After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones ( 1958 ) and 1958 Miles ( 1958 ) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz.

After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones ( 1958 ) and 1958 Miles ( 1958 ) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz.

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