* 1910 – Pierre Schaeffer, French composer ( d. 1995 )

Originally contrasted with " pure " electronic music ( based solely on the production and manipulation of electronically produced sounds rather than recorded sounds ), the theoretical basis of the style was developed by Pierre Schaeffer, beginning in the early 1940s.

In 1942 the French composer and theoretician Pierre Schaeffer, began his exploration of radiophony when he joined Jacques Copeau and his pupils in the foundation of the Studio d ' Essai de la Radiodiffusion Nationale.

By 1951 the work of Schaeffer, composer-percussionist Pierre Henry, and sound engineer Jacques Poullin had received official recognition and The Groupe de Recherches de Musique Concrète, Club d ' Essai de la Radiodiffusion-Télévision Franglaise

Guide des objets sonores, Pierre Schaeffer et la recherche musicale, Ina-GRM / Buchet-Chastel, Paris.

" Pierre Schaeffer and the Significance of Radiophonic Art.

" Machine Songs V: Pierre Schaeffer: From Research into Noises to Experimental Music ".

" Pierre Schaeffer, 1910-1995: The Founder of ' Musique Concrete '".

* Schaeffer, Pierre ( 1952 ), A la recherche d ’ une musique concrète.

* Schaeffer, Pierre, and G. Reibel ( 1967 ).

" Pierre Schaeffer and the Significance of Radiophonic Art ".

" L ’ Objet Sonore Maintenant: Pierre Schaeffer, Sound Objects and the Phenomenological Reduction ".

* Schaeffer, Pierre ( 1952b ).

* Schaeffer, Pierre ( 1967 ).

Category: Pierre Schaeffer

* August 14 – Pierre Schaeffer, French composer ( d. 1995 )

He played guitar in a band, but his musical style was perhaps most heavily influenced by Pierre Schaeffer, a pioneer of musique concrète at the Groupe de Recherches Musicales.

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In his 1966 publication Traité des objets musicaux Schaeffer defined the acousmatic as: Acousmatic, adjective: referring to a sound that one hears without seeing the causes behind it ( Schaeffer 1966: 91 ).

Schaeffer remarked that: Often surprised, often uncertain, we discover that much of what we thought we were hearing, was in reality only seen, and explained, by the context ( Schaeffer 1966: 93 ).

In his book A Modest Proposal ( 1984 ), evangelical author Frank Schaeffer emulated Swift's work in social conservative polemic against abortion and euthanasia in a future dystopia that advocated recycling of aborted embryos and fetuses, as well as some disabled infants with compound intellectual, physical and physiological difficulties.

Book confides his suspicions to his superior officer, Chief Paul Schaeffer ( Josef Sommer ), who advises Book to keep the case secret so they can work out how to move forward with it.

McFee, Schaeffer, and " Fergie " Ferguson ( Angus MacInnes ), the second killer at the train station, arrive at the Lapp farm with pump action shotguns.

Le Solfège de l ’ Objet Sonore ( Music Theory of the Sound Object ), a sound recording that accompanied Traité des Objets Musicaux ( Treatise on Musical Objects ) by Pierre Schaeffer, was issued by ORTF ( French Broadcasting Authority ) as a long-playing record in 1967.

Historically, Orsi, Rampone ( later Rampone & Cazzani ), Buffet ( under the ownership of Evette & Schaeffer ), Conn ( E ♭ contrabass only ), Gautrot and Couesnon ( Gautrot's successor ) were the best known and possibly, only makers that produced in quantity.

* Pierre Schaeffer ( 1910 – 1995 ), noted as the inventor of musique concrète

In 1971, Schaeffer received the honorary Doctor of Letters degree from Gordon College in Wenham, Massachusetts .< ref > Douglas, J. D. Douglas & Philip Wesley Comfort, Editors, Who's Who in Christian History ( Tyndale House Publishers, 1992 ), p. 609 ; Francis August Schaeffer Papers Ministry Manuscript Collection # 29, Box 134, PCA Historical Center < http :// www. pcahistory. org / findingaids / schaeffer / index. html >.</ ref >

Today, roughly twenty-five years after his death ( from lymphoma ), his teachings continue in the same informal setting at The Francis A. Schaeffer Foundation in Gryon, Switzerland.

The history of the turntable being used as a musical instrument has its roots dating back to the 1930s, 1940s and 1950s when musique concrète and other experimental composers ( such as John Cage, Halim El-Dabh, and Pierre Schaeffer ), used them in a manner similar to that of today's producers and DJs, by essentially sampling and creating music that was entirely produced by the turntable.

The sitcom tells the story of a San Francisco photographer named Sam Russell ( Pam Dawber ), whose life is disrupted when her teenage sister Patti ( Rebecca Schaeffer ) comes to live with her.

After the series ended in 1988, Schaeffer went on to appear in Radio Days ( although much of her performance was deleted ), Scenes from the Class Struggle in Beverly Hills, The End of Innocence and the television film Out of Time.

The series mainly focuses on Aelita Schaeffer ( Stones ), Jeremie Belpois, Odd Della Robbia, Ulrich Stern, Yumi Ishiyama, and the primary antagonist XANA, an artificial intelligence.

The prize announcers were: Anthony Schaeffer ( 1984 – 1985 ) and later John Benson ( 1986 – 1987 ), who had provided the famous voice-over for Sale of the Century.

and proceeded to link others influenced by Schaeffer — including LaHaye, Charles Colson, and Randall Terry — to Rushdoony in that way ), Alan Jacobs noted that Schaeffer's career significantly pre-dates Rushdoony's, and that Schaeffer is chiefly significant for his cultural reflections, which have nothing to do with Dominion Theology.

Jacobs also argued that Schaeffer could only be called Rushdoony's " student " in the weak sense that he read his works very late in his career and agreed with some of his ideas ( particularly in Schaeffer's A Christian Manifesto ), and that their disagreements over fundamental issues far outweighed their synergy.

Schaeffer derived the word acousmatique from akousmatikoi ( hearers ), a term used in the time of Pythagoras to refer to his uninitiated students.

was a 1977 Gospel Films Production, written and narrated by Francis A. Schaeffer, executive producer Billy Zeoli, created and produced by Franky Schaeffer V, directed by John Gonser ( some scenes by Franky Schaeffer V ), post production directed by Mel White.