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Poussin's and illustration
Poussin's illustration to Jerusalem Delivered ( 1630s ).

Poussin's and 1630s
Poussin's Tancred, Prince of Galilee | Tancred and Erminia ( early 1630s, oil on canvas, 98. 5 x 146. 5 cm, Hermitage Museum ) shows an evolution from Poussin's early emulation of Caravaggio to a return to classicism.

Poussin's and Two
Two major commissions at this period resulted in Poussin's early masterwork, the Barberini Death of Germanicus ( 1628 ), partly inspired by the reliefs of the Meleager sarcophagus, and the commission for St. Peter's that amounted to a public debut, the Martyrdom of St. Erasmus ( 1629, Vatican Pinacoteca ), indebted to designs on the same subject by the contemporary Baroque painter, Pietro da Cortona.

Poussin's and Tancred
Nicolas Poussin's Tancred and Erminia ( Hermitage Museum ).
Nicolas Poussin's Tancred and Erminia ( Hermitage Museum ).

Poussin's and subject
Nicholas Poussin's painting Landscape with Polyphemus was the subject of a famous essay by William Hazlitt.

Poussin's and from
The Shugborough relief, adapted from an engraving of Poussin's second version.

Poussin's and c
A Dance to the Music of Time ( painting ) | Poussin's painting, c. 1636, which gives its name to Powell's sequence of novels, Wallace Collection, London.
The film is almost totally restricted to her apartment's bedroom, decorated by a huge reproduction of Poussin's Midas and Bacchus ( c. 1630 ) depicting naked and partially clothed men.

Poussin's and .
It is notable that at this time he was writing with admiration of Cimabue's and Poussin's way of filling space.
Nicolas Poussin's early biographer was his friend Giovanni Pietro Bellori, who relates that Poussin was born near Les Andelys in Normandy and that he received an education that included some Latin, which would stand him in good stead.
It has been suggested that it was this early friendship with Marino, and the commissioning of illustrations of his poetry ( which drew on Ovidian themes ), that founded, or at least reinforced, the prominent eroticism in Poussin's early work.
* E. H. Gombrich: " The Subject of Poussin's Orion " The Burlington Magazine, Vol.
Nicolas Poussin's Arcadia and the inscription also figure prominently in the fiction work by Steve Berry, The Alexandria Link.
At the Château de Chantilly ( Musée Condé ) he saw Nicolas Poussin's Massacre of the Innocents, a painting to which he was often to refer in his own later work.
Poussin's biographer, André Félibien, interpreted it to mean that " the person buried in this tomb has lived in Arcadia "; in other words, that the person too once enjoyed the pleasures of life on earth.
Poussin's 1627 version of the Arcadian Shepherds, in Chatsworth House, depicting a different tomb with the same inscription.
Poussin's own first version of the painting ( now in Chatsworth House ) was probably commissioned as a reworking of Guercino's version.
It is in a far more Baroque style than the later version, characteristic of Poussin's early work.
In 1832 another relief was sculpted as part of the monument marking Poussin's tomb in Rome, on which it appears beneath a bust of the artist.
Pierre Plantard, the creator of the Priory of Sion mythology, tried to argue that the sepulchre at Les Pontils was a " prototype " for Poussin's painting, but it was situated directly opposite a farmhouse ( behind the foliage ) and was not in the " middle of nowhere " in the French countryside, as is commonly assumed.

illustration and Jerusalem
Jesus ' triumphal entry into Jerusalem on a donkey is depicted on an early 1900s Bible card illustration.
Virtually the entire Kingdom of Jerusalem passed into Ayyubid hands after their victory against the Crusades | Crusader s in the Battle of Hattin in 1187 ; illustration from Les Passages faits Outremer par les Français contre les Turcs et autres Sarrasins et Maures outremarins, circa 1490
The scenes depicted are the Annunciation, Visitation, the Nativity, the Adoration of the Magi, the Presentation of Jesus at the Temple, the Baptism of Jesus, the Temptation of Christ, the Transfiguration, the Raising of Lazarus, the Triumphal entry into Jerusalem ( see illustration ), the Last Supper, the Washing of the Feet, the Agony in the Garden, the Betrayal of Judas, the Crucifixion of Jesus, the Descent from the Cross, the Lamentation, the Harrowing of Hell, the Three Marys at the Tomb, and the Deesis.
To Overbeck was assigned, in a room 5 m square, the illustration of Tasso's Jerusalem Delivered ; and of eleven compositions occupying one entire wall, is the Meeting of Godfrey de Bouillon and Peter the Hermit.

illustration and ):
Thus something as simple as a newspaper might be specified to six levels, as in Douglas Hofstadter's illustration of that ambiguity, with a progression from abstract to concrete in Gödel, Escher, Bach ( 1979 ):
There are five stages of biofilm development ( see illustration at right ):
1296 – 1316 ): a eunuch slave who became a general in the army of Alauddin Khilji, ruler of the Delhi sultanate. European illustration of one of the " white eunuchs " of the Ottoman Sultan's court ( 1749 )
The following is an illustration of the company's mergers and its role in later successor firms ( this is not a comprehensive list ):
The following is an illustration of the company's major mergers and acquisitions and historical predecessors to 1995 ( this is not a comprehensive list ):
A clear illustration of this may be provided by the main argument of one of Viktor Shklovsky's early texts, " Art as Device " ( Iskusstvo kak priem, 1916 ): art is a sum of literary and artistic devices that the artist manipulates to craft his work.
The following is an illustration of the company's major mergers and acquisitions and historical predecessors ( this is not a comprehensive list ):
An everyday illustration of this is the siphon coffee brewer, which works as follows ( designs vary ; this is a standard design, omitting coffee grounds ):
The Marquise de Pezé and the Marquise de Rouget with Her Two Children, Marie Louise Élisabeth Vigée-Lebrun | Elisabeth Vigée-LeBrun ( 1787 ) In Paris during the 1780s, light, unstructured bonnets were fashionable ( illustration, right ): Mme de Pezé's is of gauze with a border of gold threads, while Mme de Rouget is even more informally coiffed à la Turque, with a loose turban of striped silk.
Examples of where an illustration may serve as a type are ( this is not an exclusive listing ):
* Final Fantasy Tactics A2: Grimoire of the Rift ( 2007 ) ( DS ): Artistic supervisor and additional illustration
They were scions of an impoverished though patrician family of Milan not connected with the Medici of Florence, in spite of the Medici heraldic palle appearing in the contemporary engraving ( illustration ): thus the nickname Il Medeghino, the " little Medici ".
The following is an illustration of the company's major mergers and acquisitions and historical predecessors ( this is not a comprehensive list ):
A portion of the infinite Fourier operator is shown in the illustration below, which depicts how it acts on a rectangular pulse to generate its Fourier transform ( in this case, a sinc function ):

illustration and Two
Two of the Pendle witches, tried at Lancaster in 1612, in an illustration from William Harrison Ainsworth's 1849 novel, The Lancashire Witches ( novel ) | The Lancashire Witches.
Earlier on, there was a vignette of a man sleeping beneath a shrub, adapted from the 1784 illustration to " The Bear and the Two Friends ", in the first edition of the General History of the Quadrupeds ( 1790 ).
Two or three others are devoted to the illustration of Bourges, a city in which the old wooden houses were as attractive to him for their own sakes as were the stonebuilt monuments of Paris.
* " Gold Harvest Feeds The World " page 90 Popular Mechanics, July 1949, cutaway illustration of the John Deere open cab one-man self-propelled combine of the type common for decades after World War Two
Two boys playing with a jack-in-the-box in an 1863 illustration
Two frogs and the V pentomino that belong to the illustration code are hidden in the picture.
Two of the most famously described 17th century cabinets were those of Ole Worm, known as Olaus Wormius ( 1588 – 1654 ) ( illustration, above right ), and Athanasius Kircher ( 1602 – 1680 ).
Two years later, Colonel Rebel appeared for the first time as an illustration in the university yearbook.

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