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Alain and Silver
Alain Silver, the most widely published American critic specializing in film noir studies, refers to film noir as a " cycle " and a " phenomenon ", even as he argues that it has — like certain genres — a consistent set of visual and thematic codes.
While City Streets and other pre-WWII crime melodramas such as Fury ( 1936 ) and You Only Live Once ( 1937 ), both directed by Fritz Lang, are categorized as full-fledged noir in Alain Silver and Elizabeth Ward's film noir encyclopedia, other critics tend to describe them as " proto-noir " or in similar terms.
* Kiss Me Deadly article, " Evidence of a Style ," by Alain Silver
* Alain Silver and James Ursini, David Lean and his Films, Silman-James, 1992.
* Senses of Cinema: Great Directors Critical Database, Biography by Alain Silver
Critics Bob Porfiero and Alain Silver, in a review and analysis of the film, praised Lupino's use of shooting locations.
* John Silver is depicted in L ' ile aux tresors, a movie by Alain Berberian ; the cast includes Gerard Jugnot and Alice Taglioni.
54 Nude Honeys, Abbass, Abe Duque, Afu-Ra, Alain Chamfort, Alexis HK, Anais, Anis, Anna Karina, Anna Ternheim, Architecture in Helsinki, Arctic Monkeys, Art Brut, Arthur H, Asyl, Bénabar, Battles, Bernard Lavilliers, Bikini Machine, Birdy Nam Nam, Bumcello with Mazaher & Ganoub, Buzzcocks, Calexico, Cali, Calixte de Nigremont, Cariboo, Champion, Cheikha Rimitti, Christophe Mali, Clarika, CocoRosie, Coldcut, Company Scene & Track, Da Silva, Dagoba, Dani Siciliano, Daniel Darc, Deus, Diam's, Digitalism, Dionysos, Dominique A, Émilie Simon, Eths, Final Fantasy, Fredo, Hocus Pocus, Hushpuppies, Indochine Iron & Wine, Izïa, Jacques Higelin, John Lord Fonda, Joseph D ' Anvers, JR Ewing, Juliette, Justice, K ' naan, Ken Boothe, Keny Arkana, Killa Carltoon, La Grande Sophie, Le Cirque Des Mirages, Les Brats, Les Ogres de Barback, Loic Lantoine, Lo ' Jo, Louis Chedid, Massive Attack, Mahmoud Ahmed, Mansfield Tya, Marcel Kanche, Mariza, Matthew Herbert, Mauss, Melissa Mars, Mick Harvey, Mickey 3D, Mike Patton, Miossec, Modeselektor, Ms. John Soda, Pauline Croze, Plaid, PM Gaillard Sans Gêne, Poni Hoax, Psapp, Puppetmastaz, Queenadreena, Raphael, Rhesus, Rodolphe Burger, Saïan Supa Crew, Sapho, Sarah Slean, Second Sex, Sharon Jones, Skin, Smooth, Splean, Sylvain Chauveau, The Dresden Dolls, The Flaming Lips, The Spinto Band, Thee Silver Mt.
According to Alain Silver, the antique " Tio Vivo Carousel " built in 1882 in Taos, New Mexico, was the model for the carousel in the novel Ride The Pink Horse.
* After Dark, My Sweet at Film Noir of the Week by film historian Alain Silver
* Silver, Alain ( 2011 ).
* Alain Silver and James Ursini ( 2010 ) The Vampire Film ( 4th edition ) ISBN 0-87910-380-9
In the book Film Noir: An Encyclopedic Reference to the American Style edited by Alain Silver and Elizabeth Ward, Robinson's performance is summed up like this:
According to film critics Bob Porfiero and Alain Silver, the screenwriters take a hard-boiled mystery plot and combine it with " an aura of middle-class malaise and pervasive corruption to provide a motivation for Peter's alienation and fall.
Film Noir: An Encyclopedic Reference to the American Style by Alain Silver and Elizabeth Ward notes: " Phantom Lady excepted, The Chase is the best cinematic equivalent of the dark, oppressive atmosphere that characterizes most of Cornell Woolrich's best fiction.
Film critic Alain Silver makes the case that even though the film's locations include bright snow cover landscapes the protagonist in the film is " typically noir.
Alain Silver and Elizabeth Ward's listing of the movie in the book Film Noir: An Encyclopedic Reference to the American Style writes that the film is impressive because of its emphasis on style: " Jack Lambert as the blackmailed killer lies in bed smoking.

Alain and James
Its recipients to date are Ian Agol, Manindra Agrawal, Yves Benoist, Manjul Bhargava, Danny Calegari, Alain Connes, Nils Dencker, Alex Eskin, David Gabai, Ben Green, Christopher Hacon, Richard Hamilton, Michael Harris, Jeremy Kahn, Laurent Lafforgue, Gérard Laumon, Vladimir Markovic, James McKernan, Ngô Bảo Châu, Jonathan Pila, Jean-François Quint, Oded Schramm, Stanislav Smirnov, Terence Tao, Clifford Taubes, Richard Taylor, Claire Voisin, Jean-Loup Waldspurger, Andrew Wiles, and Edward Witten.
) The choice of cover subjects reflected Morrissey's interest in cult film stars ( Stamp, Alain Delon, Jean Marais, Warhol protégé Joe Dallesandro, James Dean ); figures from sixties British popular culture ( Viv Nicholson, Pat Phoenix, Yootha Joyce, Shelagh Delaney ); and anonymous images from old films and magazines.
The first phase comprises abstract modernist works influenced by writers such as Franz Kafka, Samuel Beckett, Alain Robbe-Grillet and James Joyce.
* 2005 Centaur Theater, Montreal ; with Albert Millaire ( James ), Rosemary Dunsmore ( Mary ), Alain Goulem ( James Jr ), Brendan Murray ( Edmund ), Laura Teasdale ( Cathleen ), directed by David Latham
Acclaimed novelists Blake Morrison, Chris Whyte, Lionel Shriver, Colm Tóibín, Jennifer Johnston, John McGahern, Joseph O ’ Neill, Sebastian Barry, Joseph O ’ Connor, Hugo Hamilton, Edna O ’ Brien, Douglas Kennedy, Patrick McGrath, William Trevor, Colum McCann, Gerard Donovan, Frank McCourt, Joris Duytschaever, Irvine Welsh, Dr. Robyn Rowland, Andrew Lindsay, Michael Cunningham, Jane Urquhart, Anatoly Kudryavitsky, Cees Nooteboom, Michael Dibdin, Clyde Rose, Abdel Bari Atwan, Clive James, Melvyn Bragg, Alain De Botton, Lloyd Jones, Eric P Kaufman, Robert Fisk, Jung Chang, Terry Jones, Gabriel Byrne, Christine Dwyer-Hickey and many more.
Beginning in the 1920s, Douglas's illustrations appeared in books by James Weldon Johnson, Countee Cullen, Alain Locke, and other prominent black writers, activists, and intellectuals.
Illustrations included in selected editions of Countee Cullen's Caroling Dusk ; * James Weldon Johnson's God's Trombones: Seven Negro Sermons in Verse ; and Alain Locke's New Negro.
Among them are the former residences of: Charles Manuel " Sweet Daddy " Grace, flamboyant founder of the United House of Prayer For All People ; John A. Lankford, the first African American architect in Washington, D. C .; Belford Lawson, Jr., lead attorney in the landmark case New Negro Alliance v. Sanitary Grocery Co .; Alain LeRoy Locke, the first African American Rhodes Scholar and central figure in the Harlem Renaissance ; Mary Jane Patterson, the first African American woman to earn a bachelor's degree ; Ella Watson, subject of Gordon Parks's famous photograph American Gothic, Washington, D. C .; and James Lesesne Wells, noted graphic artist and longtime art instructor at Howard University.
Franck Alain James Leboeuf or Lebœuf ( born on 22 January 1968 ) is a former French international footballer who played as a defender.
He is best known for his bestselling book Film as a Subversive Art ( 1974 ) and as the founder of the New York City avantgarde ciné-club Cinema 16 ( 1947 – 1963 ), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D ' Avino and many others.
A number of buildings and schools have been named after Sigma men such as: George Washington Carver, Alain LeRoy Locke, Cornelius V. Troupe, Robert Russa Moton, Alger Boswell and James Weldon Johnson.
* James Kalamasz & Alain Leroux – " Country Fever "
The film expands on the central character of James " Popeye " Doyle who travels to Marseille, France where he is attempting to track down French drug-dealer Alain Charnier, who got away at the end of the first film.

Alain and wrote
Alain Decaux wrote: " Madame de Rambaud was officially in charge of the care of the Dauphin from the day of his birth until 10 August 1792, in other words, for seven years.
In 1982, Gainsbourg wrote an album for French rocker Alain Bashung, Play blessures.
Other composers, such as Olivier Messiaen, Jehan Alain, Jean Langlais, and Petr Eben, wrote post-tonal organ music.
Alain Locke wrote in his foreword to the literary collection The New Negro, “ We turn therefore in the other direction to the elements of truest social portraiture … we shall let the Negro speak for himself .” Locke believed that African Americans lived in a world with political realities, and thus needed to respond with a deliberate politics in their work.
In 1972, Rampa's French language agent Alain Stanké wrote to the Dalai Lama and asked for his opinion about Rampa's identity.
After publishing four novels, in 1961, he worked with Alain Resnais, writing the script for Last Year in Marienbad ( L ' Année dernière à Marienbad ), and he subsequently wrote and directed his own films.
Robbe-Grillet also wrote screenplays, notably for Alain Resnais ' 1961 film Last Year at Marienbad, a critical success that is considered to be one of the finest French films of the 1960s.
In 2008 Kretzmer wrote the lyrics for Marguerite from an original text by Alain Boublil, a musical set in Nazi-occupied Paris, to music by Michel Legrand.
Maurice Duruflé wrote a musical tribute to Jehan Alain with his Prélude et fugue sur le nom d ' A. L. A. I. N op.
It was mostly praised by film critics, although Alain Robbe-Grillet wrote an unfavorable review and stated " I didn't like it very much.
The English Romantic poet John Keats famously wrote the ballad ' La Belle Dame Sans Merci ', using the title from Alain Chartier.
In the 1970s Berger collaborated with the Swiss director Alain Tanner on several films ; he wrote or co-wrote La Salamandre ( 1971 ), The Middle of the World ( 1974 ) and Jonah who will be 25 in the year 2000 ( 1976 ).
Sternberg also wrote for film director Alain Resnais, penning the script of his 1968 surreal time travel feature, Je t ' aime, Je t ' aime.
Mercer wrote the screenplay for the Alain Resnais film Providence, in which John Gielgud portrays an elderly, dying writer.

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