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Piano and adaptation
He appeared Off-Broadway in Burnt Piano for HB Playwrights Theatre and with Uta Hagen in a television adaptation of Norman Corwin's The World of Carl Sandburg.
In Disney's film Fantasia 2000, an adaptation of the tale is set to the first movement of the Piano Concerto No. 2 in F Major by Dmitri Shostakovich.
Although it uses " ethnic " variations according to the destination, it's an adaptation of a famous classic piece, " Allegro non troppo e molto maestoso ", from Tchaikovsky's Piano Concerto No. 1.
* Yellow River Piano Concerto, piano concerto adaptation of the Yellow River Cantata by Yin Chengzong.

Piano and Variations
* Concertante Variations on a Theme of Beethoven for Piano ( left hand alone ) with orchestral accompaniment ; comp.
* Variations for Piano in E major
* Variations for Piano in G major
In the decade after L ' apprenti sorcier, Dukas completed two complex and technically demanding large-scale works for solo piano: the Piano Sonata ( 1901 ), dedicated to Saint-Saëns, and Variations, Interlude and Finale on a Theme by Rameau ( 1902 ).
* 1987 Beethoven: Cello and Piano Sonata No. 4 in C & Variations ( CBS 42121 )
In the wake of the Festival Kuerti and the Canadian violinist Erika Raum recorded Czerny's Sonata for Piano and Violin in A Major of 1807 and his twenty Variations for Piano and Violin on a Theme by Krumpholz, Op.
The DOREMI set includes two string quartets, two fugatos for string quintet, a Piano Trio, a Piano Quartet, a Serenade Concertante, two Overtures, an Offertorium, five Lieder, and etude for piano and Variations Brilliantes on a theme of Bellini for Piano 6 hands.
* Air and Variations for Clarinet and Piano ( 1952 )
Among his better known works are the Variations for Orchestra ( 1954 – 5 ); the Double Concerto for harpsichord, piano and two chamber orchestras ( 1959 – 61 ); the Piano Concerto ( 1964 – 65 ), written as an 85th birthday present for Igor Stravinsky ; the Concerto for Orchestra ( 1969 ), loosely based on a poem by Saint-John Perse ; and the Symphony of Three Orchestras ( 1976 ).
* Friedrich Kuhlau – 9 Variations For Piano
Unusually for a composer of such importance and reputation, Franck's fame rests largely on a small number of compositions written in his later years, particularly his Symphony in D minor ( 1886 – 88 ), the Symphonic Variations for piano and orchestra ( 1885 ), the Prelude, Chorale and Fugue for piano solo ( 1884 ), the Sonata for Violin and Piano in A major ( 1886 ), the Piano Quintet in F minor ( 1879 ), and the symphonic poem Le Chasseur maudit ( 1883 ).
Many of his works are fugues or in variation form, including what is probably his best known orchestral work, the Variations and Fugue on a Theme by Mozart based on the opening theme of Mozart's Piano Sonata in A major, K. 331.
10, Variations on an Original Theme, for Viola and Piano ( 1855 )
* Variations for Viola and Piano, Op.
His works included the Symphony for Organ and Orchestra ( which was well-received, earning him comparisons to Stravinsky ), the jazz-affected Music for the Theatre, the music for the ballet Appalachian Spring and the Piano Variations.
Beethoven composed a set of theme and variations 12 Variations on ' See the conqu ' ring hero comes ' for Cello and Piano, WoO 45.
During the Soused ( or Brown-Bag ) Period, P. D. Q. Bach wrote a Concerto for Horn & Hardart, a Sinfonia Concertante, a Pervertimento for Bicycle, Bagpipes, and Balloons, a Serenude, a Perückenstück ( literally German for " Hairpiece "), a Suite from The Civilian Barber ( spoofing Rossini's The Barber of Seville ), a Schleptet in E-flat major, the half-act opera The Stoned Guest ( the character of " The Stone Guest " from Mozart's Don Giovanni ), a Concerto for Piano vs. Orchestra, Erotica Variations ( Beethoven's Eroica Variations ), Hansel and Gretel and Ted and Alice, an opera in one unnatural act ( Humperdinck's Hansel and Gretel and the 1969 film Bob & Carol & Ted & Alice ), The Art of the Ground Round ( Bach's The Art of Fugue ), a Concerto for Bassoon vs. Orchestra, and a Grand Serenade for an Awful Lot of Winds and Percussion.
* Scherzo / First String Quartet / Viola Variations / Second Piano Quintet.
Sets of variations on melodies from his Lieder are found in four other works by Schubert: the Death and the Maiden Quartet, the " Trockne Blumen " Variations for Flute and Piano ( D. 802 ), the Wanderer Fantasy, and the Fantasia in C major for Violin and Piano ( D. 934, on " Sei mir gegrüßt ").

Piano and MIDI
The Miracle Piano Teaching System is a MIDI keyboard / teaching tool created in 1990 by The Software Toolworks for the NES and SNES, Apple Macintosh, Amiga, Sega Genesis and PC.
The Miracle Piano did not ever generate sounds from the NES hardware ; all NES MIDI information was converted into audio by the instrument's built-in ROM and played through the instrument's stereo speakers, allowing the keyboard to be used independently of the console.
There is also a Piano Only section, which hosts sequences transcribed to use two MIDI tracks, one for each hand on piano.
* Gus Till: Piano, MIDI Programming
Midiboard was broadly understood to be a contraction of Midi and Piano keyboard, and, to some extent, the term became synonymous with keyboards sold without sound synthesis during the later part of the 1980s to address the needs of performance artists who needed a master keyboard to control racks of Midi synthesis modules ( synthesizers without keyboards ), a separation that was made possible by MIDI technology.

Piano and file
*" Music from the Western Front ", performance by Chamber Domaine, which includes the Bliss Piano Quartet in A from 1915, given at Gresham College, 26 September 2007 ( available as an MP3 or MP4 download, as well as a text file ).

Piano and theme
In the first subject group of Schubert's Piano Sonata in B-flat, D. 960, for example, the theme is presented three times, in B-flat major, in G-flat major, and then again in B-flat major.
“ And that is what you must do ”, Jaeger said and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 " Pathétique ".
Moreover, the main theme also quotes the opening motif of Beethoven's Piano Sonata No. 26 " Les Adieux ", Op.
This slow, extremely sad theme can also be heard in his Cello Concerto No. 1, Symphony No. 10, Violin Concerto No. 1, Symphony No. 15, and Piano Sonata No. 2.
The work is filled with quotes of other pieces by Shostakovich: the first movement quotes his Symphony No. 1 and Symphony No. 5 ; the second movement uses a Jewish theme first used by Shostakovich in his Piano Trio No. 2 ; the third movement quotes the Cello Concerto No. 1 ; and the fourth movement quotes the 19th century revolutionary song " Tormented by Grievous Bondage " and the aria " Seryozha, my love " from Shostakovich's opera, Lady Macbeth of the Mtsensk District.
In 1962, composer Maurice Jarre used a theme from Lalo's Piano Concerto for the exotic score to Lawrence of Arabia.
The beginning of the opening theme of the Piano Concerto No. 3
* Piano Concerto No 5, Emperor ( love theme, ending credits ).
The first primary theme is reminiscent of that of Mozart's 24th Piano Concerto.
Soon the music returns to C major, and the sweet theme is repeated before being followed by a series of staccato octaves in C minor that mark the start of the central episode, one of the few cases where such melodic change is seen, a theme repeated in larger works like the Emperor Piano Concerto.
He provided orchestrations to Final Fantasy IXs full motion video music, featured in Final Fantasy IX Original Soundtrack PLUS, and an arrangement of the theme song " Melodies of Life "; he also created another Piano Collections album to the game.
Main theme of the First Piano Concerto, as played on the piano.
A solo plucked bass guitar part, backed by hi-hat cymbals drumming, establishes the musical theme, a simple three-note figure ; the bass is gradually joined by other instruments, including a blues guitar, wah-wah guitar, Wurlitzer Electric Piano notes, handclaps, horns, and strings ; all are tied together by the ever-present bass guitar line and repeating hi-hat rhythm.
The opening bars of the melody are highly reminiscent of a similar theme from the opening of Beethoven's Piano Sonata in A-flat, Opus 26.
Alfred Einstein has mentioned another similar theme by Beethoven – in the third movement of the Piano Trio, Op.
She performed the theme from The Godfather, Parla Piu Piano at Gary Barlow's Children In Need Rock The Albert Hall with cellist Julian Lloyd Webber.
The basic sequence of scherzo, funeral march with trio, and animated, resolving finale, repeats that of Beethoven's Piano Sonata No. 12 A-flat major ; however, Chopin's first movement is written in sonata form while Beethoven's first movement is a set of variations on an original theme.
Piano and orchestra continue in dialogue until the piano introduces the harmonic structure for the second theme with a loud, unexpected march-like climax.

2.900 seconds.