ( 1973 ; conducted by Silvio Varviso, staged by Schenk, with Nicolai Gedda, Reri Grist, Eberhard Wächter ), Die Fledermaus ( 1975 ; conducted by Mstislav Rostropovich, staged by Michael Kehlmann, with Wiesław Ochman, Reri Grist, Elizabeth Harwood, Waldemar Kmentt ), La clemenza di Tito ( 1976 ; conducted by Julius Rudel, staged by Mirdita, with Werner Hollweg, Teresa Berganza, Arleen Augér, Edda Moser ), Fierrabras ( 1988 ; conducted by Claudio Abbado, staged by Ruth Berghaus, with Thomas Hampson, Karita Mattila, László Polgár ), Die Entführung aus dem Serail ( 1989 ; conducted by Harnoncourt, staged by Ursel Herrmann, Karl-Ernst Herrmann ), Don Giovanni ( 1990 ; conducted by Abbado, staged by Luc Bondy, with Ruggero Raimondi, Karita Mattila, Marie McLaughlin, Cheryl Studer ), Le nozze di Figaro ( 1991 ; conducted by Abbado, staged by Jonathan Miller, with Ruggero Raimondi, Marie McLaughlin, Cheryl Studer ) and the world premiere of Adriana Hölszky's Die Wände ( 1995 ; conducted by Ulf Schirmer, staged by Hans Neuenfels ).

* Le Repos de Tityre for oboe d ’ amore solo op. 216

* Le ore dell ' amore ( 1963 )

* Best Italian Picture: Le conseguenze dell ' amore

A hall was opened by Le Normant de Tournehem and the Marquis de Marigny for public viewing of the Tableaux du Roy on Wednesdays and Saturdays, and contained Andrea del Sarto's Charity and works by Raphael ; Titian ; Veronese ; Rembrandt ; Poussin or Van Dyck, until its closing in 1780 as a result of the gift of the palace to the comte de Provence by the king in 1778.

Coenraad Jacob Temminck ( 1778 – 1858 ) sponsored François Le Vaillant to collect bird specimens in Africa and this resulted in Le Vaillant's six-volume Histoire naturelle des oiseaux d ' Afrique ( 1796 – 1808 ).

* Robert Le Roy Livingston ( 1778 – 1836 ), U. S. Representative from New York

Le Lotto was then subsequently created by the French in 1778.

To accommodate larger gatherings, this congregation moved initially to the Bull and Mouth-Street, St. Martin's Le Grand, and then to Paul's Alley in the Barbican in the autumn of 1778.

His first published poems, some of which were inspired by English models, appeared in the Almanach des Muses ; Le Cri de mon coeur, describing his own sad childhood, in 1778 ; and La Fort de Navarre in 1780.

We shall not go far wrong if we include in the list Hyacinthe Morel ( 1756 – 1829 ), of Avignon, whose collection of poems, Lou Saboulet, has been republished by Frédéric Mistral ; Louis Aubanel ( 178 ~- 1842 ), of Nîmes, the successful translator of Anacreon's Odes ; Auguste Tandon, the troubadour of Montpellier, who wrote Fables, contes et autres pièces en vers ( 1800 ); Fabre d ' Olivet, the versatile littérateur who in 1803 published Le Troubadour: Poésies occitaniques, which, in order to secure their success, he gave out as the work of some medieval poet Diou-loufet ( 1771 – 1840 ), who wrote a didactic poem, in the manner of Virgil, relating to silkworm-breeding ( Leis magnans ); Jacques Azais ( 1778 – 1856 ), author of satires, fables, & c .; d ' Astros ( 1780 – 1863 ), a writer of fables in La Fontaine's manner ; Castil-Blaze, who found time, amidst his musical pursuits, to compose Provençal poems, intended to be set to music ; the Marquis de Fare-Alais ( 1791 – 1846 ), author of some light satirical tales ( Las Castagnados ).

Le Cannet was part of Cannes until 1778, when it was made a separate commune.

He was a versatile composer who expanded the range of opéra comique to cover a wide variety of subjects from the Oriental fairy tale Zémire et Azor ( 1772 ) to the musical satire of Le jugement de Midas ( 1778 ) and the domestic farce of L ' amant jaloux ( also 1778 ).

Le Clerc replied in a work entitled Epistolae Criticae et Ecclesiasticae, which formed the third volume of the second edition of his Ars Critica ( Amsterdam, 1700 ); reprinted ( Leiden, 1778 ).

Among his other plays may be noted: Les Deux Mères, Le Pacha de Suresnes, and La Petite Ecole des pres, all produced in 1802, in collaboration with his friend Gaugiran de Nanteuil ( 1778 – 1830 ).