Since then, Prigent sang on stages such as the Stade de France ( for Saint Patrick's Day ), the Paléo Festival Nyon ( Switzerland ), Bercy, the Trans Musicales in China, the theater of Paris, the Vieilles Charrues Festival, the Casino de Paris, the Rozrywki theater in Poland, the Stimmen festival ( Germany ), the antique roman theater in Vienna and the theater of Tenerife ( Canary Islands ).

For Ludwig Budde and Pierre Prigent, the dove refers to the descending of the Holy Spirit rather than the peace associated with Noah.

Gerrard was also invited by Denez Prigent to collaborate with him on his piece " Gortoz a ran-J ' attends " ( meaning " I await "), a piece that was later used in the soundtrack of Ridley Scott's film Black Hawk Down.

More contemporary singers include Ifig Troadeg, who focuses on lyrically shocking gwerzioù, Patrick Marie, Marthe Vassalo, Klervi Rivière, Mathieu Hamon, Annie Ebrel, Erik Marchand and Denez Prigent.

Denez Prigent (; born 17 February 1966 in Santec, Finistère ) is a French ( Breton ) folk singer-songwriter of the gwerz and kan ha diskan styles of Breton music.

During his childhood, Prigent lived with his father in Le Relecq-Kerhuon and spent his weekends at his grandmother's, in Santec.

At age 14, Prigent was taught kan ha diskan by Alain Leclère, himself a former student of Manuel Kerjean, whose other students include Erik Marchand.

Surprised by this invitation, Prigent wrote a satirical song, " Son Alma Ata " ( later included on Sarac ' h ) about the incongruity for a Breton singer to be sent to perform in Kazakhstan.

In 1991, Prigent resigned from his teaching position in order to pursue his artistic career.

In 1992, Prigent sang a cappella during the Transmusicales, in front of an audience unused to this style.

In 1993, Prigent released his first album Ar gouriz koar ( translated The Wax Belt ) on Auvidis / Silex.

When Prigent failed to receive compensation from Auvidis / Silex for sales of the album, he sued the label and signed with Barclay Records for his subsequent releases.

Further sales of Ar gouriz koar were blocked but Auvidis kept the original records, and in 1996 Prigent released a new recording of Ar gouriz koar with Barclay.

For this and all subsequent recordings, Prigent uses the Peurunvan unified Breton orthography.

At his wife's request, Prigent attended the first rave party held in Rennes, in 1993, in spite of his negative prejudice.

In 1995, Prigent appeared in Dao Dezi.

Prigent released his second album, Me ' zalc ' h ennon ur fulenn aour ( I keep in myself a golden spark ), in 1997.

To select electronic samples, Prigent contacted Arnaud Rebotini, who granted him access to his collection of discs.

Prigent mostly chose jungle sounds, finding that their rhythm, at around 160 – 170 bpm, was well adapted to Breton singing.

This combination of ancient singing and modern music is illustrated by Ar rannoù, one of the oldest known Breton texts, for which Prigent recomposed the traditional tune using electronic sounds.

Although the extreme difference between his a cappella songs and his new tracks using electronic samples received mixed critics, Prigent considered that he remained faithful to the arrhythmic, unmeasured aspect of Breton music.

According to Prigent, a measured gwerz loses the identity of Breton singing, while an electronic accompaniment faithful to the arrhytmic song is perfectly natural.

Fidelity to tradition is absolutely not a way of imprisoning himself in his own culture ; on the contrary, for Prigent, developing the Breton culture by adapting it to modern technology is a way of opening up to other cultures.

With this album, Prigent also affirms his writing style.

He only writes in Breton, a language that, according to Prigent, kept its sacred aspect, contrarily to French.

Johnston wanted Major, later Lt. Gen., Alexander P. Stewart to command the forts but President Davis appointed Brig.

They took their chief meal in a common refectory or dining hall at 3 P. M., up to which hour they usually fasted.

* Earle, P., ed.

* Naoroji M. Dumasia, " The Aga Khan and his ancestors ", New Delhi: Readworthy Publications ( P ) Ltd., 2008

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He also translated from Greek into Latin a life of St. John Chrysostom ( Venice, 1533 ); the Spiritual Wisdom of John Moschus ; The Ladder of Divine Ascent of St. John Climacus ( Venice, 1531 ), P. G., LXXXVIII.

He also translated four books against the errors of the Greeks, by Manuel Kalekas, Patriarch of Constantinople, a Dominican friar ( Ingolstadt, 1608 ), P. G., CLII, col. 13-661, a work known only through Ambrose's translation.

In the case of parallelization, Amdahl's law states that if P is the proportion of a program that can be made parallel ( i. e., benefit from parallelization ), and ( 1 − P ) is the proportion that cannot be parallelized ( remains serial ), then the maximum speedup that can be achieved by using N processors is

* O ' Rourke, P. J., All the Trouble in the World.

* Smyth, Alfred P., Warlords and Holy Men: Scotland AD 80 – 1000.

* Drell, Sidney D., and Sergei P. Kapitsa ( eds.

* Cho, T., & Ladefoged, P., " Variations and universals in VOT ".

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Washington, D. C .: U. S. G. P. O., 1999.

of Docs., U. S. G. P. O., 1994 – 2002.

MTV also responded by broadcasting the program after 11: 00 P. M., and included a disclaimer, reminding viewers:

* Takamatsu, H., Mellor, P. S., and others.

* Graham, M. P, and McKenzie, Steven L., " The Hebrew Bible today: an introduction to critical issues " ( Westminster John Knox Press, 1998 )