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Pinter and &
3rd expanded edition published 2010 by Pinter & Martin, ISBN 978-1-905177-12-7.
* Art, Truth & Politics — Harold Pinter delivers Nobel Prize in Literature lecture in which he explains the Sandinista conflict and condemns the U. S.
* Sutherland, Stuart ( 2007 ) Irrationality: The Enemy Within Second Edition ( First Edition 1994 ) Pinter & Martin.
After leaving the Rank Organisation in the early 1960s, Bogarde abandoned his heart-throb image for more challenging parts, such as barrister Melville Farr in Victim ( 1961 ), directed by Basil Dearden ; decadent valet Hugo Barrett in The Servant ( 1963 ), which garnered him a BAFTA Award, directed by Joseph Losey and written by Harold Pinter ; The Mind Benders ( 1963 ), a film ahead of its times in which Bogarde plays an Oxford professor conducting sensory deprivation experiments at Oxford University ( precursor to Altered States ( 1980 )); the anti-war film King & Country ( 1964 ), playing an army lawyer reluctantly defending deserter Tom Courtenay, directed by Joseph Losey ; a television broadcaster-writer Robert Gold in Darling ( 1965 ), for which Bogarde won a second BAFTA Award, directed by John Schlesinger ; Stephen, a bored Oxford University professor, in Losey's Accident, ( 1967 ) also written by Pinter ; Our Mother's House ( 1967 ), an off-beat film-noir directed by Jack Clayton in which Bogarde plays an n ' er do well father who descends upon " his " seven children on the death of their mother, British entry at the Venice Film Festival ; German industrialist Frederick Bruckmann in Luchino Visconti's La Caduta degli dei, The Damned ( 1969 ) co-starring Ingrid Thulin ; as ex-Nazi, Max Aldorfer, in the chilling and controversial Il Portiere di notte, The Night Porter ( 1974 ), co-starring Charlotte Rampling, directed by Liliana Cavani ; and most notably, as Gustav von Aschenbach in Morte a Venezia, Death in Venice ( 1971 ), also directed by Visconti ; as Claude, the lawyer son of a dying, drunken writer ( John Gielgud ) in the well-received, multi-dimensional French film Providence ( 1977 ), directed by Alain Resnais ; as industrialist Hermann Hermann who descends into madness in Despair ( 1978 ) directed by Rainer Werner Fassbinder ; and as Daddy in Bertrand Tavernier's Daddy Nostalgie, ( aka These Foolish Things ) ( 1991 ), co-starring Jane Birkin as his daughter, Bogarde's final film role.
*" Harold Pinter & Joseph Losey ", by Jamie Andrews, Harold Pinter Archive Blog, British Library, 15 June 2009.
* Stuart Sutherland Irrationality: Why We Don't Think Straight, 1992, reissued 2007 by Pinter & Martin ISBN 978-1-905177-07-3
* Martin Wagner, The Little Driver, Pinter & Martin ( 2003 ), ISBN 978-0-9530964-5-9
*" Harold Pinter & Joseph Losey ", by Jamie Andrews, Harold Pinter Archive Blog, British Library, 15 June 2009.
* Pinter & Martin, Esther Vilar's English publishers
Grove is also the U. S. publisher of the works of Harold Pinter ; in 2006 it published a collection called The Essential Pinter, which includes Pinter's Nobel Lecture, entitled " Art, Truth & Politics.
* Breakdown, 1976, second edition published 1995 ISBN 0-19-852380-7, reissued by Pinter & Martin 2010, ISBN 978-1-905177-20-2
* Irrationality, 1992, reissued by Pinter & Martin 2007, ISBN 978-1-905177-07-3
* Pinter & Martin publishers of Irrationality and Breakdown
The book went out of print in the 1970s, but was re-issued by Pinter & Martin in September 2008.
* Pinter & Martin, publishers of new edition

Pinter and Martin
Irish playwright Martin McDonagh in plays such as Pillowman addresses some of the themes and uses some of the techniques of Absurdism, especially reminiscent of Beckett and Pinter.
Critics have observed that Martin McDonagh, who has acknowledged being influenced by Harold Pinter, seems indebted to the plot of The Dumb Waiter, as well as to its dialogue, in his award-winning 2008 film In Bruges.
This Tribute to Harold Pinter co-sponsored by the Martin E. Segal Theatre Center ( MESTC ), of The Graduate Center of The City University of New York ( CUNY ), was part of the Fifth Annual PEN World Voices Festival of International Literature, held in New York City, from 27 April to 3 May 2009.
This Tribute to Harold Pinter co-sponsored by the Martin E. Segal Theatre Center ( MESTC ), of The Graduate Center of The City University of New York ( CUNY ), was part of the Fifth Annual PEN World Voices Festival of International Literature, held in New York City, from 27 April to 3 May 2009.
His targets have included the Queen, Jackie Collins, Bill Clinton, Martin Amis, Harold Pinter ( numerous times ) and the publicist Max Clifford.
" Examples employing this technique include the films Irréversible and Memento, the play Betrayal by Harold Pinter, and Martin Amis ' Time's Arrow.
* Betrayal by Harold Pinter directed by David Leveaux with Martin Shaw and Cheryl Campbell ( 1991 )
The creation of in-yer-face theatre parallels the history of more-prevalently accepted literary-critical coinages by critics like Martin Esslin ( Theatre of the Absurd ), who extended the existential philosophical concept of the Absurd to drama and theatre in his 1961 book of that title, and Irving Wardle ( Comedy of menace ), who borrowed the phrase from the subtitle of The Lunatic View: A Comedy of Menace, by David Campton, in 1958 reviews of productions of Campton's play and of The Birthday Party, by Harold Pinter, applying Campton's subtitle to Pinter's work.
She and John remained estranged for some time, until he and their mutual friend Barbara Ryan ( Colleen Zenk Pinter ) rescued Lisa from Martin Chedwyn, a criminal who had forced Lisa to marry him as part of a scheme to smuggle assets out of Hong-Kong before the changeover in government in 1999.

Pinter and Stanley
Although not a child actor, aged around seven he played " Ted " ( using the pseudonym Maxwell Findlater ) in the 1967 film, Accident, written by Harold Pinter ( screenplay ) and starring Stanley Baker, Dirk Bogarde and Michael York.
According to Billington, " The lonely lodger, the ravenous landlady, the quiescent husband: these figures, eventually to become Stanley, Meg, and Petey, sound like figures in a Donald McGill seaside postcard " ( Harold Pinter 76 ).
Lulu is a woman at the age of 18 / 19 " whom Stanley tries vainly to rape " ( Billington, Harold Pinter 112 ) during the birthday party in Act II.
In an interview with Mel Gussow, which is about the 1988 Classic Stage Company production of The Birthday Party, later paired with Mountain Language in a 1989 CSC production, in both of which David Strathairn played Stanley, Gussow asked Pinter: " The Birthday Party has the same story as One for the Road?

Pinter and British
In 2006, David Hare wrote that " Pinter regularly offers actors what will become the opportunities of a lifetime: to Meryl Streep, obviously, in The French Lieutenant's Woman ; to Peter Finch and Anne Bancroft in one of the most overlooked of all British films, The Pumpkin Eater ; and, unforgettably, to Dirk Bogarde, both in Accident and The Servant.
Harold Pinter won the 1964 BAFTA Award for Best British Screenplay.
The playlet " Look Back in Hunger " ( spoofing John Osborne's Look Back in Anger ) in the episode " The East Cheam Drama Festival " from the fifth series, showed that writers Galton and Simpson were in touch with developments in the British theatre, in the use of sighs and silent pauses, something Osborne's style had in common with the plays of Harold Pinter, whose work began to emerge towards the end of the series ' run.
It starred playwright and Beckett enthusiast Harold Pinter as the Director, and featured the last on-camera appearance of famed British actor, John Gielgud as the Protagonist ( he would die only a few weeks later ).
On 5 February 2007, a group of prominent British Jews, such as Nobel laureate Harold Pinter and lawyer Sir Geoffrey Bindman, launched an organization called Independent Jewish Voices to counterbalance what they perceive as uncritical support of Israel by major Jewish institutions in the UK, criticizing particularly the Board of Deputies of British Jews.
By September 29, Nancy Banks-Smith was writing in The Guardian ' This rivetingly original slice of life ... would have had Pinter on pins " and Karl French in the Financial Times on Monday 28 September wrote ' This is by some distance the bleakest and best new British sitcom of the year.
The book was awarded the James Tait Black Memorial Prize for fiction and was later adapted as a BBC television film by British playwright Harold Pinter, in association with RTÉ.
The original production with Richardson and Gielgud was filmed for the National Theatre Archive and has been shown on British television as part of Pinter at the BBC on BBC Four.
Celbridge provided material for his 1966 experimental novel, ' Langrishe, Go Down which won the James Tait Black Memorial Prize for fiction and was later adapted as a BBC television film by British playwright Harold Pinter, in association with Radio Telefís Éireann.
Losey's other collaborations with Pinter, Accident and The Go-Between, share a resemblance to The Servant in that they offer the same savage indictment of the waning English class system, a theme which British film-makers had not previously explored.
Subsequently he wrote The Penguin Dictionary of the Theatre ( 1966 ), The Rise and Fall of the Well-Made Play ( 1967 ), The Art Dealers ( 1969 ) and The Hollywood Musical ( 1971 ), as well as British Council monographs on Harold Pinter, Peter Shaffer and David Storey.
She was good friends with fellow actresses Joan O ' Hara ( with whom she attended an Ursuline Convent school in Sligo ) and the English-born Irish actress Paddy Croft, as well as British playwright Harold Pinter, whom she met while he was a young actor touring with the company of noted Shakespearean actor / manager Anew McMaster.
Harold Pinter Archive Blog, British Library ( BL ), 3 Mar.

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