* Lewisohn, Mark ( 2003 ) Radio Times Guide to TV Comedy.

Track list information according to Graham Calkin, Mark Lewisohn and Ian MacDonald.

According to Mark Lewisohn and Alan W. Pollack

According to Mark Lewisohn:

Author Mark Lewisohn reports that The Beatles held their first and only 24-hour recording / producing session near the end of the creation of The Beatles, which occurred during the final mixing and sequencing for the album.

* Lewisohn, Mark.

* The Complete Beatles Recording Sessions, by Mark Lewisohn

Personnel as given by Mark Lewisohn and Ian MacDonald:

Source: Mark Lewisohn, The Beatles Live!

Both George Martin and Mark Lewisohn speculated that McCartney may have thought of the song when recording began for Sgt.

Mark Lewisohn notes that the writers were careful to ensure that the sets, lighting and camerawork were of a quality more normally associated with drama productions such as Upstairs, Downstairs.

Reviewing the series ten years later, Mark Lewisohn notes that unlike previous Croft / Perry series, the lead characters were not " loveable ", stating:

Mark Lewisohn later wrote: “' She Loves You ' had already sold an industry-boggling three quarters of a million before these fresh converts were pushing it into seven figures.

According to Mark Lewisohn in The Complete Beatles Recording Sessions, on 4 July 1969, The Beatles paused the dubbing session for their song " Golden Slumbers " to listen to Haydon-Jones beat King for the Wimbledon title, live on radio.

* Mark Lewisohn, " Radio Times Guide to TV Comedy ", BBC Worldwide Ltd, 2003

The Complete Beatles Recording Sessions is a book by Mark Lewisohn, first published in 1988 by Hamlyn ( a division of the Octopus Publishing Group ), and executive produced by Norman Bates for the record company EMI.

He told Hill's biographer Mark Lewisohn, " It's very dangerous to have a show on ITV that doesn't appeal to women, because they hold the purse strings, in a sense.

Mark Lewisohn described the last six minutes as " pure chaos ... with discordant instrumental jamming, feedback, John repeatedly screaming ' alright ' and then, simply, repeatedly screaming ... with Yoko talking and saying such off-the-wall phrases as ' you become naked ', and with the overlaying of miscellaneous, home-made sound effects tapes.

: Personnel according to Ian MacDonald, Andy Babiuk and Mark Lewisohn

* Mark Lewisohn, " Radio Times Guide to TV Comedy ", BBC Worldwide Ltd, 2003

McCartney once told Beatles recording analyst Mark Lewisohn, " are only just discovering things like ' You Know My Name ( Look Up the Number )' — probably my favourite Beatles ' track!

: Personnel per Ian MacDonald and Mark Lewisohn

: Personnel per Ian MacDonald and Mark Lewisohn.

Writing for the BBC Guide to Comedy, Mark Lewisohn observes that the critical reception was mixed, with " its detractors pointing out that Eric Slatt was a carbon copy of John Cleese's Basil Fawlty its supporters praising its non-PC, off-the-wall approach and the breathlessly paced plots that delivered moments of high farce.

** Michael Brooks, Michael Cuscuna ( producers ), Matt Cavaluzzo, Harry Coster, Seth Foster, Darcy Proper, Ken Robertson & Mark Wilder ( engineers ) for Lady Day: The Complete Billie Holiday on Columbia 1933-1944

** Steve Berkowitz, Seth Rothstein ( producers ), Phil Schaap ( producer & engineer ), Michael Brooks, Seth Foster, Andreas Meyer, Woody Pornpitaksuk, Ken Robertson, Tom Ruff & Mark Wilder ( engineers ) for Louis Armstrong: The Complete Hot Five and Hot Seven Recordings

" In The Complete Book of Light Opera, Mark Lubbock adds, " After Oklahoma !, Rodgers and Hammerstein were the most important contributors to the musical-play form – with such masterworks as Carousel, The King and I and South Pacific.

** Bob Belden ( producer ), Phil Schaap ( producer & engineer ) Phil Schaap & Mark Wilder ( engineer ) for The Complete Columbia Studio Recordings performed by Miles Davis & Gil Evans

** Michael Brooks ( jazz ), Michael Cuscuna ( producers ), Matt Cavaluzzo, Harry Coster, Seth Foster, Darcy Proper, Ken Robertson & Mark Wilder ( engineers ) for Lady Day: The Complete Billie Holiday on Columbia 1933 – 1944

** Steve Berkowitz, Seth Rothstein ( producers ), Phil Schaap ( producer & engineer ), Michael Brooks, Seth Foster, Andreas Meyer, Woody Pornpitaksuk, Ken Robertson, Tom Ruff & Mark Wilder ( engineers ) for Louis Armstrong: The Complete Hot Five and Hot Seven Recordings

** Bob Belden ( producer ), Phil Schaap ( producer & engineer ) & Mark Wilder ( engineer ) for The Complete Columbia Studio Recordings performed by Miles Davis & Gil Evans

* Ancestral Trails: The Complete Guide to British Genealogy and Family History ( 2010 ) by Mark Herber

Another book by Mark O ' Hanlon called The Complete Lone Pine-a guide to the entire series-was published in 1996 and was reprinted in an extended hardback edition in 2005.

Mark O ' Hanlon's book The Complete Lone Pine is also currently in print.

"' Paperback Writer ' was the first time the bass sound had been heard in all its excitement ," said Beatles ' engineer Geoff Emerick in Mark Lewisohn's book The Complete Beatles Recording Sessions.

* Lehner, Mark, < cite > The Complete PyramidsSolving the Ancient Mysteries </ cite >, Thames & Hudson, 1997, ISBN 0-500-05084-8

Beatles expert Mark Lewisohn, who listened to the song in 1987 while compiling his book The Complete Beatles Recording Sessions, says the song included " distorted, hypnotic drum and organ sounds, a distorted lead guitar, the sound of a church organ, various effects ( water gargling was one ) and, perhaps most intimidating of all, John Lennon and McCartney screaming dementedly and bawling aloud random phrases like ' Are you alright?

* Mark D. Flood ( 1991 ), " An Introduction to Complete Markets ", Federal Reserve Bank of St. Louis, Review, March / April 1991

According to Mark Lewisohn's The Complete Beatles Recording Sessions, an early outtake of " Sexy Sadie " features Lennon demonstrating the song's original working lyrics to the rest of the band: " Maharishi, you little twat / Who the fuck do you think you are ?/ Who the fuck do you think you are ?/ Oh, you cunt.

The rapid 16th note bass drum fills were done on two bass drums according to " The Complete Beatles Recording Sessions " by Mark Lewisohn.

with Mark Gatiss ( of The League of Gentlemen ), and is author of The Complete Peter Cushing ; an overview of the life and works of the actor Peter Cushing.