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Stephane and Grappelli
" Legrand returned to his role as jazz arranger for the Stan Getz album Communications ' 72 and resumed his collaboration with Phil Woods on Jazz Le Grand ( 1979 ) and After the Rain ( 1982 ); then, he collaborated with violinist Stephane Grappelli on an album in 1992.
* Bill Coleman with Django and Stephane Grappelli 1936 to 1938 ( released 1985, DRG Records )
* Stephane Grappelli and Cordes ( 1977, Musidisc )
* Stephane Grappelli and Joe Venuti: Venupelli Blues ( 1979, Affinity )
* Stephane Grappelli ` 80 ( 1980 Happy Bird )
* Stephane Grappelli / David Grisman Live at Berklee ( recorded September 20, 1979, Boston, Massachusetts )
* Stephane Grappelli ( Pye )
* Classic Sessions: Stephane Grappelli, with Phil Woods and Louie Bellson ( 1987, RTV Communications Group )
* Stephane Grappelli Plays Jerome Kern ( 1987, GRP )
* Stephane Grappelli in Tokyo ( 1991, A & M records )
* Stephane Grappelli 1992 Live ( 1992, Verve )
* Stephane Grappelli Live at the Blue Note ( 1996, Telarc Jazz )
* Violin Summit: Stephane Grappelli, Stuff Smith, Svend Asmussen, Jean-Luc Ponty ( 1967, Polygram )
* Stephane Grappelli and Earl Hines: Stephane Grappelli meets Earl Hines
* Stephane Grappelli and Hubert Clavecin: Dansez Sur Vos Souvenirs ( Musidisc )
* Stephane Grappelli and Barney Kessel: Remember Django ( 1969, Black Lion )
* Stephane Grappelli and Barney Kessel: Limehouse Blues ( 1972, Black Lion )
* Stephane Grappelli and Gary Burton: Paris Encounter ( 1972, Atlantic )
* Stephane Grappelli and Yehudi Menuhin: Jalousie ( 1975, EMI )
* Stephane Grappelli and Oscar Peterson ( 1973, Musicdisc )
* Stephane Grappelli and The George Shearing Trio: The Reunion ( 1977, MPS )

Stephane and Django
Django Reinhardt and Stephane Grappelli
From a family of musicians ( his mother being a concert violinist ), McLaughlin studied violin and piano as a child and took up the guitar at the age of 11, exploring styles from flamenco to the jazz of Django Reinhardt and Stephane Grappelli.
Brown's music inspired the great string jazz musicians from Europe, Django Reinhardt and Stephane Grapelli who in 1935 formed the Hot Club de Paris quintet.
It was through Isaacs that Taylor was introduced to Stephane Grappelli, erstwhile violinist in Quintette du Hot Club de France with Django Reinhardt.
Together with Hugues Panassié he initiated the Quintette du Hot Club de France with Django Reinhardt and Stephane Grappelli.
The Quintette du Hot Club de France, starring Django Reinhardt and Stephane Grappelli, were one of the house bands at the club.

Stephane and 1998
In 1998, Hearts beat Rangers 2 – 1 to lift the Scottish Cup under the management of Jim Jefferies, with a 1st-minute penalty from Colin Cameron and a second-half strike by Stephane Adam.
* Stephane Barbe – bass ( 1998 – present )

Grappelli and Django
* The Quintette du Hot Club de France is established and produced two of the most famous Jazz instrumental icons Stéphane Grappelli and Django Reinhardt.
Stéphane Grappelli ( ; 26 January 1908 – 1 December 1997 ) was a French jazz violinist who founded the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934.
Gypsy swing is an outgrowth of Venuti and Lang's jazz violin swing, the style emerging in its own right in Europe with Django Reinhardt and Stéphane Grappelli.
Perhaps the most famous ( and influential ) Sinti musician is the guitar virtuoso Django Reinhardt, who fused traditional dance hall musettes with American jazz of the day ( 1930s and 40s ) and, along with Stéphane Grappelli and the other members of the Quintette du Hot Club de France, founded the style of music known as “ Gypsy Jazz ”.
Her first big break as a professional vocalist came in 1947, when she sang in The Hot Club of France with two jazz legends: guitarist Django Reinhardt, and violinist Stéphane Grappelli.
* Of the many early recordings of the tune, the vocal version by Ethel Waters in the 1920s, and instrumental version by Stéphane Grappelli and Django Reinhardt in the 1930s, are particularly notable.
* The Quintet of the Hot Club of France, with Django Reinhardt and Stéphane Grappelli, recorded a rather oblique version in Paris on 26 April 1937.
He performed with Jacques Pelzer in The Bob Shots, then with among others Django Reinhardt, Kenny Clarke, Stéphane Grappelli and Don Byas when he was in Paris ( from 1950 to 1961 ), also co-leading a quartet with pianist Martial Solal in 1955, which recorded the following year.
He often visited the Hot Club de France to hear the quintet of Stéphane Grappelli and Django Reinhardt.
Through his career he played with Rex Stewart ( 1948 ), Coleman Hawkins, Django Reinhardt, Stéphane Grappelli, Don Byas, Thelonious Monk, Lester Young, Dexter Gordon, Stan Getz, Bud Powell ( in a trio with Kenny Clarke ), Zoot Sims, Dizzy Gillespie, Miles Davis, Chet Baker, and many others.

Django and Reinhardt
Django Reinhardt, the ill-fated gypsy, was a true artist, one who demonstrated conclusively the power of art to renew itself and flow into many channels.
Django, who was born Jean Baptiste Reinhardt in Belgium and who died in 1953 in France, was an extraordinary man.
* The " Selmer-Maccaferri guitar " is usually played by those who follow the style of Django Reinhardt.
* Django Reinhardt ( Paviot 1959 )
Atkins's picking style, inspired by Merle Travis, Django Reinhardt, George Barnes, Les Paul, and ( Mother ) Maybelle Carter brought him admirers within and outside the country scene, both in the United States and internationally.
On being asked to name the ten most influential guitarists of the 20th century, he named Django Reinhardt to the first position, and also placed himself on the list.
Selmer-Maccaferri guitars are usually played by those who follow the style of Django Reinhardt.
The most important jazz guitar soloists of this period included the Manouche virtuoso Django Reinhardt, Oscar Moore who was featured with Nat “ King ” Cole ’ s trio, and Charlie Christian of Benny Goodman's band and sextet, who was a major influence despite his early death at 25.
* The Selmer-Maccaferri guitar is strongly associated with Django Reinhardt and gypsy swing.
Charlie Christian and Django Reinhardt are generally held to have initiated the use of the guitar to play melodies and improvisations over other instruments, the former using an early form of amplification, the latter playing forcefully on an acoustic guitar.
* Django Reinhardt
* January 23 – Django Reinhardt, Belgian guitarist ( d. 1953 )
Lieber made a record with Django Reinhardt in the AFN Studios in Paris in the post Second World War era and started an event called " Jazz at Noon " every Friday in a New York restaurant playing with a nucleus of advertising men, doctors, lawyers, and business executives who had been or could have been jazz musicians.
" Margie " has been recorded by Louis Armstrong, who also covered the band's " Tiger Rag ", Ray Charles, Al Jolson, Duke Ellington and His Orchestra in 1935, the Billy Kyle Swing Club Band, Claude Hopkins, Red Nichols, Django Reinhardt, George Paxton, the Dutch Swing College Band, Fats Domino, Sidney Bechet, Don Redman, Cab Calloway, Jim Reeves, Gene Krupa, and Benny Goodman.
* Django Reinhardt with the Quintette of the Hot Club of France
* Django Reinhardt performed this song, and it can be found on the album Keep Cool: Guitar Solos ( 1950 – 1953 ).
Other musical influences he later acknowledged included gospel singer Mahalia Jackson, Belgian jazz musician Django Reinhardt, American concert singer Paul Robeson, and Black comedian Bert Williams.
Early recorded examples of free-form improvisation include solo guitar works by the French guitarist Django Reinhardt and a pair of 1949 recordings for Capitol by a group led by Lennie Tristano, " Intuition " and " Digression ".
This five-day festival celebrates the gypsy jazz style of Django Reinhardt, and featues workshops, concerts, and impromptu jam sessions around town.
Harmonicist Toots Thielemans, guitarist Philip Catherine and Django Reinhardt are probably the best known Belgian jazz musicians.
Paul's jazz-guitar style was strongly influenced by the music of Django Reinhardt, whom he greatly admired.
His solo on Body and Soul is a fine demonstration both of his admiration for and emulation of the playing of Django Reinhardt, as well as his development of some very original lines.
His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt, which disbanded in 1939 at the outbreak of World War II.

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