* Zapf, H. 2002 Literatur als kulturelle Ökologie.

* Zapf, H. 2008 Kulturökologie und Literatur: Beiträge zu einem transdisziplinären Paradigma der Literaturwissenschaft ( Cultural Ecology and Literature: Contributions on a Transdisciplinary Paradigm of Literary Studies ): Winter, Heidelberg

* Zapf, H. ( 2007 ) Alphabet Stories: A Chronicle of Technical Developments Cary Graphic Arts Press Rochester New York

* Zapf, H. ( 2006 ) The world of Alphabets: A kaleidoscope of drawings and letterforms, CD-ROM

Gigi is either a baby doll made by Zapf Creations in Germany or an original walking doll made by A & H.

The Zapf Creations Gigi isn't a doll with her own series like the A & H Gigi but a line of dolls named Gigi in the Zapf Creations series of baby dolls.

Each verse is accompanied by a rendering in calligraphic art, contributed by a group of calligraphers under the leadership of Hermann Zapf.

Palatino is the name of a large typeface family that began as an old style serif typeface designed by Hermann Zapf initially released in 1948 by the Linotype foundry.

In 1999, Zapf revised Palatino for Linotype and Microsoft, called Palatino Linotype.

Under the collaboration of Zapf and Akira Kobayashi, the Palatino typeface family was expanded.

It is one of several related typefaces by Zapf, each showing influence of the Italian Renaissance letter forms.

Palatino nova is a redesigned version of Palatino, by Hermann Zapf and Akira Kobayashi.

The font family was premiered on 2005-11-24, the same day as Hermann Zapf ’ s 87th birthday celebration.

It is a family designed by Lebanese designer Nadine Chahine and Hermann Zapf.

The design is based on the Al-Ahram typeface designed by Zapf in 1956 but reworked and modified to fit the Palatino nova family.

In the Bitstream font collection, the Palatino equivalent is called Zapf Calligraphic.

Zapf also designed Aldus, which appeared in the D. Stempel AG catalog in 1954.

Both Aldus and Palatino were Zapf ’ s new form of old style typefaces inspired by the Renaissance.

Microsoft distributes a similar typeface, Book Antiqua ( originally by Monotype ), which is considered by Zapf to be an imitation.

In 1993, Zapf resigned from l ' Association Typographique Internationale ( ATypI ) over what he viewed as its hypocritical attitude toward unauthorized copying by prominent ATypI members.

Zapf actually did work with URW on this typeface, but it could not have the same name because Linotype has a trademark on the name Palatino.

Zapf Renaissance Antiqua was a newer interpretation by Zapf of the same general design.

Zapf Calligraphic 801 is a version of Palatino from the Bitstream type foundry, again with Zapf's blessing.

* Zapf, Hermann.

* Zapf, Hermann.

Optima is a humanist sans-serif typeface designed by Hermann Zapf between 1952 and 1955 for the D. Stempel AG foundry, Frankfurt, Germany.

It is clear from the reverence in Zapf ’ s designs that he regards the Roman capitals as ideal forms, and his executions in type prove the thesis.

Like Palatino, another Zapf design, Optima is both widely admired and much imitated.

German ecocritic Hubert Zapf argues that literature draws its cognitive and creative potential from a threefold dynamics in its relationship to the larger cultural system: as a " cultural-critical metadiscourse ," an " imaginative counterdiscourse ," and a " reintegrative interdiscourse " ( Zapf 2001, 2002 ).

Even at his early age, Zapf was already getting involved with type, inventing ciphertext alphabets to exchange secret messages with his brother.

Zapf left school in 1933 with the ambition to pursue a career in electrical engineering.

Through print historian Gustav Mori, Zapf came into contact with the type foundries D. Stempel AG and Linotype GmbH of Frankfurt.

It existed until 1986 with the death of Lubalin, and Zapf and Burns founded " Zapf, Burns & Company " in 1987.

Hermann Zapf also collaborated with Akira Kobayashi to make a revised version of Sistina named " Palatino Imperial " as part of the Palatino Nova font family.

Aldus ( which Zapf wished to be called Palatino Book ) is designed to complement Palatino, but with a lighter stroke weight, more open counters, and better suited for text in smaller point sizes.

Aldus nova was also designed by Hermann Zapf, with Akira Kobayashi.

AMS Euler is an upright cursive typeface, commissioned by the American Mathematical Society ( AMS ) and designed and created by Hermann Zapf with the assistance of Donald Knuth.

It blends very well with other typefaces made by Hermann Zapf, such as Palatino, Aldus and Melior, but very badly with the default TeX font Computer Modern.

In 2009, AMS released version 3. 0 of AMS fonts, in which Hermann Zapf reshaped many of the Euler glyphs, with implementation and assistance from Hans Hagen, Taco Hoekwater, and Volker RW Schaa.

In 1983, Zapf had completed the typeface AMS Euler with Donald Knuth and David Siegel of Stanford University for the American Mathematical Society, a typeface for mathematical composition including fraktur and Greek letters.

He told Zapf his idea of making a typeface with a large number of glyph variations ; he wanted to start with an example of Zapf's calligraphy that was reproduced in a publication by the Society of Typographical Arts in Chicago.

Zapf worked with Linotype to create four alphabets and various ornaments, flourishes, and other dingbats.

In 2003, Hermann Zapf completely reworked the Zapfino design, creating Zapfino Extra, a large expansion of the Zapfino family designed in close collaboration with Akira Kobayashi.

Sadler ended that Busch Season running three races on his own with Zapf Creations sponsoring.