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animation and historian
** Jerry Beck, American animation historian
In 1994, animation historian Jerry Beck surveyed 1000 people working in the animation industry and published the results in The 50 Greatest Cartoons: As Selected by 1, 000 Animation Professionals, in which The Tell-Tale Heart ranked # 24.
Animation historian Michael Barrier called the film " an offensively bad picture, the kind that makes people who love animation get up and leave the theater in disgust ".
According to science fiction writer and animation historian Andy Mangels, who hosts commentary for many Filmation releases, the three Super 7 segments in question were pulled from distribution due to " various lawsuits " from Marvel Comics and DC Comics.
Messmer himself recalled his version of the cat's creation in an interview with animation historian John Canemaker:
Clampett made hand puppets as a child, and before adolescence had completed what animation historian Milt Gray describes as " a sort of prototype, a kind of nondescript dinosaur sock puppet that later evolved into Cecil.
The founders of Streamline were Carl Macek, who had worked for Harmony Gold USA during the mid 1980s, most notably on the series Robotech, and Jerry Beck, an animation historian and film distribution veteran who had worked at MGM / UA, Orion and Expanded Entertainment.
Michael Barrier, an animation historian, said that Kricfalusi's works " testify to his intense admiration for Bob Clampett's Warner Bros. cartoons " and that no cartoonist since Clampett created cartoons in which the emotions of the characters " distort their bodies so powerfully.
Examples of the art and designs were published in the March / April 1993 issue of Print to illustrate an article by animation historian John Canemaker about the backstory of the project.
" Animation historian Jerry Beck described the film as being " for adults and Bakshi completists only ," writing that the film " has a great premise, a great cast, and the best animation he's ever been involved with ," but critiquing it as a " pointless rehash of many of Ralph's favorite themes, and the story literally goes nowhere.
Michael Barrier, an animation historian, described Heavy Traffic and Fritz the Cat as " not merely provocative, but highly ambitious.
On October 14, 2010, animation historian David Gerstein announced that copies of all three had been found.
Wealth of genres and different styles that were growing in Zagreb was the reason for Georges Sadoul, the French film theorist, critic and historian to coin the term « Zagreb school of animation », what became the trademark for top grade and innovative animated films made in Zagreb.
Disney and animation historian Michael Barrier has cited it as " an extremely valuable record, one that can no longer be duplicated, given the deaths of most of the interview subjects.
John Cannizzaro Jr. ( born 1943 ), better known as John Canemaker, is an independent animator, animation historian, author, teacher and lecturer.
Responding to pressure from the African-American community, the character Lil ' Eightball ( who appeared in a handful of Walter Lantz cartoons in the late 1930s and in those initial appearances constituted what animation and comics historian Michael Barrier described as being a " grotesquely stereotypical black boy ") was discontinued as one of the featured characters in the Lantz anthology comic book New Funnies ; the last appearance of the character was in the August 1947 issue.
In August 2011, a black-and-white print of the original opening credits was found by animation historian David Gerstein.
On April 27, 2009, animation historian David Gerstein posted a report on his blog that he finally revealed the true ending to this cartoon: the rabbits attack the hunter in a cartoon smoke cloud and then run away.
Michael Barrier, an animation historian, described American Pop as one of two films that demonstrated " that Bakshi was utterly lacking in the artistic self-discipline that might have permitted him to outgrow his limitations.
According to animation historian Jerry Beck, he did not recall any disturbance during the screening, but there were racist catcalls during the question-and-answer session, and Bakshi's talk was cut short.

animation and Jim
The program is known for its educational content, and creativity communicated through the use of Jim Henson's Muppets, animation, short films, humor, and cultural references.
Production designer Wolf Kroeger was forced to drastically compact his sets, and animation director and designer John Kricfalusi had to push his team, including Lynne Naylor, Jim Smith and Bob Jaques, to complete the animation within a few weeks.
Other than that, Harryhausen worked generally alone to produce almost all of the animation for all his films, until he hired protégé model animators Steve Archer and two-time Oscar-nominated Jim Danforth to assist with major animation sequences for his last feature film Clash of the Titans ( 1981 ).
Harryhausen also maintained his friendships with his long-time producer, Charles H. Schneer, who lived next door to him in a suburb of London until Schneer moved full-time to the USA ( a few years later, in early 2009, Schneer died at 88 in Boca Raton, FL ); and with model animation protégé, Jim Danforth, still living in the Los Angeles area.
McLaren founds recruits for his fledgling animation unit at the École des beaux-arts de Montréal and the Ontario College of Art, including René Jodoin, George Dunning, Jim McKay, Grant Munro and his future collaborator, Evelyn Lambart.
A children's fantasy which combines live action and digital animation, MirrorMask was produced by Jim Henson Studios and stars Stephanie Leonidas, Jason Barry, Rob Brydon, and Gina McKee.
Featuring Jim Henson's Muppets, animation, live shorts, humor, and celebrity appearances, it was the first television program of its kind to base its contents and production values on laboratory and formative research, and the first to include a curriculum " detailed or stated in terms of measurable outcomes ".
John Kricfalusi, Lynne Naylor, Bob Camp and Jim Smith, who all co-founded the company, were cartoonists who were either laid off by animation companies, or willingly decided to quit.
This was the first use of a 3D computer animation in a criminal trial .< ref >< a href =" http :// law. jrank. org / pages / 3521 / Jim-Mitchell-Trial-1992-Video-at-Trial. html "> Jim Mitchell Trial: 1992-Video At The Trial </ a ></ ref > ( In his final argument before the jury, Michael Kennedy attempted to mock the virtual-reality reenactment.
In the 1967 Disney animation The Jungle Book, Kaa, voiced by Sterling Holloway ( and later, by Jim Cummings after Holloway's death ), is markedly different from his original counterpart.
Kricfalusi formed Spümcø animation studio with partners Jim Smith, Bob Camp and Lynne Naylor.
Interested representatives from movie studios and television networks regularly toured the lab as did musicians Laurie Anderson and Peter Gabriel, puppeteer Jim Henson and animation legends Chuck Jones and Shamus Culhane.
Smith graduated in 1978 from Worthington High School in Worthington, Ohio, a suburb of Columbus, where he was a classmate of Jim Kammerud ; later on, in 1986, Smith and Kammerud would co-found Character Builders, an animation studio in Columbus where Smith worked until 1992.
A number of episodes feature animation by famed animator Jim Tyer.
A few of the head storyboard artists, screenwriters, and animators returned from the original Ren and Stimpy series, such as Vincent Waller, Eddie Fitzgerald, and Jim Smith, but most of the animation and writing team were a new team of artists, specifically instructed and headed by Kricfalusi himself.
The show contained both animation by Nelvana, and puppetry by Jim Henson Productions.
In 2007, having voiced hundreds of episodes of animation, he began writing scripts for television on series such as Lunar Jim, Turbo Dogs, Bo On the Go and Animal Mechanicals.
It was a huge springboard for many cartoonists and animators who would later become famous, including John Kricfalusi ( creator of The Ren and Stimpy Show ), Bruce W. Timm ( producer of Batman: The Animated Series ), Jim Reardon ( writer for Tiny Toon Adventures, Wall-E and director of many Simpsons episodes ), Tom Minton ( writer and producer for many Warner Bros. television cartoons, including Tiny Toons, Animaniacs, The Sylvester and Tweety Mysteries, Baby Looney Tunes and Duck Dodgers ), Lynne Naylor ( co-founder of Spümcø, character designer for Batman: The Animated Series and storyboard artist for The Powerpuff Girls and Cow and Chicken among other work ), Rich Moore ( animation director for The Simpsons and Futurama ), Andrew Stanton ( director of Finding Nemo and Wall-E ) and others.
While the designs of Homer's new art friends were not based on anybody in particular, the " German guy " was drawn to hold his cigarette in a " European way " by animation director Jim Reardon.
His earliest known venture into professional animation was at Ralph Bakshi Productions, where he worked on The New Adventures along with other young animators like Jeff Pidgeon, Eddie Fitzgerald, Tom Minton, John Kricfalusi, and Jim Reardon.
Jim Reardon is an animation director and storyboard consultant, best known for his work on the animated TV series The Simpsons.
Gordon was part of a group of animation pros led by Jim Davis ( of Fox and Crow fame ) that supplied original funny animal comic book stories to ACG and DC Comics.

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