Art historian John Rewald called Pissarro the “ dean of the Impressionist painters ", not only because he was the oldest of the group, but also " by virtue of his wisdom and his balanced, kind, and warmhearted personality ”.

But Pissarro eventually found their teaching methods “ stifling ,” states art historian John Rewald.

* Rewald, John, The History of Impressionism ( 1961 ), Museum of Modern Art, ISBN 0-8109-6035-4

* Gowing, Lawrence, with Adriani, Götz ; Krumrine, Mary Louise ; Lewis, Mary Tompkins ; Patin, Sylvie ; Rewald, John ( 1988 ).

* Rewald, John ( 1973 ).

* Rewald, John, Cézanne, new ed., NY: Abrams, 1986

John Rewald, an art historian focused on the birth of Modern art, wrote a series of books about the Post-Impressionist period, including Post-Impressionism: From Van Gogh to Gauguin ( 1956 ) and an essay, Paul Gauguin: Letters to Ambroise Vollard and André Fontainas ( included in Rewald's Studies in Post-Impressionism, 1986 ), discusses Gauguin's years in Tahiti, and the struggles of his survival as seen through correspondence with the art dealer Vollard and others.

" John Rewald, one of the first professional art historians to focus on the birth of early modern art, limited the scope to the years between 1886 and 1892 in his pioneering publication on Post-Impressionism: From Van Gogh to Gauguin ( 1956 ): Rewald considered it to continue his History of Impressionism ( 1946 ), and pointed out that a " subsequent volume dedicated to the second half of the post-impressionist period "— Post-Impressionism: From Gauguin to Matisse — was to follow, extending the period covered to other artistic movements derived from Impressionism and confined to the late 19th and early 20th centuries.

* Rewald, John: Post-Impressionism: From Van Gogh to Gauguin, revised edition: Secker & Warburg, London 1978

* Rewald, John: Theo van Gogh, Goupil, and the Impressionists, Gazette des Beaux-Arts, January & February 1973, pp. 1 – 107 ; reprinted in Rewald, John: Studies in Post-Impressionism, Thames and Hudson, 1986, pp. 7 – 115 ( no ISBN ).

* John Rewald

* John Rewald, Post-Impressionism, from Van Gogh to Gauguin, Paris, 1961

* Rewald, Post-Impressionism, 3rd ed., revised, NY: Museum of Modern Art, 1978

Pissarro found Corot, along with the work of Gustave Courbet, to be “ statements of pictorial truth ,” writes Rewald.

Cézanne ’ s work had been mocked at the time by the others in the school, and, writes Rewald, in his later years Cézanne " never forgot the sympathy and understanding with which Pissarro encouraged him.

According to Rewald, Pissarro had taken on an attitude more simple and natural than the other artists.

Furthermore, in his introduction to Post-Impressionism, Rewald opted for a second volume featuring Toulouse-Lautrec, Henri Rousseau " le Douanier ", Les Nabis and Cézanne as well as the Fauves, the young Picasso and Gauguin's last trip to the South-Sea ; it was to expand the period covered at least into the first decade of the 20th century — yet this second volume remained unfinished.

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* Edwin F. Taylor and John Archibald Wheeler, Spacetime Physics, 2nd ed.

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* Ian C. Levy ( ed ), A Companion to John Wyclif: Late Medieval Theologian ( Leiden, Brill, 2011 ) ( Brill's Companions to the Christian Tradition, 4 ).

( 2007 ) " The Revenues of King John and Philip Augustus Revisited ," in Church ( ed ) 2007.

( 2007 ) " Philip Augustus and King John: Personality and History ," in Church ( ed ) 2007.

* Church, Stephen D. ( ed ) ( 2007 ) King John: New Interpretations.