William d ' Albini's monastery was a dependency of the Benedictine monastery at St Albans, where his uncle Richard was Abbot.

Some critics viewed these defenses as mere justifications for actual deep-seated racism, homophobia, and misogyny on Albini's part, given his level of familiarity with the subject matter, but he insisted that he was not a prejudiced person and was merely satirizing those impulses that rational, civilized persons normally suppress in the course of social interaction: " So once that's given, once you know what you think, there's no reason to be ginger about what you say.

The next stop was Steve Albini's studio, Electrical Audio, where the Blues Explosion cut some tracks in the days following their 1998 New Year's Eve Chicago performance.

Critic Mark Deming describes Santiago as an ideal guitar foil for Albini ; " his muscular guitar sound was the ideal match of Albini's jagged, metallic tone.

Weston was also Albini's Assistant Engineer on Nirvana's In Utero album.

The band acknowledged no taboos, and Albini's lyrics openly dealt with loaded topics including murder, rape, child sexual abuse, arson, racism, and misogyny.

Compounding the problem were the band's aggressive, noise-driven sound and Albini's confrontational lyrics, which tested the tolerance of his white liberal audience by mercilessly satirizing racism, sexism, chauvinism, and stereotypes of homosexuality, sometimes using pejoratives like " darkie " and " fag " to drive home the point ; this led some listeners to consider him a bigot.

The contrast between Wallace's style of mixing, which involves ( among other things ) triggered samples ( leading to the album's distinctive half wood, half metal snare drum sound ), and Albini's style of recording, irritated Albini.

Shellac has a distinctive, minimalist sound based on unusual and urgent time signatures, repetitive heavy rhythms, an angular guitar sound, and both Albini's and Weston's surreal, bitingly sarcastic lyrics.

* Dark Arts – A Long Way from Brigadoon ( 1985 ) ( released on Albini's Ruthless Records ( Chicago ) label )

Many of the EP's lyrics depicted scenarios drawn from Albini's midwest upbringing, such as " Cables ", which described the slaughtering of cows at a Montana abattoir, and " Pigeon Kill ", about a rural Indiana town that dealt with an overpopulation of pigeons by feeding them poisoned corn.

Albini's touring schedule with Shellac did not allow time for the band to rehearse a full set, so they instead played a short set of four songs: " Cables ", " Dead Billy ", " Pigeon Kill ", and " Racer-X ".

With the addition of Balthazar " Baltie " de Lay, of the band Mother ( later Menthol ), the band recorded their first demo in famous engineer Steve Albini's basement in Chicago, Illinois.

" Cobain cited Surfer Rosa as one of his main musical influences, and particularly admired the album's natural and powerful drum sounds — a result of Steve Albini's influence on the record.

Steve Albini's Big Black followed a similar path, while also incorporating American hardcore punk.

American noise-rockers Sonic Youth melded the rock-feedback tradition with a compositional / classical approach ( notably covering Reich's " Pendulum Music "), and guitarist / producer Steve Albini's group Big Black also worked controlled feedback into the makeup of their songs.

Albini's name does not appear on the original record sleeve.

Both Surfer Rosa and Steve Albini's production of the album have been influential on alternative rock, and on grunge in particular.

The trio clicked as a unit, Durango's ability to rework arrangements and tweak sounds helping to refine Albini's song ideas.

With their breakup announced well in advance, Big Black recorded their final album, Songs About Fucking, half in London and half at Albini's home studio.

They performed at the Pukkelpop festival in Belgium with Sonic Youth on July 22, Albini's 25th birthday.

No matter what well-meaning rockers think of Steve Albini's supremacist lies, they lie themselves if they dismiss what he does with electric guitars — that Killdozer sound culminates if not finishes off whole generations of punk and metal.

Albini's recording style is characterized by the use of vintage microphones placed strategically around the performance room, keeping vocals very low in the mix, and using few special effects.

Albini's lyrics openly dealt with such topics as mutilation, murder, rape, child molestation, arson, immolation, racism, and misogyny.

Albini's lyrics drew criticism for apparent racism and homophobia.

Some bands signed to the independent label Homestead Records, including Squirrel Bait ( as well as David Grubbs-related Bastro and Bitch Magnet ) and Steve Albini's Big Black ( just as his subsequent projects Rapeman and Shellac ) are also associated with post-hardcore.

This is in line with Steve Albini's general dislike for the CD format.

If the film industry was becoming a director's medium, Woolfson felt the music business might well become a producer's medium.

However in the first part of the 20th century the record producer's role was similar to the role of a film producer in that the record producer organized and supervised recording sessions, paid technicians, musicians and arrangers, and sometimes chose material for the artist.

But due to a long-frayed relation with the studio, which had little enthusiasm for the producer's documentary releases, Disney opted to sever his relation with RKO and create his own distribution subsidiary – Buena Vista Distribution, which he named after the street where his office was located.

Coburn teamed with director Sam Peckinpah for the 1973 film Pat Garrett & Billy the Kid ( they had worked together in 1965 on Major Dundee ; the film's producer, Jerry Bresler, took editing responsibilities away from Peckinpah during post-production, resulting in Peckinpah's becoming furious over what he claimed was the producer's deliberate sabotage of his film, and he threatened the studio with a lawsuit.

The musical was expected to open on Broadway in 1954-1955, but because of the lead producer's death, it was not produced.

The leaked conversation revealed the producer's role as an acting coach who was encouraging Robertson to fake certain emotions for the camera which she was not feeling.

Farrell said " he had no problem " that people knew he was the producer's fall back pick after Damon declined.

The film was not released in the United States, but Clark says that it was because of the producer's failure to get releases for the music used.

He was going to play trumpet player, Chet Baker, in the film The Prince of Cool, but did not agree with the producer's ideas and left the project.

On election night, controversy arose when a CBC producer's gratuitously sexist comment about Stockwell Day's daughter-in-law, Juliana Thiessen Day, was accidentally broadcast on the Canadian networks ' pooled election feed from Day's riding.

Kramer notes that during the 1940s and 1950s, " cinema was the producer's medium :"

At this point, nothing about the film was known, and the one-and-a-half-minute teaser did not include the movie title ; only the producer's name, J. J. Abrams and a release date, 1. 18. 08, were shown.

The producer's return was much to the relief of Ross Martin, who once revealed that he was so disenchanted during the first season that he tried to quit three times.

For Series 2, the show began originally as in Series 1, except for it was " plagued " by numerous apparent " technical faults " ( a ruse on the producer's part, the " Please do not adjust your set " warning that appeared is a hint to this ), with the first challenge being an as yet un-shown Marble Madness challenge ( the contestant's name and town are partly obscured over a technical fault, meaning this was also part of the joke ).

Walsh was invited to take part after completing work on the executive producer's garden.

The network initially offered the producer's job to Bob Banner, who was at the time producing a series for Garry Moore.

It was actually fun to work with Fairplay on the show because he's a producer's dream.

Originally titled Instituciones, its name was changed to Pequeñas anécdotas de las instituciones at the producer's suggestion.

The suit claimed that Big Papi's night club name was chosen to take advantage of the fame of the record producer's chain of sports clubs.