After his marriage, Millais began to paint in a broader style, which Ruskin condemned as a " catastrophe ".
After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as " a catastrophe ".
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After his marriage, Millais began to paint in a broader style, which Ruskin condemned as a " catastrophe ".
After his marriage, Millais began to paint in a broader style, which was condemned by Ruskin as " a catastrophe ".
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